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38 products
Mindsets (RSDBF 2023)
Regular price $26.00 Save $-26.00B-Side Ourselves (RSDBF 2023)
Regular price $24.00 Save $-24.00Originally released in 1992, this EP features Skid Row's classic line-up covering "Psycho Therapy" (The Ramones), "C'Mon And Love Me" (KISS), "Delivering The Goods" (Judas Priest), "What You're Doing" (RUSH), & "Little Wing" (Jimi Hendrix).
Pressed on yellow/black marble 12” vinyl for RSD Black Friday.
Psycho Therapy, C'mon and Love Me, Delivering the Goods, What You're Doing, Little Wing
Tracks From The Attic (RSDBF 2023)
Regular price $74.00 Save $-74.00Attics have always exerted an irresistible pull on David J’s imagination. They can unveil luminous jewels that time and dust made seem lost. With Tracks from the Attic, the Bauhaus and Love and Rockets co-founder invites us to join him and climb up the ladder. A most fascinating journey ensues: we’re looking through boxes of tapes, getting reacquainted with an artist we’ve known for a long time, yet the intimate songs he recorded in solitary over three decades reveal new sides to him.
Even while busy with his two legendary groups, David J burst with songs; this is a thrilling selection of recordings he made between 1983 and 2004, some in the studio and most at home, with only the help of his Muse, a recorder and a lighted candle. Like all good attic finds, these songs were committed to tape and almost forgotten - it wasn’t until a fan suggested he’d offer his digitizing skills that David J thought about revisiting them again. All, except deep cut “This Town”, had never been previously heard. The fact that most of these tunes didn’t end up being beloved classics (something that, once you hit play, your ears will hardly come to terms with) is but a sign of David J’s ever busy creative state. Mostly composed on acoustic guitar, they will offer unexpected revelations to long-time fans, as they bring to light facets of his musical self that couldn’t be fully expressed in a band setting. It is indeed fascinating to follow the evolution of David J’s way with songs through the decades, from the observational lyrical montages of the early days to a later, confident embrace of the deeply personal. At the same time, Tracks from the Attic can also be seen as a striking introduction for newcomers - it does feel like meeting one of the great British singer-songwriters for the first time. ‘Oh No! Not Another Songwriter!’, one of the box set’s highlights cheekily cries out. Well, this box set interjects, this is not just any songwriter. Pressed on red vinyl for RSD Black Friday.
Tribute (RSDBF 2023)
Regular price $23.00 Save $-23.00ATCO/Rhino honors the two-time Rock and Roll Hall of Famer’s immeasurable legacy with an EP of three songs making their debut on vinyl. Tribute includes “Midnight Walker Lament,” which combines the instrumental “Midnight Walker” from 18 (Beck’s 2022 album with Johnny Depp) with a spoken word poem by Imelda May, a live version of “Elegy For Dunkirk,” featuring Jeff and singer Olivia Safe, and a blistering live version of “Going Down,” recorded in Paris with Beck backed by bassist Rhonda Smith, drummer Jonathan Joseph, vocalist Jimmy Hall, and guitarist Carmen Vandenberg.
Side A
1. Jeff Beck featuring Imelda May: “Midnight Walker Lament”
2. Jeff Beck featuring Olivia Safe: “Elegy For Dunkirk (Live)”
Side B
1. The Jeff Beck Band: “Going Down (Live)”
Noise For Now: Volume 1 (Various Artists) (RSDBF 2023)
Regular price $40.00 Save $-40.00Noise for Now is a compilation for abortion access throughout the US. 100% of proceeds will go to the charities Noise for Now, The Brigid Alliance, and Abortion Care Network. It is a clear LP in a single pocket jacket with an insert and "Liberate Abortion" litho by Kim Gordon. Lineup includes Maya Hawke, Jason Isbell and Amanda Shires, Bully, Wet Leg, My Morning Jacket, Fleet Foxes, and more.
Side A:
1. Wet Leg - Loving You (Demo)
2. Tegan and Sara - Under My Control
3. Thao and the Get Down Stay Down - Meticulous Bird (Tune-Yards Remix)
4. Sleater-Kinney - Free Time
5. Bully - Labor of Love
6. Caroline Spence, Erin Rae, Michaela Anne, Tristen - This Women's Work (kate Bush cover)
Side B:
1. Maya Hawke - Rose and Thorn
2. My Morning Jacket - Rainbow Power (Timmy Thomas cover)
3. Cat Power - Song to Bobby (Live)
4. Fleet Foxes - The Kiss (Live)
5. Amanda Shires & Jason Isbell - The Problem (Live)
Party With God + 1985 Demo (RSDBF 2023)
Regular price $33.00 Save $-33.00Cult Bay Area Thrash band’s debut album + demo on vinyl together for the first time ever! 2xLP w/ etching on side D. Contains photos from the era. One of the best thrash albums to come out of the Bay Area. An unsung classic. For Fans Of: Vio-lence, Exodus , Metallica - RED VINYL
Side A
1 Azmeroth
2 Crucified
3 Fun With Napalm
4 Born Of Hell
5 Time To Die
Side B
6 Skinned Alive
7 Cancer
8 Judge Death
9 Death Toll
10 Words Of God
11 Final Rites
12 Slaughterhouse
13 Victimized
Side C
1985 Demo
14 Azmeroth
15 Skinned Alive
16 Crucified
17 Heed No Warning
Side D: ETCHING
Blue-sky Research (RSDBF 2023)
Regular price $41.00 Save $-41.00Death Becomes Her (Original Soundtrack) (RSDBF 2023)
Regular price $31.00 Save $-31.00Light In The Attic & Friends (RSDBF 2023)
Regular price $46.00 Save $-46.00Over a decade in the making, this new collection, Light in the Attic & Friends, features an incredible cast of legendary artists covering songs that the label Light in the Attic has re-released over the past 22 years, including Charles Bradley & The Menahan Street Band covering Sixto Rodriguez, Iggy Pop & Zig Zags covering funk queen Betty Davis, Ethan & Maya Hawke covering country great Willie Nelson, Angel Olsen covering folk singer Karen Dalton, 88-year old electronic pioneer Roedelius covering Mali guitar gods Tinariwen, and Mac DeMarco covering Japanese master Haruomi Hosono.
The double LP is pressed on special limited edition color wax and housed in a widespine jacket featuring new cover art by renowned British artist Sophy Hollington, plus a booklet of new liner notes by Lydia Hyslop.
Charles Bradley & The Menahan Street Band - I'll Slip Away, Sweet Tea - After Laughter (Comes Tears), Vashti Bunyan & Devendra Banhart - How Could You Let Me Go, Barbara Lynn - We'll Understand, BADBADNOTGOOD feat. Jonah Yano - Key To Love Is Understanding, Iggy Pop & Zig Zags - If I'm In Luck I Might Get Picked Up, Mozart Estate - Low Life, Leslie Winer & Maxwell Sterling - Once I Was, Ethan & Maya Hawke - We Don't Run, Gold Leaves - Won't You Tell Your Dreams, Swamp Dogg, John C. Reilly, Jenny Lewis & Tim Heidecker - The Kneeling Drunkard's Plea, Silas Short - You've Become A Habit, Mac DeMarco - Honey Moon, Cameron Bethany - Send It On, Roedelius - Le Chant des Fauves, Roedelius - Same Old Man, Angel Olsen - Something On Your Mind, Mary Lattimore - Blink, Acetone - Plain As Your Eyes Can See, Steve Gunn & Bridget St. John - Rabbit Hills
What The Hell Happened To Blood, Sweat & Tears? (RSDBF 2023)
Regular price $42.00 Save $-42.00Music from the documentary by John Scheinfeld (Who Is Harry Nilsson (And Why Is Everyone Talking About Him), The U.S. vs. John Lennon, Herb Alpert Is…).
First time on vinyl for live recordings from 1970 recorded in Yugoslavia, Romania, and Poland.
Side 1:
1. Somethin’ Comin’ On
2. God Bless The Child
3. Spinning Wheel
Side 2:
1. Somethin’ Goin’ On/Blues—Part II
Side 3:
1. Hi-De-Ho
2. And When I Die
3. Sometimes In Winter
Side 4:
1. Smiling Phases
2. You’ve Made Me So Very Happy
3. I Can’t Quit Her
Rostrum Records 20 (RSDBF 2023)
Regular price $33.00 Save $-33.00Level Headed (alt. Mixes & Demos) (RSDBF 2023)
Regular price $38.00 Save $-38.00Another Lesson In Violence- Limited 180-Gram Yellow & Black Marble Colored Vinyl
Regular price $52.00 Save $-52.00Limited edition of 1000 individually numbered copies on yellow & black marbled 180-gram audiophile vinyl. Another Lesson In Violence is Exodus' live album of their reunion tour in 1997. It was recorded at the Trocadero in San Francisco. The album features live recordings of the entire debut album Bonded By Blood (except for "Metal Command").
Saigon Kick (Colored Vinyl, Purple)
Regular price $28.00 Save $-28.00The gleefully raucous 1991 self-titled debut from this Miami band covered all the alternative and heavy metal bases, and while it didn't score a commercial home run, it was still a prodigious clout courtesy of guitarist/songwriter Jason Bieler! In between classic metal tunes like "Coming Home" and "Ugly," Saigon Kick offers everything from grunge-y punk ("What Do You Do," "Acid Rain") to power ballads ("Love of God") to even a couple of quite funny pop songs (the neurotic "My Life" and the homo-erotic "Down by the Ocean"). Since it arrived in the early-'90s "dead zone" for vinyl, Saigon Kick originally came out on LP only in Europe, and original copies go for a pretty penny...Real Gone's release comes in a colored vinyl pressing with lyric sheet/inner sleeve.
See What's On The Inside (Red Vinyl)[Explicit Content]
Regular price $23.00 Save $-23.00Limited colored vinyl LP pressing in gatefold jacket. Seventh album from hard rockers Asking Alexandria. Their nearly 2M Spotify followers, 6 Billboard 200 charting albums (3 appearing in the top 10) and past success at radio (singles on last album reached #3 and #7 on US Active Rock) have primed the band for success. Asking Alexandria is returning with a revival and a rebirth after spending the winter of 2021 living in the studio, the first time band had spent a period alone together writing and recording in over a decade. The product is the truest album by the band yet.
Our Bande Apart
Regular price $20.00 Save $-20.00Third Eye Blind follow-up 2019's Screamer with their Jean-Luc Goddard influenced seventh studio album, Our Bande Apart. Written and recorded in the last days of the lockdown lead single "Box of Bones" concerns itself with the ambivalence and stakes of relationships under pressure. It was the first recording session for the band since before lockdown and one can hear the exuberance they have playing together in the same room again. Second single "Again" includes a guest appearance by Bethany Cosentino.
Friends That Break Your Heart
Regular price $38.00 Save $-38.00Late Nite With Shabazz 3 [Explicit Content] (RSDBF 2023)
Regular price $40.00 Save $-40.00Flood - Opaque Red
Regular price $24.00 Save $-24.00Like the many Banded Stilts that spread across the cover of her newest album Flood, Stella Donnelly is wading into uncharted territory. Here, she finds herself discovering who she is as an artist among the flock, and how abundant one individual can be. Flood is Donnelly's record of this rediscovery: the product of months of risky experimentation, hard moments of introspection, and a lot of moving around. Her early reflections on the relationship between the individual and the many can be traced back to Donnelly's time in the rainforests of Bellingen, where she took to birdwatching as both a hobby and an escape in a border-restricted world. By paying closer attention to the natural world around her, she recalls "I was able to lose that feeling of anyone's reaction to me. I forgot who I was as a musician, which was a humbling experience of just being; being my small self." Reconnecting with the 'small self' allowed Donnelly to tap into creative wells she didn't know existed. Soon songs were coming to her in a way she could not control and over the coming months, Donnelly accumulated 43 tracks as she moved out of Bellingen and around the country, often finding herself displaced due to border restrictions, a tough rental market, and once from the joys of finding black mould in the walls. "I had so many opportunities to write things in strange places," Donnelly remarks, having passed through Fremantle, Williams, Guilderton, Margaret River and Melbourne. "I often had no choice about where I was. There's no denying that not being able to access your family with border closures, it zooms in on those parts of your life you care about." With new locations came new approaches. "It freshened things up for sure," Donnelly says, and writing with band members Jennifer Aslett, George Foster, Jack Gaby and Marcel Tussie, soon began to feel like kindergarten play. "They all brought themselves to the record in such a beautiful way. A lot of us were playing instruments that weren't our first instrument: me on piano, Jack doing all these synth sounds, George trying a bunch of stuff out, Marcel sang! We were all like 'plink plonk'; it was quite vulnerable for all of us." Along with the support of her band members, co-producing the record beside Anna Laverty and Methyl Ethyl's Jake Webb helped to foster an important spontaneity in the studio. With Webb, Donnelly could "dig in" and discover a "forward-leaning sound" she'd been searching for, while Laverty's ability to "capture the piano" and discern the "perfect take" allowed the songwriter to take further risks. Straying from the easier option of writing on an electric guitar, Donnelly's move to piano imbues her new work with a fluidity and vulnerability that befits the record's introspective nature. Donnelly had not played much piano - what she fondly calls "a very easy instrument to f*** up" - since her early childhood and there was something wonderfully playful and poignant about climbing back up onto the piano stool and finding her fingers. Flood revels in this. In "Restricted Account", the piano quietly dances back and forth with her vocals, while the warmth of the fluegelhorn blooms above; piano again drives the band along in "Move Me" as the understated horn returns and Donnelly later aptly sings, "You're the bit that holds us all together". These patterns flicker across the record, dispelling any fears of the record turning out disjointed from it's origin story. Much of the album is ultimately united by Donnelly's intuitive songwriting, where listeners can expect commanding assertive verses, euphoric shimmery choruses and killer bridges; and just when you think you really know what to expect, something alien will arrive: the offspring of the band's "plink plonking". Subverting expectations and keeping people on their toes has long been a strategy of the 'firstborn' in Donnelly. "I can't sit on something for too long," she laughs, "it's an oldest child thing: you strive to entertain; you've got to fight for your spot to keep someone engaged." The child's fight for their spot at the table, both in and out of the home, appears throughout Flood in different personas; one offers a bold exclamation about being a child the rest of her life, while another grapples over whether to wear or throw away her beads from when she was five. In "Morning Silence", one declares "Same old fight was had today / Great grandchild will see the same." Throughout the record, Donnelly looks back at history and wonders where she's come from and where she'll go next. In opener "Lungs" we hear her plead, "History again teach me like a friend what you know and why," and this curiosity extends into many of the songs exploring relationships, be them familial, romantic or platonic. "I do love observing human dynamics," Donnelly says. "Dynamics between old best friends, or dynamics between housemates, or a relationship where the two people are broken up and haven't spoken in years. I like getting into the mind of someone who we've all been at some point." This interest expresses itself in a unique way on the record as Donnelly regularly 'plays dress-up', adopting different faces and personas to help her distill her truest self. In "Lungs" she writes from the point of view of a child whose family has just been evicted, while "Flood" invites us to look through the eyes of someone dating Donnelly, with lyrics frank and at times damning. Looking back at the Banded Stilt, Donnelly ultimately appreciates how when "seen in a crowd they create an optical illusion, but on it's own it's this singular piece of art." While each song on Flood is a singular artwork unto itself, the collective shares all of Stella Donnelly in abundance: her inner child, her nurturing self, her nightmare self; all of herself has gone into the making of this record, and although it would take an ocean to fathom everything she feels, it's well worth diving in.
Out Of This World [Limited 180-Gram Silver Colored Vinyl] [Import]
Regular price $40.00 Save $-40.00Limited 180gm silver colored vinyl LP pressing. Out of This World is the fourth studio album by the Swedish rock band Europe, originally released in 1988. Four singles were released from the album: "Superstitious", "Open Your Heart", "Let the Good Times Rock" and "More Than Meets the Eye".
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Reward
Regular price $26.00 Save $-26.00It was on a mountainside in Cumbria that the first whispers of Cate Le Bon’s fifth studio album poked their buds above the earth. “There’s a strange romanticism to going a little bit crazy and playing the piano to yourself and singing into the night,” she says, recounting the year living solitarily in the Lake District which gave way to Reward. By day, ever the polymath, Le Bon painstakingly learnt to make solid wood tables, stools and chairs from scratch; by night she looked to a second-hand Meers — the first piano she had ever owned — for company, “windows closed to absolutely everyone”, and accidentally poured her heart out. The result is an album every bit as stylistically varied, surrealistically-inclined and tactile as those in the enduring outsider’s back catalogue, but one that is also intensely introspective and profound; her most personal to date. This sense of privacy maintained throughout is helped by the various landscapes within which Reward took shape: Stinson Beach, LA, and Brooklyn via Cardiff and The Lakes. Recording at Panoramic House [Stinson Beach, CA], a residential studio on a mountain overlooking the ocean, afforded Le Bon the ability to preserve the remoteness she had captured during the writing of Reward in Staveley, Lake District. Over this extended period a cast of trusted and loved musicians joined Le Bon, Khouja and fellow co-producer Josiah Steinbrick — Stella Mozgawa (of Warpaint) on drums and percussion; Stephen Black (aka Sweet Baboo) on bass and saxophone and longtime collaborators Huw Evans (aka H.Hawkline) and Josh Klinghoffer on guitars — and were added to the album, “one by one, one on one”. The fact that these collaborators have appeared variously on Le Bon’s previous outputs no doubt goes some way to aid the preservation of a signature sound despite a relatively drastic change in approach. Be it on her more minimalist, acoustic-leaning 2009 debut album Me Oh My or critically acclaimed, liquid-riffed 2013 LP Mug Museum as well
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