Heavy Metal

Limited 180gm vinyl LP pressing. Digitally remastered edition of the second studio album by Metallica, originally released in 1984. The album was recorded in three weeks with producer Flemming Rasmussen at the Sweet Silence Studios in Copenhagen, Denmark. The artwork, based on a concept by the band, depicts an electric chair in the midst of a thunderstorm. The title was taken from a passage in Stephen King's novel The Stand. Although rooted in the thrash metal genre, the album showcased the band's musical maturity and lyrical sophistication. This was partly because bassist Cliff Burton introduced the basics of music theory to the rest of the band and had more input in the songwriting. Instead of relying strictly on fast tempos as on Kill 'Em All, Metallica broadened its approach by employing acoustic guitars, extended instrumentals, and more complex harmonies.

Tracks

Originally released in 2000, White Pony is the third album by the Deftones and follow-up to 1997's Around the Fur. The album marks a significant growth in the group's sound and finds the band incorporating new wave/shoegaze influences into their signature alt-metal mix. Generally regarded by fans and critics alike as Deftones' most mature outing, "Passenger" includes a guest appearance by vocalist Maynard James Keenan of Tool and A Perfect Circle while fellow standout "Elite" was awarded a 2001 Grammy for Best Metal Performance.

LP1
1. Feiticeira
2. Digital Bath
3. Elite
4. Rx Queen
5. Street Carp
6. Teenager

LP2
1. Knife Prty
2. Korea
3. Passenger
4. Change (In The House of Flies)
5. Pink Maggit

2LP/Picture Disc/4 Different Images/Holographic Gatefold

Fifty-one months after Lateralus' original release in CD format, Tool is ready to release a double vinyl four-picture disc edition of Lateralus. Each side contains a different picture and is packaged in a plastic gatefold with a holographic foil. Sony. 2005.

Around the Fur the follow-up to Deftones' passionate, aggressive Adrenaline, sees the California quartet expanding on the sheer rage of their earlier work, adding new, more sinister shades to their already extreme sound. The opening "My Own Summer (Shove It)," serves as an introduction to the album's sonic theme: sinewy guitars and eerie whispers alternate with fast, violent crunch. Sepultura's Max Cavallero contributes guitar and vocals to "Headup," while "MX" finds singer Chino trading off vocal lines with Annalynn Cunningham, (wife of Deftones' drummer Abe) in an acerbic take on the rock star mentality. Vocal acrobat Moreno attacks a variety of styles: his breathy, psychotic recitations sound downright industrial, while the album's calmer, more brooding moments show his gift for haunting melody. Behind him, guitarist Stephen Carpenter's heavy wall of sound is astoundingly muscular, yet inspiringly agile. When Deftones' hellish fury hits full tilt, as it always does on this album, Moreno's voice erupts into screams which are best described as otherworldly, transforming this intense musical firestorm into a hurtling juggernaut of aggression. This LP version comes pressed on 180 gram vinyl.

• 1 My Own Summer (Shove It)
• 2 Lhabia
• 3 Mascara
• 4 Around the Fur
• 5 Rickets
• 6 Be Quiet and Drive (Far Away)
• 7 Lotion
• 8 Dai the Flu
• 9 Headup
• 10 MX

Ushering in a new post-grunge metal genre with their first two Ross Robinson helmed alt-metal landmarks Korn (1994) and Life Is Peachy (1996), Korn switched gears and co-produced their massive third album, Follow The Leader with the team of Steve Thompson and Toby Wright. The 5x-platinum affair peaked at No. 1 on four charts including the Billboard 200 and gave Korn their first entries on the Modern Rock and Mainstream Rock charts with "Got The Life" and "Freak On A Leash." The latter also earned the band their first Grammy Award. Further album standouts include "B.B.K.," "Children of the Korn" and "All in the Family."

"We were listening to tons of rap, but we also liked bands like Pantera and Sepultura and as we evolved, I think we learned to mix those two styles better," notes Jonathan Davis. "Plus, I grew up on new wave and I always wanted to make music that had lots of melody. We got that into the first two records, but Follow the Leader was where we were able to really emphasize the hooks and people loved that shit." "We never wanted to sound like every other band," Reginald Arvizu adds. "Even though we liked all those bands that were part of the sound that we helped create, we've always wanted to be step ahead of everyone else who was doing this kind of music."

"In attack and distemper, Korn have the Nineties hip-hop, amp-death aesthetic...down to ferocious perfection." - David Fricke, Rolling Stone

LP1

1. It's On
2. Freak On A Leash
3. Got the Life
4. Dead Bodies Everywhere
5. Children of the Korn
6. B.B.K.
7. Pretty

LP2

1. All In The Family
2. Reclaim My Place
3. Justin
4. Seed
5. Cameltosis
6. My Gift To You

With fan worship more intense than ever, and worldwide interest and intrigue growing at runaway speed, Sleep Token are set to reach bold new heights with their third studio album, Take Me Back To Eden. This is the spectacular final chapter to the trilogy that started with their 2019 debut album, Sundowning. More than an hour of music across 12 distinctive tracks, it features the heaviest moments thus far recorded by Sleep Token ("Chokehold" & "The Summoning"), along with some of the most commercial and certainly the most emotional, with a slew of other tones, textures and tangents touched on in-between. Sleep Token boldly reconfirm a true love of the epic (the title track is eight minutes plus), whilst further exploring and developing those elements that keep the music removed from any kind of pack, howling at a moon that's all it's own. What comes next, only time will tell, but what's certain is that it won't be bound by convention.

• 1 Chokehold
• 2 The Summoning
• 3 Granite
• 4 Aqua Regia
• 5 Vore
• 6 Ascensionism
• 7 Are You Really Okay?
• 8 The Apparition
• 9 Dywtylm
• 10 Rain
• 11 Take Me Back to Eden
• 12 Euclid

As the title of Tool's 1992 debut implies, they're none too impressed by religion, though other targets-fear ("Cold and Ugly"), hypocritical moralizing ("Jerk-Off"), nonconformity ("Hush")-get their time in the spotlight as well. Opiate is a collection of heavy, aggressive, cynical music (though the tail end of the title track sounds more like Acid Rock), packaged in songs noticeably shorter than on their later efforts (Undertow, 1993, and Aenima, 1996). While not as impressive as Undertow, arguably their finest effort, Opiate has a definite appeal.

Tracks

• 1 Sweat
• 2 Hush
• 3 Part of Me
• 4 Cold and Ugly (Live)
• 5 Jerk-Off (Live)
• 6 Opiate

180-gram vinyl. The Number of the Beast is the third studio album by English heavy metal band Iron Maiden. It was released on 22 March 1982 in the United Kingdom by EMI Records and in the United States by Harvest and Capitol Records. The album was their first to feature vocalist Bruce Dickinson and their last with drummer Clive Burr.

Tracks

• - Disc 1 -
• 1 Invaders
• 2 Children of the Damned
• 3 The Prisoner
• 4 22 Acacia Avenue
• - Disc 2 -
• 1 The Number of the Beast
• 2 Run to the Hills
• 3 Gangland
• 4 Hallowed Be Thy Name

Originally released in 1980, Blizzard of Ozz changed the face of hard rock and mainstream heavy metal. Ozzy Osbourne's solo album not only reintroduced the former Black Sabbath vocalist to the world but represents the arrival of virtuoso guitarist Randy Rhoads, whose classical-influenced playing and melodic devices stood entirely apart from his contemporaries. Moreover, Osbourne and Co. arrived armed to the teeth with a batch of infallible tunes.

• - Disc 1 -
• 1 Holy Wars... the Punishment Due 6:34
• 2 Hangar 18 5:12
• 3 Take No Prisoners 3:27
• 4 Five Magics 5:41
• - Disc 2 -
• 1 Poison Was The Cure 2:57
• 2 Lucretia Composed By – D. Mustaine, D. Ellefson 3:56
• 3 Tornado Of Souls Composed By – D. Mustaine, D. Ellefson 5:21
• 4 Dawn Patrol Composed By – D. Mustaine, D. Ellefson 1:49
• 5 Rust In Peace...Polaris 5:36

Music On Vinyl release. Replicating the magic of Guns N' Roses, Appetite for Destruction, Black Sabbath and Metallica, White Zombie has, in this major debut album, already begun to pave the path for the future of heavy metal. Their rhythms are complex, their riffs intense. They're a powerhouse of loud and proud. Vocalist Rob Zombie intrigues in shock value, and here he packs it in: these songs are about muscle cars, sleazy encounters, and a glorified trash culture. Songs include brash manifestos such as "Soul Crusher," indulgent macabre such as "Spiderbaby (Yeah-Yeah-Yeah)," and the sexually charged "Thrust!" This album is a celebratory act for the lover of the lewd-pressed on 180-gram vinyl and including a color insert with lyrics.

Tracks

• - Disc 1 -
• 1 Welcome to Planet Motherf***er / Psychoholic Slag
• 2 Knuckle Duster (Radio 1-A)
• 3 Thunder Kiss '65
• 4 Black Sunshine
• 5 Soul-Crusher
• 6 Cosmic Monsters Inc
• 7 Spiderbaby (Yeah-Yeah-Yeah)
• - Disc 2 -
• 1 I Am Legend
• 2 Knuckle Duster (Radio 2-B)
• 3 Thrust!
• 4 One Big Crunch
• 5 Grindhouse (A Go-Go)
• 6 Starface
• 7 Warp Asylum

There is no overstating Judas Priest's position at the very top of heavy metal's Mount Olympus. The long-term association (eight consecutive live and studio albums) between the band and producer Tom Allom includes the cornerstone 1980 classic British Steel, their second LP together. It was recorded in four weeks at Tittenhurst Park, previously owned by John Lennon, and the home of Ringo Starr at the time. It was British Steel that took Priest to the masses at the onset of the '80s with huge anthems like "Breaking The Law" and "Living After Midnight," earning the band their first RIAA platinum Top 40 album in the U.S. and their first Top 10 in the U.K. in the process. Deeper album cuts like "Metal Gods" and "The Rage" would also prove to become beloved concert staples. Universally hailed as one of the most influential albums in heavy metal history, fellow musicians and disciples credit British Steel for unleashing metal from its blues origins.

1. Breaking the Law
2. Rapid Fire
3. Metal Gods
4. Grinder
5. United
6. Living After Midnight
7. You Don't Have to Be Old to Be Wise
8. The Rage
9. Steeler

Tracks

Released on “marbled white and true metal gray” vinyl. Pantera's second landmark album in a row, 1992'sVulgar Display Of Power, cemented their reputation, with Dimebag Darrell's strafing leads making him the newest poster boy for electric guitar mayhem. Anselmo's dark lyrics and fearsome roar pressed him to the front lines of metal's most compelling frontmen, and the videos for such songs as "Mouth For War," "This Love" and "Walk" (which turned Anselmo's intimidating refrain of"Are You Talkin' To Me!?!"into a rallying cry) became three of the most popular clips on MTV's Headbangers Ball.

Vinyl 2LP-Set with Special Etching on Side D!

The Pretty Reckless' new album Death By Rock And Roll is easily their most ambitious release yet. It was written through the heartbreaking losses of Chris Cornell, who was one of frontwoman Taylor Momsen's musical muses, and longtime collaborator Kato Khandwala. The titular single became their fifth No. 1 at Active Rock Radio, a first for a female-fronted group.

The Pretty Reckless joined forces with Matt Cameron and Kim Thayil for "Only Love Can Save Me Now." Tracked at the legendary London Bridge Studio in Seattle, it marked the first time Matt and Kim recorded at the space since Soundgarden's Louder Than Love. Nearing the six-minute mark, it trudges through detuned bliss and an off kilter time signature before Kim conjures a slippery psychedelic solo as Taylor admits, "I want to be saved from the sound," over Matt's percussive wizardry.

Elsewhere, Rage Against The Machine and Audioslave guitarist Tom Morello lends his axe to the rambunctious and raucous "And So It Went." Then, there's "25" where Taylor's gravelly timbre quakes above an ominous funereal march and echoes of strings. Meanwhile, "Got So High" bleeds into a heavenly stoned refrain as an acoustic guitar rings out. After the nostalgic "Rock and Roll Heaven," the record sails off to Valhalla on "Harley Darling" ushered along by harmonica, the sound of an engine revving and a devilish dedication.

"After years of putting our blood sweat and tears into the recording I'm so excited for you all to hear it," says Momsen. "The next era has begun." Double vinyl LP with special etching on Side D.

1. Death By Rock And Roll
2. Only Love Can Save Me Now
3. And So It Went
4. 25
5. My Bones
6. Got So High
7. Broomsticks
8. Witches Burn
9. Standing At The Wall
10. Turning Gold
11. Rock And Roll Heaven
12. Harley Darling

Vinyl Reissue of Motorhead's ! "One of the best metal albums by any band, ever" holds up today quite admirably together the critics opinion about "Ace Of Spades". The fourth studio album by Mötorhead shows the band at the peak of their creativity. Singer Lemmy will later claim, "we've got him for the first time to sing and not to fool around screaming," and the rest of the band playing under the guidance of producer Vic Maile so compact and stringent as never before.

• 1 Ace of Spades
• 2 Love Me Like a Reptile
• 3 Shoot You in the Back
• 4 Live to Win
• 5 Fast and Loose
• 6 (We Are) the Road Crew
• 7 Fire, Fire
• 8 Jailbait
• 9 Dance
• 10 Bite the Bullet
• 11 The Chase Is Better Than the Catch
• 12 The Hammer

Ozzy Osbourne - Bark At The Moon (RSD Essential Translucent Cobalt Blue Vinyl) - VINYL LP

• - Disc 1 -
• 1 Rock 'N' Roll Rebel
• 2 Bark at the Moon
• 3 You're No Different
• 4 Now You See It (Now You Don't)
• - Disc 2 -
• 1 Forever
• 2 So Tired
• 3 Waiting for Darkness
• 4 Spiders

Music On Vinyl. Originally released in 1995, Astro-Creep: 2000 is the equally as impressive follow-up to White Zombie's breakthrough 1992 album La Sexorcisto: Devil Music Vol. 1 and final studio offering before Rob Zombie went on to a solo career. Awash in futuristic themes thus the title and incorporating multiple programming techniques, samples, film dialogue and other effects with reckless abandon, Astro-Creep: 2000 also boasts a more industrial metal sound than its groove metal dominated predecessor, often referred to as "white-trash-on-acid metal." Not only was the album their most commercially successful thanks to the runaway hits "More Human than Human" and "Super-Charger Heaven," it was nominated for two Grammy Awards including Best Engineered Album and Best Metal Performance for "More Human than Human."

White Zombie Astro-Creep: 2000 Track Listing:

1.  Electric Head Pt. 1 (The Agony)
2.  Super-Charger Heaven
3.  Real Solution #9
4.  Creature Of The Wheel
5.  Electric Head Pt. 2 (The Ecstasy)
6.  Grease Paint And Monkey Brains
7.  I, Zombie
8.  More Human Than Human
9.  El Phantasmo And The Chicken-Run Blast-O-Rama
10. Blur The Technicolor
11. Blood, Milk And Sky