Indie Exclusive

Public Image Ltd. (PiL) announce their 11th studio album and first album in 8 years, End of World. The band began writing and recording End of World in 2018, during their 40th anniversary tour. After The Great Pause, the band regrouped in the studio and “there was just this massive explosion of ideas,” Lydon says. The result finds PiL set to release 13 of the best tracks they have ever written.

Earlier this year, PiL released Hawaii, the most personal piece of songwriting and accompanying artwork that John Lydon has ever shared. The song is a love letter to John's wife of nearly 5 decades, Nora, who is living with Alzheimer’s. A pensive, personal yet universal love song that has resonated with many since its release in January, the song sees John reflecting on their lifetime well spent and in particular one of their happiest moments together in Hawaii. Celebrating their 40-year anniversary in 2018, the band is widely regarded as one of the most innovative and influential bands of all time. PiL’s music and vision has earned them 5 UK Top 20 singles and 5 UK Top 20 albums. With a shifting line-up and unique sound - fusing rock, dance, folk, pop and dub – Lydon guided the band from their debut album First Issue in 1978 through to 1992’s That What Is Not, before a 17 year hiatus. Lydon reactivated PiL in 2009, touring extensively worldwide and releasing two critically acclaimed albums This is PiL in 2012 followed by their 10th studio album What The World Needs Now… in 2015, which peaked at number 29 in the official UK album charts and picked up fantastic acclaim from both press and public.

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Lukas Nelson & Promise of the Real are back with Sticks and Stones, releasing 7/14 via 6ACE Records / Thirty Tigers. This self-produced, honest and emotional new album highlights Nelson's strength as a songwriter and the band's uncompromising commitment to clarity, compassionate tones, and exceptional melodic moments. Lyrically, Sticks and Stones spans the themes of Drinking, Heartbreak, Love, Lying, Hope, Nature, Self-Reflection, Work-Life Balance, Settling Down, Home, Time, Longing and more.

• 1 Sticks and Stones
• 2 Alcohallelujah
• 3 Every Time I Drink
• 4 More Than Friends
• 5 Ladder of Love
• 6 Wrong House
• 7 Icarus
• 8 If I Didn't Love You
• 9 Overpass
• 10 Lying
• 11 All Four Winds
• 12 The View

2023 Vinyl 2LP Reissue with Remastered Audio and New Artwork

Chiming laments for a childhood's end, the debut album from Animal Collective, Spirit They're Gone, Spirit They've Vanished opens with the phrase "want to hear a secret, I know one," suggesting these secrets just might be buried deep within the flocks of high frequencies, electronic glitches, bleeps and swells that follow. Originally released in 2000 and credited to Avey Tare & Panda Bear prior to the full, collective band name being used on releases, this reissue features remastered audio and new artwork by Abby and Dave Portner.

1. Spirit They've Vanished (Remastered 2023)
2. April And The Phantom (Remastered 2023)
3. Untitled (Remastered 2023)
4. Penny Dreadfuls (Remastered 2023)
5. Chocolate Girl (Remastered 2023)
6. Everyone Whistling (Remastered 2023)
7. La Rapet (Remastered 2023)
8. Bat You'll Fly (Remastered 2023)
9. Someday I'll Grow To Be As Tall As The Giant (Remastered 2023)
10. Alvin Row (Remastered 2023)

The Cage EP - Billy Idol - He said the upcoming project is "a little more coming at you, a little more rock 'n' roll [and] a little more fn@k you!" than his previous EP.

• 1 Cage
• 2 Running from the Ghost
• 3 Rebel Like You
• 4 Miss Nobody

Scratch and Dent:
Some Damage to Outer Sleeve-Vinyl is Unopened

Welcome To My World is a 27-track collection of some of Daniel Jonhston's most-beloved songs and is now available on vinyl for the very first time! These are the songs that built the legend...a must-have for the legion of devoted Daniel Johnston fans as well as the perfect introduction for new listeners. Johnston's music captivated fellow artists and fans with its childlike elements and lo-fi elements. The singer-songwriter-artist earned a cult following in the early '80s, sharing homemade cassette tapes of his music, and his prominence was established after Kurt Cobain was publicly seen wearing a shirt with one of Johnston's illustrations.

1. Peek A Boo
2. Casper The Friendly Ghost
3. Some Things Last A Long Time
4. Walking The Cow
5. I'm Nervous
6. Man Obsessed
7. Don't Let The Sun Go Down On Your Grievances
8. Never Before Never Again
9. The Sun Shines Down On Me
10. Chord Organ Blues
11. Living Life
12. Speeding Motorcycle
13. True Love Will Find You In The End
14. Never Relaxed
15. Sorry Entertainer
16. Ain't No Woman Gonna Make A George Jones Outta Me
17. Lennon Song
18. Devil Town
19. Laurie
20. Story Of An Artist
21. Funeral Home
22. Go
23. My Yoke Is Heavy
24. Wild West Virginia
25. I Live My Broken Dreams
26. Marching Guitars
27. The Great Tune

2022 release. After blazing a trail with 2020's critically acclaimed Good Luck Seeker, The Waterboys waste no time in delivering their brand new record All Souls Hill. The album is nine tracks of Waterboys brilliance, all mixed by Scott himself. All Souls Hill is current, on the money social commentary, but with an air of hope. "All Souls Hill is mysterious, otherworldly, tune-banging and emotional." comments Mike. "I made it with Waterboys old and new and my co-producer, brilliant sonic guru Simon Dine. It's nine songs tell stories, explore dreamscapes, and cast a cold but hopeful eye on the human drama."

Tracks

• 1 All Souls Hill
• 2 The Liar
• 3 The Southern Moon
• 4 Blackberry Girl
• 5 Hollywood Blues
• 6 In My Dreams
• 7 Once We Were Brothers
• 8 Here We Go Again
• 9 Passing Through

Van Morrison's forty-third studio album, What's It Gonna Take? features 14 new compositions that collectively reflect the artist's indefatigable drive to record and perform live in front of audiences. The album is preceded by "Pretending" - a gorgeous, restless soul track - produced by Morrison and recorded between Real World Studios, Bath Spa Hotel, Richard Dunn's Studio, Culloden Hotel Holywood Studio and Musicbox Studios.

LP1
1. Dangerous
2. What's It Gonna Take?
3. Fighting Back is the New Normal
4. Fodder for the Masses
5. Can't Go On This Way
6. Sometimes It's Just Blah Blah Blah
7. Money From America, 

LP2
1. Not Seeking Approval 
2. Damage and Recovery
3. Nervous Breakdown
4. Absolutely Positively the Most
5. I Ain’t No Celebrity
6. Stage Name
7. Fear and Self-Loathing in Las Vegas
8. Pretending

Indie Exclusive Yellow Vinyl. All Day Gentle Hold ! is the fifth album from Aaron Maine and a celebratory collection of songs. Harder, faster, shorter and louder than any other Porches record, it’s direct and pointed, charged up and chaotic, described by Maine as “the most energetic, off-the-cuff moments, collaged together into the most captivating songs [he] could make.”

Tracks

1. Lately
2. I Miss That
3. Okay
4. Swimming Big
5. Back3School
6. Swarovski
7. Watergetsinside
8. In A Fashion
9. Inasint
10. Grab The Phone
11. Comedown Song (Gunk)

PSA is the full-length debut album from Houston-based singer Peyton. Radiating confidence and self-love, PSA sees Peyton standing in the spotlight and making herself heard. Throughout the 12-track album, listeners are taken inside the reflective world of a young woman's attempt to comprehend love, friendship, and life itself. "Everything I'm singing feels like my thoughts are pouring out boldly to the world," she says. Peyton began writing PSA in 2018, then worked with several producers including Biako, Jay Anthony, Vicky Farewell, Julia Lewis and Keys & Krates, to bring her vision to life. The album's opening track "What Did I Do" puts a positive spin on her break-up with a close friend; "Don't U Wanna Fly" is a reminder to see the beauty in child-like simplicity; "Let It Flow" is about trusting your intuition, and "Perfect Peach" is a song about innocent love. The album closes with Peyton's cover of "Pure Imagination" – originally sung by Gene Wilder in Willy Wonka & The Chocolate Factory – a song that draws on PSA's themes of youthful hope and continual creativity.

1. What Did I Do
2. Let it Flow feat. Brice Blanco
3. Haters
4. Ppl Say
5. IRLMB
6. Vicky’s Interlude
7. Big Flexer feat. Ian McGilber
8. Don’t U Wanna Fly feat. Fousheé
9. Tad Bit
10. It’s Been So Long
11. Perfect Peach
12. Pure Imagination

In 2020 Brooklyn's Holy Hive introduced us all to something we didn't know we needed. Homer Steinweiss' thickly pocketed drumming paired with Paul Spring's floaty falsetto vocal produces a sound that's like a salve. It's been dubbed Folk Soul and Holy Hive not only expertly overlay the more apparent musical aspects of folk and soul-but they also draw from the more profound: being able to pull traditions from the past and make them their own. When Homer wasn't playing drums for Lady Gaga or Adele or Bruno Mars, he'd produce Paul's solo folk records. Along with original bassist and frequent collaborator Joe Harrison, these sessions proved to be Holy Hive's foundation. And their first record, Float Back to You, expertly combined what each musician does best: Paul's heady, reflective approach to folk with Homer's universal classic soul sound.

With their new record released on Big Crown, Holy Hive's beautifully simple-and-sparse Folk Soul sound is back-but updated. With new influences and the challenge of creating and capturing music during a global pandemic, this new self-titled album, is more personal, more reflective. The first single off of Holy Hive, "I Don't Envy Yesterdays," picks up right where Homer and Paul left off. The song weighs the question of time and the human condition-a deeply thoughtful and typically tricky subject-but in a light, almost easy-breezy way. Homer's drumming provides the song a space, a kind of breathing room. Written in the Yucca Valley desert before the world broke in 2020, it's no wonder Paul's voice drifts and darts on top of it all like a heat shimmer. They describe three distinct phases when piecing together Holy Hive: this first stage was pre-pandemic in California while traveling as a group, then-like the rest of us-they were separated, creating together but apart, and lastly an explosion of output once they reunited in New York. There is a natural but subtle evolution for Holy Hive on this record. Homer and Paul drew from new and maybe more obscure-yet-honest influences. It's still very much Folk Soul-how could it not be. But, like all artists, they've taken in what they've made and how they've made it, only to push it into new places. We know of Holy Hive's ability to lyrically convey the abstract and complex in poetic and palatable ways. But where the first record was soulfully silver-tongued with chill songs about love and affection, Holy Hive widens the lens with these novel influences, reflecting the points both Homer and Paul are in their own lives. "We put the utmost importance on having lyrics that mean something to us," Homer explains. "A lot of the songs on the first record were fun, but could be kind of surface. On this record, we wanted to be more personal-we wanted to write more about life."

Tracks

• 1 Color It Easy
• 2 Story of My Life
• 3 Golden Crown
• 4 Ain't That the Way
• 5 Runaways
• 6 Deadly Valentine
• 7 I Don't Envy Yesterdays
• 8 A Wind Rose
• 9 All I'd Be Is Where You Are
• 10 Great Chains
• 11 Cynthia's Meditation
• 12 Brooklyn Ferry
• 13 Circling the Surface
• 14 Starless
• 15 Star Crossed

American Head is the best and most consistent studio album from The Flaming Lips since the release of their most successful brace of albums The Soft Bulletin and Yoshimi Battles The Pink Robots. Similar to those records, the 13 cinematic songs on American Head are classically structured and feature the same sonic and production qualities. Kacey Musgraves (a fan who covers "Do You Realize" in her live set) is a guest on three tracks – "Watching the Lightbugs Glow" as well as the focus tracks "Flowers Of Neptune 6" and "God and the Policeman." "Flowers of Neptune 6" serves as the first new music from The Lips since 2019's internationally acclaimed King's Mouth Music And Songs. Produced by Dave Fridmann and The Flaming Lips, it reflects the gentler side of the band's paisley oeuvre and melodically flows downstream into a welcoming wormhole of wistful summer pop.

Tracks

1. Will You Return / When You Come Down
2. Watching the Lightbugs Glow
3. Flowers Of Neptune 6
4. Dinosaurs On The Mountain
5. At The Movies On Quaaludes
6. Mother I've Taken LSD
7. Brother Eye
8. You n Me Sellin' Weed
9. Mother Please Don't Be Sad
10. When We Die When We're High
11. Assassins of Youth
12. God and the Policeman
13. My Religion Is You

Ska-punk pioneers The Mighty Mighty BossToneS deliver their eleventh studio record When God Was Great. Co-produced by longtime collaborator Ted Hutt (The Gaslight Anthem, Dropkick Murphys) and Rancid frontman Tim Armstrong (Transplants, Jimmy Cliff), When God Was Great is the culmination of their extensive and all-embracing career and sees the band bringing back friends, tourmates, and bandmates from the past for a sonic celebration that stresses the power of perseverance and human connection during tumultuous times. The album features 15-tracks that initially arose out of a collective sense of loss.

"We were lightly writing songs before the insanity without any sort of timeline in mind. All of a sudden, the world changed and benchmark events in a very long career that we were looking forward to, such as playing with the Madness at the Greek Theatre, were taken away from us," explains frontman Dicky Barrett. "With all of this time on our hands, we started writing at a quickened pace and we were really inspired. As grim as everything around us was in the outside world, this was the most fun we ever had making a record."

LP1

1. Decide
2. Move
3. I Don't Believe In Anything
4. Certain Things
5. Bruised
6. Lonely Boy
7. The Killing of Georgie (Part III)
8. You Had To Be There
9. When God Was Great

LP2

1. What It Takes
2. Long As I Can See the Light
3. The Truth Hurts
4. It Went Well
5. I Don't Want To Be You
6. The Final Parade