Jazz

Vinyl LP pressing with gold foil jacket. With such iconic tracks as "Christmas Time is Here" and "Linus and Lucy," the Vince Guaraldi Trio's A Charlie Brown Christmas is the second-best-selling jazz title in history. Certified 5x Platinum and a perennial best-seller, the soundtrack reached #6 on the Billboard Charts in 2021 which speaks to the enduring legacy of the album. For this one-time only 2022 printing, the jacket has been wrapped in gold foil while the Peanuts characters and tree have been embossed for a striking look.

1. O Tannenbaum
2. What Child Is This
3. My Little Drum
4. Linus & Lucy
5. Christmas Time Is Here (instrumental)
6. Christmas Time Is Here (vocal)
7. Skating
8. Hark, The Herald Angels Sing
9. Christmas Is Coming
10. Für Elise
11. The Christmas Song

Double vinyl LP pressing. Bitches Brew is a studio album by jazz musician, composer, and bandleader Miles Davis, originally released on March 30, 1970. It marked his continuing experimentation with electric instruments that he had previously featured on the critically acclaimed In a Silent Way (1969). With these instruments, such as the electric piano and guitar, Davis rejected traditional jazz rhythms in favor of loose, rock-influenced arrangements based on improvisation. In subsequent years, Bitches Brew gained recognition as one of jazz's greatest albums and a progenitor of the jazz rock genre, as well as a major influence on rock and funk musicians.

Tracks

• - Disc 1 -
• 1 Pharaoh's Dance (Album Version)
• - Disc 2 -
• 1 Bitches Brew (Album Version)
• - Disc 3 -
• 1 Spanish Key
• 2 John McLaughlin (Album Version)
• - Disc 4 -
• 1 Miles Runs the Voodoo Down
• 2 Sanctuary (Album Version)

• Bewitched: The Goddess Edition (Colored Vinyl, Blue, Booklet, Board Game)

180-gram pressing. Recorded in 1959, "Kind of Blue" remains one of the most celebrated and influential jazz albums ever made. It combined the talents of such soloists as Miles Davis, the leader, on trumpet, Cannonball Adderley on alto sax, John Coltrane on tenor sax, Bill Evans and Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums.

• - Disc 1 -
• 1 So What - Miles Davis Sextet with Cannonball Adderley, John Coltrane, Bill Evans
• 2 Freddie Freeloader
• 3 Blue in Green
• - Disc 2 -
• 1 All Blues
• 2 Flamenco Sketches

Blue Note Classic Vinyl Reissue Series All-Analog 180g Vinyl LP Mastered by Kevin Gray Directly from the Original Master Tapes and Manufactured at Optimal in Germany

Blue Note Records is pleased to present the Blue Note Classic Vinyl Reissue Series, a continuation of their acclaimed Blue Note 80 Vinyl Reissue Series which was launched in celebration of the label's 80th anniversary in 2019. The Classic Series will once again feature all-analog 180g vinyl pressings in standard packaging that are mastered by Kevin Gray directly from the original master tapes and manufactured at Optimal in Germany. The first 16 titles of the Classic Series will focus on the enduring classics of the Blue Note catalog. The Classic Series will be on-going, running alongside the Tone Poet Audiophile Vinyl Reissue Series which is produced by Joe Harley.

Even by the high-water marks set by Herbie Hancock's tremendous 1960s Blue Note output, 1965's Maiden Voyage remains one of the pinnacle artistic achievements of the great pianist's career. Hancock is joined here by his Miles Davis Quintet bandmates Ron Carter on bass and Tony Williams on drums, along with Freddie Hubbard on trumpet and George Coleman on tenor saxophone. The quintet embarks on an oceanic exploration of five original Hancock compositions, several of which have since become enduring standards of the jazz lexicon including the title track, "Eye of the Hurricane," and "Dolphin Dance."

Musicians:
Herbie Hancock, piano
Ron Carter, bass
George Coleman, tenor saxophone
Freddie Hubbard, trumpet
Anthony Williams, drums

Features:
• Blue Note Classic Vinyl Reissue Series
• All analog 180g vinyl LP
• Mastered by Kevin Gray directly from the original master tapes
• Manufactured at Optimal in Germany
• Standard packaging

1. Maiden Voyage
2. The Eye Of The Hurricane
3. Little One
4. Survival Of The Fittest
5. Dolphin Dance

A Tribute to Jack Johnson Combines Electric Fusion, Slashing Rock, and Aggressive Funk: 1971 Miles Davis Set Features Guitarist John McLaughlin, Sounds Vibrant on Vinyl LP

Michael Henderson launches into an enormous boogie groove with Billy Cobham and John McLaughlin. Miles immediately leaves the control room to join in with them. He achieved exactly what he wanted for the soundtrack of the documentary devoted to the black boxer Jack Johnson by creating the effect of a train going at full speed (which he compared to the force of a boxer). That's how side A of the 1971 LP A Tribute To Jack Johnson begins. By chance, Herbie Hancock had arrived unexpectedly and started playing on a cheap keyboard that a sound engineer quickly connected. Later, Teo Macero taped McLaughlin's riff on "Sing A Simple Song" by Sly Stone. Side B begins with a bass riff inspired by James Brown's "Say It Loud" and ends with "Willie Nelson," a piece recorded in a previous session. An a cappella improvisation by Miles, arranged in a variety of ways by Macero, was featured as a leitmotif throughout; a phrase spoken by Brock Peters was superimposed as a coda. Columbia didn't believe in this album and hastily released it. Today it is a cult record and strong seller.

Musicians:
Miles Davis (trumpet)
John McLaughlin (guitar)
Herbie Hancock (keyboards)
Michael Henderson (bass)
Billy Cobham (drums)
Steve Grossman (saxophone)

1. Right Off
2. Yesternow

Vinyl LP pressing. Louis "Satchmo" Armstrong devoted his life to "the cause of happiness," as he once put it, giving the gift of joy every time he put his trumpet to his lips. Since his passing, his music has become synonymous with the holiday season. Louis Wishes You A Cool Yule is the first Louis Armstrong Christmas record. This record includes a previously unheard recording of Louis reading of "A Visit from St. Nicholas", with fellow New Orleans icon Sullivan Fortner providing a gorgeous musical underbed.

• 1 Cool Yule
• 2 Winter Wonderland
• 3 I've Got My Love to Keep Me Warm
• 4 'Zat You Santa Claus? [Single Version]
• 5 Christmas in New Orleans
• 6 White Christmas
• 7 Christmas Night in Harlem
• 8 Baby It's Cold Outside
• 9 Moments to Remember
• 10 What a Wonderful World
• 11 A Visit from St Nicholas ('Twas the Night Before Christmas)

Vince Guaraldi Trio - "Peanuts Greatest Hits". This new picture disc edition of Peanuts Greatest Hits is released to celebrate the 75th anniversary of PEANUTS. Featuring the album cover scene on one side of the LP and Schroeder and Lucy on the other, the album contains 12 of the most memorable recordings from the beloved animated Peanuts® television specials, all with the sophisticated, yet accessible jazz stylings of the Vince Guaraldi Trio. Included are the instantly recognizable "Linus & Lucy" as well as holiday favorites and character themes such as "Great Pumpkin Waltz," "Baseball Theme," and "Christmas Time Is Here." Limited Edition.

• - Disc 1 -
• 1 Linus and Lucy
• 2 Charlie Brown Theme
• 3 Baseball Theme
• 4 Oh, Good Grief
• 5 Happiness Is
• 6 Little Birdie
• - Disc 2 -
• 1 Great Pumpkin Waltz
• 2 Thanksgiving Theme
• 3 Christmas Is Coming
• 4 Christmas Time Is Here [Instrumental]
• 5 Skating
• 6 Christmas Time Is Here

Limited 180gm vinyl LP pressing. On February 7, 1960, tenor saxophonist Hank Mobley with pianist Wynton Kelly, bassist Paul Chambers, and drummer Art Blakey, laid down what would become his masterpiece: Soul Station. The crystalline six-song set was a showcase for Mobley's lyrical flow from the breezy opening take on Irving Berlin's "Remember" through bluesy originals like "Dig Dis", & the swinging up-tempo number "Split Feelin's." Soul Station endures as a jazz classic for the ages.

• 1 Remember
• 2 This I Dig of You
• 3 Dig Dis
• 4 Split Feelin's
• 5 Soul Station
• 6 If I Should Lose You

Easily one of the most important records ever made, John Coltrane's a Love Supreme was his pinnacle studio outing that at once compiled all of his innovations from his past, spoke of his current deep spirituality, and also gave a glimpse into the next two and a half years (sadly, those would be his last). Recorded at the end of 1964, Trane's classic quartet of Elvin Jones, McCoy Tyner, and Jimmy Garrison stepped into the studio and created one of the most thought-provoking, concise, and technically pleasing albums of their bountiful relationship (not to mention his best-selling to date). from the flowing (and classic) bass line at the intro to the last breathy notes, Trane is at the peak of his logical yet emotionally varied soloing while the rest of the group is remarkably in tune with Coltrane's spiritual vibe. Composed of four parts, each has a thematic progression leading to an understanding of spirituality through meditation.

Blue Note Classic Vinyl Reissue Series All-Analog 180g Vinyl LP Mastered by Kevin Gray Directly from the Original Master Tapes and Manufactured at Optimal in Germany

Blue Note Records is pleased to present the Blue Note Classic Vinyl Reissue Series, a continuation of their acclaimed Blue Note 80 Vinyl Reissue Series which was launched in celebration of the label's 80th anniversary in 2019. The Classic Series will once again feature all-analog 180g vinyl pressings in standard packaging that are mastered by Kevin Gray directly from the original master tapes and manufactured at Optimal in Germany. The first 16 titles of the Classic Series will focus on the enduring classics of the Blue Note catalog. The Classic Series will be on-going, running alongside the Tone Poet Audiophile Vinyl Reissue Series which is produced by Joe Harley.

Time and troubles seem to melt away during the 15 enrapturing minutes of Idle Moments, the opening track of Grant Green's sublime 1963 album of the same name. As the piece unhurriedly unfurls all the unique colors of the ensemble present themselves with Green's soulful guitar joined by Duke Pearson's elegant piano, Bobby Hutcherson's crystalline vibraphone, Bob Cranshaw's reassuring upright bass, Al Harewood's subtle drums, and lastly Joe Henderson's magnificent tenor saxophone. The pace quickens for the rest of this set including the Green original "Jean de Fleur," a bluesy take on John Lewis' MJQ standard "Django," and Pearson's original "Nomad."

Musicians:
Grant Green, guitar
Duke Pearson, piano
Joe Henderson, tenor saxophone
Bobby Hutcherson, vibes
Bob Cranshaw, bass
Al Harewood, drums

Features:
• Blue Note Classic Vinyl Reissue Series
• All analog 180g vinyl LP
• Mastered by Kevin Gray directly from the original master tapes
• Manufactured at Optimal in Germany
• Standard packaging

1. Idle Moments
2. Jean De Fleur
3. Django
4. Nomad

Deluxe gatefold 180-gram vinyl release of the jazz pioneer's 1962 debut album. DOL.

Lee Mendelson Film Productions (LMFP) is thrilled to announce the release - for the first time ever - from recently rediscovered tapes - the complete Vince Guaraldi soundtrack to "It Was a Short Summer, Charlie Brown, " the timeless 6th animated Peanuts® special, from writer and creator Charles Schulz, director Bill Melendez and producers Melendez and Lee Mendelson. Originally the special aired in September 27, 1969 on CBS-TV. - The album includes the original recordings that comprise the cues from the Special across twenty-six tracks, plus another 6 alternative tracks that have never been released or heard before. - Guaraldi lovingly created the soundtrack for the summer camp adventure where Charlie Brown and his gang face off against the girls camp lead by Peppermint Patty. The large jazz combo album also includes the best rendition of Guaraldi classic, "Love Will Come (Nova Bossa)" as well as the first use of additional percussion in Victor Feldman. - The recording features Guaraldi (piano), Monty Budwig (double bass), Jack Sperling (drums), Conti and Pete Candoli (trumpet), Frank Rosolino (trombone), Victor Feldman (percussion), Herb Ellis (guitar), Willian Hood and Peter Christlieb (woodwind), and John Scott Trotter as the orchestra leader. The soundtrack was produced by Sean and Jason Mendelson and restored and re-mastered by Vinson Hudson.

• 1 Charlie Brown Theme
• 2 Linus and Lucy
• 3 It Was a Short Summer, Charlie Brown
• 4 Oh, Good Grief!
• 5 You're in Love, Charlie Brown
• 6 Schroeder
• 7 Bus Blues / Bus Blues (Reprise)
• 8 It Was a Short Summer, Charlie Brown (Reprise)
• 9 Frieda (With the Naturally Curly Hair)
• 10 Oh, Good Grief! (Reprise)
• 11 Come and Get It / Hash / Hash with Horn / Am Break / Tah Dah
• 12 Bon Voyage
• 13 Peppermint Patty
• 14 Love Will Come (Nova Bossa)
• 15 He's Your Dog, Charlie Brown
• 16 Pebble Beach
• 17 You're in Love, Charlie Brown (Reprise)
• 18 He's Your Dog, Charlie Brown (Reprise)
• 19 Masked Marvel
• 20 Air Music
• 21 Masked Marvel (Reprise) / Masked Marvel (2nd Reprise)
• 22 You're in Love, Charlie Brown (2nd Reprise)
• 23 Linus and Lucy (Reprise)
• 24 Oh, Good Grief! (2nd Reprise)
• 25 Charlie Brown Theme (Reprise)
• 26 It Was a Short Summer, Charlie Brown (2nd Reprise)
• 27 Linus and Lucy (Alternate)
• 28 Working on "It Was a Short Summer, Charlie Brown"
• 29 Bus Blues (Alternate)
• 30 Pebble Beach (Alternate)
• 31 Masked Marvel (Alternate)
• 32 Linus and Lucy (Reprise Alternate)

JIMMY SMITH / HOME COOKIN - Limited 180gm vinyl LP pressing. The Incredible Jimmy Smith was a self-taught keyboard virtuoso who gave up the piano in 1954 in favor of the Hammond B3 organ, setting up shop in a warehouse in Philadelphia and woodshedding for a year before emerging with a revolutionary approach to the instrument that immediately caught the ear Alfred Lion. The Blue Note founder recorded the B3 innovator as often as he could between 1956-1963 in a range of different settings and released a tremendous run of albums that laid the foundation for the Soul Jazz movement. Drawn from three different sessions recorded in 1958-1959, Home Cookin' featured Smith in a quartet with tenor saxophonist Percy France, guitarist Kenny Burrell, and drummer Donald Bailey, and it stands as one of the most deeply soulful albums Smith ever made. The band gives a soul jazz symposium on this seven-song set that includes covers of tunes by Ma Rainey, Ray Charles, and Jimmy McGriff along with originals by Smith and Burrell. - This Classic Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optima

• - Disc 1 -
• 1 See See Rider
• 2 Sugar Hill
• 3 I Got a Woman
• - Disc 2 -
• 1 Messin' Around
• 2 Gracie
• 3 Come on Baby
• 4 Motorin' Along

Limited 180gm vinyl LP pressing. Art Blakey's 1960 hard bop classic, The Big Beat, introduced one of the greatest line-ups of the Jazz Messengers with the legendary drummer joined by Lee Morgan, Wayne Shorter, Bobby Timmons, and Jymie Merritt. 3 of the 6 tunes were composed by Shorter, but the album is best-known for an unforgettable version of Timmons' enduring hit "Dat Dere." Blue Note Classic Vinyl Series is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180-gram vinyl at Optimal.

• 1 The Chess Players
• 2 Sakeena's Vision
• 3 Politely
• 4 Dat Dere
• 5 Lester Left Town
• 6 It's Only a Paper Moon
• 7 It's Only a Paper Moon (Bonus Track - Alternate Take)

60th Anniversary Deluxe Edition 180g Vinyl 2LP featuring Recently Uncovered Mono Version and Stereo Version, Both Mastered from the Original Tapes; Also includes Liner Notes by Ben Ratliff, Photos & Atlantic Records Ephemera

Released in 1961, My Favorite Things made John Coltrane a star with box-office pull previously reserved for the likes of Dave Brubeck and Miles Davis. The dazzling quartet treatment of the Richard Rodgers hit song features Coltrane on soprano saxophone for the first time on record and became an instant hit single in its own right. The album also became a major commercial success, receiving the Grammy Hall of Fame award in 1998 and attaining gold record status in 2018. The recently uncovered mono version of this album – once believed to be lost forever – is included in this deluxe package along with the stereo version, both having been mastered from the original tapes. This 60th Anniversary deluxe edition also includes liner notes by award-winning writer Ben Ratliff, as well as photos and Atlantic Records ephemera.

LP1

1. My Favorite Things (2022 Vinyl Remaster)
2. Everytime We Say Goodbye (2022 Vinyl Remaster)
3. Summertime (2022 Vinyl Remaster)
4. But Not For Me (2021 Vinyl Remaster)

LP2

1. My Favorite Things (2021 Vinyl Remaster)
2. Everytime We Say Goodbye (2021 Vinyl Remaster)
3. Summertime (2021 Vinyl Remaster)
4. But Not For Me (2021 Vinyl Remaster)

The Bill Evans Trio with Scott LaFaro on bass and Paul Motian on drums would reach a climax with their June 25, 1961 club recordings at the Village Vanguard in New York. LaFaro would die in a car accident soon after (on July 6, 1961), at the age of 25. Evans was so shocked by his bassist's death that he waited a long time before forming a new trio. A selection of pieces from the Village Vanguard session was made by Evans himself and originally presented on two albums: Sunday at the Village Vanguard and Waltz for Debby, the latter presented here in it's entirety. THE COMPLETE ALBUM + 1 BONUS TRACK - 180-GRAM CRYSTAL CLEAR VINYL - LIMITED EDITION

• 1 My Foolish Heart 5:02
• 2 Waltz for Debby 6:58
• 3 Detour Ahead 7:37
• 4 My Romance 7:11
• 5 Some Other Time 4:57
• 6 Milestones 6:30
• 7 I Loves You Porgy 6:00*

All-Analog 180g Vinyl LP of Kenny Burrell Mastered from the Original Master Tapes by Kevin Gray & Pressed at RTI: Reference-Caliber Blue Note Reissue Helmed by Music Matters' Joe Harley

The first thing that strikes you about Kenny Burrell's second Blue Note album, simply titled Kenny Burrell and released as part of Blue Note's fabled 1500 series, is the cover, which features an illustration by Andy Warhol, the first of three Blue Note covers the soon-to-be famed artist collaborated on with designer Reid Miles. The second is the striking music, which is drawn from four different sessions recorded in 1956 with the great guitarist featured in a variety of different configurations.

The opener, a brisk romp through Harold Arlen's "Get Happy," features Tommy Flanagan on piano, Paul Chambers on bass, Kenny Clarke on drums, and Candido on congas. That leads into a stunning solo guitar rendition of the Gershwin tune "But Not For Me," which is followed by the live track "Mexico City," a piece by Kenny Dorham and recorded with the trumpeter's sextet at the Café Bohemia. Burrell and Flanagan are joined by bassist Oscar Pettiford and drummer Shadow Wilson on the Basie band number "Moten Swing" and Burrell's "Cheeta," and tenor saxophonist Frank Foster makes it a quintet for remainder of Side 2 on Pettiford's "Now See How You Are," Burrell's "Phinupi," and the Burton Lane standard "How About You."

Blue Note Records' acclaimed Tone Poet Audiophile Vinyl Reissue Series continues in 2022. Launched in 2019 in honor of the label's 80th Anniversary, the Tone Poet series is produced by Joe Harley (from Music Matters) and features all-analog, 180g audiophile vinyl reissues that are mastered from the original master tapes by Kevin Gray of Cohearent Audio. Tone Poet vinyl is manufactured at RTI in Camarillo, CA, and packaged in deluxe Stoughton Printing "Old Style" gatefold Tip-On jackets. The titles were once again handpicked by Harley and cover the crème de la crème of the Blue Note catalog along with underrated classics, modern era standouts, and albums from other labels under the Blue Note umbrella including Pacific Jazz and United Artists Records. Every aspect of these Blue Note/Tone Poet releases is done to the highest-possible standard. It means that you will never find a superior version.

"The LPs are mastered directly from the original analog master tapes by Kevin at his incredible facility called Cohearent Mastering. We go about it in the exact same way that we did for so many years for the Music Matters Blue Note reissues. We do not roll off the low end, boost the top or do any limiting of any kind. We allow the full glory of the original Blue Note masters to come though unimpeded! Short of having an actual time machine, this is as close as you can get to going back and being a fly on the wall for an original Blue Note recording session."
- Joe Harley

Musicians:
Kenny Burrell, guitar
Bobby Timmons / Tommy Flanagan, piano
Kenny Dorham, trumpet
Frank Foster / J.R. Monterose, tenor saxophone
Oscar Pettiford / Paul Chambers / Sam Jones, bass
Arthur Edgehill / Kenny Clarke / Shadow Wilson, drums
Candido, congas

Features:
• Blue Note Tone Poet Series
• Curated by Music Matters co-founder Joe Harley
• Audiophile-quality 180g vinyl LP
• All-analog mastering (direct from the master tapes) by Kevin Gray
• Manufactured at Record Technology Incorporated
• Deluxe gatefold jacket packaging

1. Get Happy
2. But Not For Me
3. Mexico City
4. Moten Swing
5. Cheeta
6. Now See How You Are
7. Phinupi
8. How About You

Blue Note Classic Vinyl Reissue Series All-Analog 180g Vinyl LP Mastered by Kevin Gray Directly from the Original Master Tapes and Manufactured at Optimal in Germany

Blue Note Records has announced the continuation of the Classic Vinyl Reissue Series which presents 180g vinyl LP reissues in standard packaging mastered by Kevin Gray and manufactured at Optimal. The pressings are all-analog whenever an analog source is available, with Gray mastering directly from the original master tapes. While the first 16 titles of the series focused on the best-known Blue Note classics from the 1950s and 60s, the new run of titles curated by Don Was and Cem Kurosman broadens its scope to span the many eras and styles of the legendary label's eight-decade history presented by themes: Bebop, Hard Bop, Soul Jazz, Post-Bop, Avant-Garde, The 70s, The Rebirth, and Hidden Gems.

In the late 1940s, Blue Note founder Alfred Lion became enthralled with the modern sounds of bebop and began recording several of the new music's innovators including the brilliant pianist Bud Powell, who Lion dubbed The Amazing Bud Powell. Powell could be erratic, but as a producer Lion always seemed to draw the best out of the piano master, and cut numerous classic sides including "Un Poco Loco" and "Bouncing with Bud." The fourth volume of The Amazing Bud Powell series, titled Time Waits, was recorded in 1958 and found Powell in particularly fine form on an ebullient set of his original tunes including "Buster Rides Again," "Monopoly," and "John's Abbey." Powell's playing is endlessly inventive as he takes flight in a trio setting with bassist Sam Jones and Philly Joe Jones, who elevates the session with some of his most inspired drumming on record.

Musicians:
Bud Powell, piano
Sam Jones, bass
'Philly' Joe Jones, drums

Features:
• Blue Note Classic Vinyl Reissue Series
• All analog 180g vinyl LP
• Mastered by Kevin Gray directly from the original master tapes
• Manufactured at Optimal in Germany
• Standard packaging

1. Buster Rides Again
2. Sub City
3. Time Waits
4. Marmalade
5. Monopoly
6. John's Abbey
7. Dry Soul
8. Sub City (Alternate Take)