Jazz

Double vinyl LP pressing. Bitches Brew is a studio album by jazz musician, composer, and bandleader Miles Davis, originally released on March 30, 1970. It marked his continuing experimentation with electric instruments that he had previously featured on the critically acclaimed In a Silent Way (1969). With these instruments, such as the electric piano and guitar, Davis rejected traditional jazz rhythms in favor of loose, rock-influenced arrangements based on improvisation. In subsequent years, Bitches Brew gained recognition as one of jazz's greatest albums and a progenitor of the jazz rock genre, as well as a major influence on rock and funk musicians.

Tracks

• - Disc 1 -
• 1 Pharaoh's Dance (Album Version)
• - Disc 2 -
• 1 Bitches Brew (Album Version)
• - Disc 3 -
• 1 Spanish Key
• 2 John McLaughlin (Album Version)
• - Disc 4 -
• 1 Miles Runs the Voodoo Down
• 2 Sanctuary (Album Version)

180 gram VINYL AUDIOPHILE PRESSING.

• 1 In a Sentimental Mood
• 2 Take the Coltrane
• 3 Big Nick
• 4 Stevie
• 5 My Little Brown Book
• 6 Angelica
• 7 The Feeling of Jazz
• 8 I Got It Bad and That Ain't Good

Gatefold 180-gram vinyl with bonus tracks! Art Blakey was present on both Thelonious Monk's first and last studio sessions, spanning a period of 24 years from the 1947 quintet and trio recordings to the last sets taped in London in 1971, when Blakey and Monk were touring with the groupcalled the "Giants of Jazz" (which also included Sonny Stitt, Dizzy Gillespie, Kai Winding and Al McKibbon). Although this album marks Monk's sole recording as a member of Art Blakey's celebrated Jazz Messengers, the pianist and drummer were very close friends who understood each other well on both a personal and musical level. In fact, With the exception of Johnny Griffi n's "Purple Shades," all of the compositions on this album are classic Thelonious Monk tunes.

• 1 Evidence
• 2 In Walked Bud
• 3 Blue Monk
• 4 Monk's Dream (*)
• 5 I Mean You
• 6 Rhythm-A-Ning
• 7 Purple Shades
• 8 Bye-Ya (*)

According to jazz lore, on the morning of January 19, 1957, esteemed alto saxophonist Art Pepper woke up to learn that he was booked for a session, just hours later, with Miles Davis’ highly respected rhythm section (pianist Red Garland, bassist Paul Chambers, and drummer Philly Joe Jones), where the landmark title, Art Pepper Meets the Rhythm Section, was recorded. Produced by Contemporary Records’ Lester Koenig and recorded by engineer Roy DuNann, Art Pepper Meets the Rhythm Section has been praised as “a diamond of recorded jazz history” by AllMusic. Housed in a tip-on jacket, this special mono edition features all-analog mastering from the original mono tapes by Bernie Grundman and is pressed on 180-gram black vinyl at QRP. As part of the Contemporary Records Acoustic Sounds Series, this release celebrates 70 years of the venerable jazz record label.

A Tribute to Jack Johnson Combines Electric Fusion, Slashing Rock, and Aggressive Funk: 1971 Miles Davis Set Features Guitarist John McLaughlin, Sounds Vibrant on Vinyl LP

Michael Henderson launches into an enormous boogie groove with Billy Cobham and John McLaughlin. Miles immediately leaves the control room to join in with them. He achieved exactly what he wanted for the soundtrack of the documentary devoted to the black boxer Jack Johnson by creating the effect of a train going at full speed (which he compared to the force of a boxer). That's how side A of the 1971 LP A Tribute To Jack Johnson begins. By chance, Herbie Hancock had arrived unexpectedly and started playing on a cheap keyboard that a sound engineer quickly connected. Later, Teo Macero taped McLaughlin's riff on "Sing A Simple Song" by Sly Stone. Side B begins with a bass riff inspired by James Brown's "Say It Loud" and ends with "Willie Nelson," a piece recorded in a previous session. An a cappella improvisation by Miles, arranged in a variety of ways by Macero, was featured as a leitmotif throughout; a phrase spoken by Brock Peters was superimposed as a coda. Columbia didn't believe in this album and hastily released it. Today it is a cult record and strong seller.

Musicians:
Miles Davis (trumpet)
John McLaughlin (guitar)
Herbie Hancock (keyboards)
Michael Henderson (bass)
Billy Cobham (drums)
Steve Grossman (saxophone)

1. Right Off
2. Yesternow

Blue Note Classic Vinyl Reissue Series All-Analog 180g Vinyl LP Mastered by Kevin Gray Directly from the Original Master Tapes and Manufactured at Optimal in Germany

Blue Note Records is pleased to present the Blue Note Classic Vinyl Reissue Series, a continuation of their acclaimed Blue Note 80 Vinyl Reissue Series which was launched in celebration of the label's 80th anniversary in 2019. The Classic Series will once again feature all-analog 180g vinyl pressings in standard packaging that are mastered by Kevin Gray directly from the original master tapes and manufactured at Optimal in Germany. The first 16 titles of the Classic Series will focus on the enduring classics of the Blue Note catalog. The Classic Series will be on-going, running alongside the Tone Poet Audiophile Vinyl Reissue Series which is produced by Joe Harley.

Even by the high-water marks set by Herbie Hancock's tremendous 1960s Blue Note output, 1965's Maiden Voyage remains one of the pinnacle artistic achievements of the great pianist's career. Hancock is joined here by his Miles Davis Quintet bandmates Ron Carter on bass and Tony Williams on drums, along with Freddie Hubbard on trumpet and George Coleman on tenor saxophone. The quintet embarks on an oceanic exploration of five original Hancock compositions, several of which have since become enduring standards of the jazz lexicon including the title track, "Eye of the Hurricane," and "Dolphin Dance."

Musicians:
Herbie Hancock, piano
Ron Carter, bass
George Coleman, tenor saxophone
Freddie Hubbard, trumpet
Anthony Williams, drums

Features:
• Blue Note Classic Vinyl Reissue Series
• All analog 180g vinyl LP
• Mastered by Kevin Gray directly from the original master tapes
• Manufactured at Optimal in Germany
• Standard packaging

1. Maiden Voyage
2. The Eye Of The Hurricane
3. Little One
4. Survival Of The Fittest
5. Dolphin Dance

Double LP housed in a gatefold jacket and features a second LP of rarities from the Mingus Ah Um Sessions. Mingus Ah Um, the artist's 1959 debut for Columbia is one of the most consequential albums in jazz or any other genre. The release is part of the Library of Congress National Recording Registry and has been inducted into the Grammy Hall of Fame. Goodbye Pork Pie Hat , Boogie Stomp Shuffle , Open Letter To The Duke the release is packed with classics and is a best-selling release to this day.

A remastered, deluxe 2-LP with the original album plus a bonus disc of alternate takes and versions - including rehearsal and incomplete tracks, as well as false starts - only previously included in The Heavyweight Champion: The Complete Atlantic Recordings of John Coltrane boxed set. This 2-LP configuration features a 12" x 12" 12pp booklet, packaged in a replica of the original 1969 stereo pressing, with a 12" x 12" album cover insert included.

• - Disc 1 -
• 1 Giant Steps (2020 Remaster)
• 2 Cousin Mary (2020 Remaster)
• 3 Countdown (2020 Remaster)
• 4 Spiral (2020 Remaster)
• 5 Syeeda's Song Flute (2020 Remaster)
• 6 Naima (2020 Remaster)
• 7 Mr. P.C. (2020 Remaster)
• - Disc 2 -
• 1 Giant Steps (Alternate, Take 1, Incomplete) [2020 Remaster]
• 2 Naima (Alternate, Take 3) [2020 Remaster]
• 3 Like Sonny (Alternate, Take 7) [2020 Remaster]
• 4 Countdown (Alternate Take) [2020 Remaster]
• 5 Syeeda's Song Flute (Alternate Take) [2020 Remaster]
• 6 Cousin Mary (Alternate Take) [2020 Remaster]
• 7 Giant Steps (Alternate, Take 5) [2020 Remaster]
• 8 Giant Steps (Take 6, Alternate) [2020 Remaster]

The 1967 jazz classic (plus 13 bonus tracks) mastered by Grammy(R)-winner Michael Graves available on double-LP in a gatefold sleeve with photos and liner notes. Fully authorized by the Bobby Cole Estate.

Limited 180gm vinyl LP pressing. Legendary trumpeter Miles Davis' unmistakable rasp at the end of "One for Daddy-O," makes it clear he wasn't just playing the role of sideman on Somethin' Else, the album by Cannonball Adderley. The depth of their musical camaraderie lifts this session up throughout, from the breathtaking performance of "Autumn Leaves" to the thrilling title track. Hank Jones/Sam Jones/Art Blakey round out the quintet. Mastered By Kevin Gray From Original Master Tapes!

• - Disc 1 -
• 1 Autumn Leaves
• 2 Love for Sale
• - Disc 2 -
• 1 Somethin' Else
• 2 One for Daddy-O
• 3 Dancing in the Dark

One of the finest sets ever recorded by this quartet, back in print for the first time in 35 years. Remastered by Bernie Grundman and pressed on 180g limited edition opaque blue vinyl.

Double vinyl LP pressing. This newly discovered live-recording of a performance of the Love Supreme suite is a revelation. Recorded at The Penthouse in Seattle on October 2, 1965, this recording transports the listener to a prime seat for piece of musical history. While not studio-quality audio, the power of the performance shines through. This version is also of the full suite and features an expanded band that includes the same Classic Quartet and Pharoah Sanders in his first official gig as part of Coltrane's group.

Tracks

• - Side 1 -
• 1 A Love Supreme, Pt. I - Acknowledgement
• - Side 2 -
• 1 Interlude 1
• 2 A Love Supreme, Pt. II - Resolution
• 3 Interlude 2
• - Side 3 -
• 1 A Love Supreme, Pt. III - Pursuance
• - Side 4 -
• 1 Interlude 3
• 2 Interlude 4
• 3 A Love Supreme, Pt. IV - Psalm

Limited 180gm vinyl LP pressing. Guitarist Kenny Burrell debuted on Blue Note Records in 1956 and over the following 7 years made a series of excellent albums for the label that culminated with his masterwork Midnight Blue. Recorded in 1963, the album waded deep into the blues, conjuring an alluring late-night vibe with a profoundly soulful cast including tenor saxophonist Stanley Turrentine, bassist Major Holley, Jr., drummer Bill English, and Ray Barretto on congas. Burrell originals including "Chitlins con Carne," "Midnight Blue," "Saturday Night Blues," and the stunning solo guitar piece "Soul Lament" set the tone for this timeless classic adorned by one of the all-time great Reid Miles cover designs.

Musicians:
Kenny Burrell, guitar
Stanley Turrentine, tenor saxophone
Major Holley, Jr., bass
Bill English, drums
Ray Barretto, conga

Tracks

1. Chitlins Con Carne
2. Mule
3. Soul Lament
4. Midnight Blue
5. Wavy Gravy
6. Gee Baby Ain't I Good To You
7. Saturday Night Blues

The Black Saint And The Sinner Lady (Verve Acoustic Sounds Series) [LP]

Described by Mingus himself as “ethnic folk-dance music,” The Black Saint & The Sinner Lady is a single song cycle rather than a traditional jazz album of separate tracks. The intricate arrangements and raw emotional swings of the piece make it a highlight of Mingus’ career, and one of the most compelling listens in jazz.

• - Disc 1 -
• 1 Solo Dancer (Stop! and Listen, Sinner Jim Whitney!)
• 2 Duet Solo Dancers (Heart's Beat and Shades in Physical Embraces)
• 3 Group Dancers ([Soul Fusion] Freewoman and Oh This Freedom's Slave Cries)
• - Disc 2 -
• 1 Trio and Group Dancers (Stop! Look! and Sing Songs of Revolutions!)
• 2 Single Solos and Group Dance (Saint and Sinner Join in Merriment on Battle Front)
• 3 Group and Solo Dance (Of Love, Pain, and Passioned Revolt, Then Farewell, My Beloved, 'Til It's Freedom Day)

Time OutTakes features tracks that have never been heard before. These newly discovered recordings feature wonderful performances that are every bit as compelling as those on the original Time Out. We discovered that during the original 1959 sessions the Quartet also recorded "I'm In a Dancing Mood" and an unlisted trio jam with a major drum solo that included snatches of the melody from "Watusi Drums." Two tracks from Time Out, "Pick Up Sticks" and "Everybody's Jumpin, " were achieved in one take so no alternates exist to include here. These 7 exciting performances (and bonus track) are fascinating finds.

Chris Brubeck We've all heard Dave Brubeck's Time Out - but never quite like this. You'll hear Dave Brubeck's signature pieces afresh and anew. Listening to this album will make you rediscover why you fell in love with The Dave Brubeck Quartet featuring Paul Desmond, Joe Morello and Eugene Wright. This is mesmerizing music. - Kabir Sehgal, Grammy Award Winning Producer Once the Dave Brubeck Quartet released Time Out in 1959, the world of jazz was never the same. Every note of the seven original compositions soared with wild originality and trained musical genius. "Take Five" became the best-selling jazz single of the twentieth century. I've often wondered how this work of genius came to fruition in the studio? How did Brubeck develop such chemistry with alto-saxophonist Paul Desmond? Now the mysteries are solved with the historic release of Time OutTakes (alternative takes to the masterpiece that blew the hinges off the doors of jazz). What a high privilege it is to be able to be in the studio with the quartet as they innovate using 9/8, 5/4 and 2 bars of 3/4 alternating with 2 bars of 4/4 on such classics as "Blue Rondo a la Turk" and "Three to Get Ready." All listeners of Time OutTakes will experience the Cold War era jazz revolution as it unfolded. What joyous music for the ages! Douglas Brinkley, CNN historian and Grammy-winning Jazz producer.

• 1 Blue Rondo À la Turk
• 2 Strange Meadowlark
• 3 Take Five
• 4 Three to Get Ready
• 5 Cathy's Waltz
• 6 I'm in a Dancing Mood
• 7 Watusi Jam
• 8 Band Banter from the 1959 Recording Sessions