7 products
Long Lost
Regular price $38.00 Save $-38.00Indie folk outfit Lord Huron presents their fourth studio album, Long Lost, which serves as their first new music since 2018's Vide Noir. The band has often tried to uncover the past of their Los Angeles, California studio, Whispering Pines, without much success. Instead, they decided to imagine what has gone on in the studio, who has passed through, and that is how Long Lost was created.
"The history of the studio is somewhat murky," says band leader Ben Schneider,. "We've had it from a good source that it was built for Sam Cooke, but he was killed before it was finished. I can't confirm that tale. We know it was used for Gospel and Hip-Hop in the '80s and '90s and then abandoned at some point. It hadn't been used for many years when we came upon it. I can certainly say it seems full of ghosts. But they're the friendly kind."
The album comes introduced by the handful of enigmatic singles "Not Dead Yet," "Mine Forever," "I Lied" and "Love Me Like You Used To."
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Music for The Starling Girl (Music from the Original Motion Picture)
Regular price $40.00 Save $-40.00Accompanying the acclaimed film, The Starling Girl (written and directed by Laurel Parmet), Lord Huron vocalist and songwriter Ben Schneider composed a 14-track score, featuring the single "Ace Up My Sleeve," which has amassed over 2 million streams on Spotify and "channels the echoes of classic country through a modern, alternative prism." Available on translucent fog-colored vinyl LP.
Vide Noir
Regular price $38.00 Save $-38.00Vide Noir was written and recorded over the past two years at Lord Huron's Los Angeles studio and informal clubhouse, Whispering Pines, and was mixed by Dave Fridmann (The Flaming Lips/MGMT). Singer, songwriter and producer Ben Schneider found inspiration wandering restlessly through his adopted home of L.A. at night: "My nighttime drives ranged all over the city – across the twinkling grid of the valley, into the creeping shadows of the foothills, through downtown's neon canyons and way out to the darksome ocean. I started imagining Vide Noir as an epic odyssey through the city, across dimensions, and out into the cosmos. A journey along the spectrum of human experience. A search for meaning amidst the cold indifference of The Universe," he says.
Lead single "Wait by the River" is already the subject of early critical praise; the Los Angeles Times proclaims, "It's a gorgeous song, one with the majesty of a 1950s doo-wop ballad," while SPIN adds, "[‘Wait by the River'] offers a refined, waltz-like sound that can't quite cover for the sins of a fatalistically obsessed narrator." UPROXX furthers, "The track sounds like something you'd slowly sway back and forth to in close proximity with a special someone at a ‘50s high school dance, like a more doo-wop Fleet Foxes, a vibe they previously proved they can nail with ‘The Night We Met.'"
A true multi-media artist, Schneider has once again created an adorned world to inhabit within Vide Noir: the album will be accompanied by a wealth of imagery, films and immersive experiences crafted to expand upon its narratives and themes. This builds on Schneider's past work, which used videos, a comic book, a choose-your-own-adventure hotline and assorted Easter eggs as means of deepening the listener experience.