Jazz

 180 gram VINYL AUDIOPHILE PRESSING.

• 1 In a Sentimental Mood
• 2 Take the Coltrane
• 3 Big Nick
• 4 Stevie
• 5 My Little Brown Book
• 6 Angelica
• 7 The Feeling of Jazz
• 8 I Got It Bad and That Ain't Good

180-gram pressing. Recorded in 1959, "Kind of Blue" remains one of the most celebrated and influential jazz albums ever made. It combined the talents of such soloists as Miles Davis, the leader, on trumpet, Cannonball Adderley on alto sax, John Coltrane on tenor sax, Bill Evans and Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums.

• - Disc 1 -
• 1 So What - Miles Davis Sextet with Cannonball Adderley, John Coltrane, Bill Evans
• 2 Freddie Freeloader
• 3 Blue in Green
• - Disc 2 -
• 1 All Blues
• 2 Flamenco Sketches

Blue Note Classic Vinyl Reissue Series All-Analog 180g Vinyl LP Mastered by Kevin Gray Directly from the Original Master Tapes and Manufactured at Optimal in Germany

Blue Note Records is pleased to present the Blue Note Classic Vinyl Reissue Series, a continuation of their acclaimed Blue Note 80 Vinyl Reissue Series which was launched in celebration of the label's 80th anniversary in 2019. The Classic Series will once again feature all-analog 180g vinyl pressings in standard packaging that are mastered by Kevin Gray directly from the original master tapes and manufactured at Optimal in Germany. The first 16 titles of the Classic Series will focus on the enduring classics of the Blue Note catalog. The Classic Series will be on-going, running alongside the Tone Poet Audiophile Vinyl Reissue Series which is produced by Joe Harley.

Even by the high-water marks set by Herbie Hancock's tremendous 1960s Blue Note output, 1965's Maiden Voyage remains one of the pinnacle artistic achievements of the great pianist's career. Hancock is joined here by his Miles Davis Quintet bandmates Ron Carter on bass and Tony Williams on drums, along with Freddie Hubbard on trumpet and George Coleman on tenor saxophone. The quintet embarks on an oceanic exploration of five original Hancock compositions, several of which have since become enduring standards of the jazz lexicon including the title track, "Eye of the Hurricane," and "Dolphin Dance."

Musicians:
Herbie Hancock, piano
Ron Carter, bass
George Coleman, tenor saxophone
Freddie Hubbard, trumpet
Anthony Williams, drums

Features:
• Blue Note Classic Vinyl Reissue Series
• All analog 180g vinyl LP
• Mastered by Kevin Gray directly from the original master tapes
• Manufactured at Optimal in Germany
• Standard packaging

1. Maiden Voyage
2. The Eye Of The Hurricane
3. Little One
4. Survival Of The Fittest
5. Dolphin Dance

Limited 180gm vinyl LP pressing. On February 7, 1960, tenor saxophonist Hank Mobley with pianist Wynton Kelly, bassist Paul Chambers, and drummer Art Blakey, laid down what would become his masterpiece: Soul Station. The crystalline six-song set was a showcase for Mobley's lyrical flow from the breezy opening take on Irving Berlin's "Remember" through bluesy originals like "Dig Dis", & the swinging up-tempo number "Split Feelin's." Soul Station endures as a jazz classic for the ages.

• 1 Remember
• 2 This I Dig of You
• 3 Dig Dis
• 4 Split Feelin's
• 5 Soul Station
• 6 If I Should Lose You

One of the finest sets ever recorded by this quartet, back in print for the first time in 35 years. Remastered by Bernie Grundman and pressed on 180g limited edition opaque blue vinyl.

Deluxe gatefold 180-gram vinyl release of the jazz pioneer's 1962 debut album. DOL.

60th Anniversary Deluxe Edition 180g Vinyl 2LP featuring Recently Uncovered Mono Version and Stereo Version, Both Mastered from the Original Tapes; Also includes Liner Notes by Ben Ratliff, Photos & Atlantic Records Ephemera

Released in 1961, My Favorite Things made John Coltrane a star with box-office pull previously reserved for the likes of Dave Brubeck and Miles Davis. The dazzling quartet treatment of the Richard Rodgers hit song features Coltrane on soprano saxophone for the first time on record and became an instant hit single in its own right. The album also became a major commercial success, receiving the Grammy Hall of Fame award in 1998 and attaining gold record status in 2018. The recently uncovered mono version of this album – once believed to be lost forever – is included in this deluxe package along with the stereo version, both having been mastered from the original tapes. This 60th Anniversary deluxe edition also includes liner notes by award-winning writer Ben Ratliff, as well as photos and Atlantic Records ephemera.

LP1

1. My Favorite Things (2022 Vinyl Remaster)
2. Everytime We Say Goodbye (2022 Vinyl Remaster)
3. Summertime (2022 Vinyl Remaster)
4. But Not For Me (2021 Vinyl Remaster)

LP2

1. My Favorite Things (2021 Vinyl Remaster)
2. Everytime We Say Goodbye (2021 Vinyl Remaster)
3. Summertime (2021 Vinyl Remaster)
4. But Not For Me (2021 Vinyl Remaster)

JIMMY SMITH / HOME COOKIN - Limited 180gm vinyl LP pressing. The Incredible Jimmy Smith was a self-taught keyboard virtuoso who gave up the piano in 1954 in favor of the Hammond B3 organ, setting up shop in a warehouse in Philadelphia and woodshedding for a year before emerging with a revolutionary approach to the instrument that immediately caught the ear Alfred Lion. The Blue Note founder recorded the B3 innovator as often as he could between 1956-1963 in a range of different settings and released a tremendous run of albums that laid the foundation for the Soul Jazz movement. Drawn from three different sessions recorded in 1958-1959, Home Cookin' featured Smith in a quartet with tenor saxophonist Percy France, guitarist Kenny Burrell, and drummer Donald Bailey, and it stands as one of the most deeply soulful albums Smith ever made. The band gives a soul jazz symposium on this seven-song set that includes covers of tunes by Ma Rainey, Ray Charles, and Jimmy McGriff along with originals by Smith and Burrell. - This Classic Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optima

• - Disc 1 -
• 1 See See Rider
• 2 Sugar Hill
• 3 I Got a Woman
• - Disc 2 -
• 1 Messin' Around
• 2 Gracie
• 3 Come on Baby
• 4 Motorin' Along

180-gram vinyl with bonus tracks! the one and only conjunct recording by three jazz geniuses!

• 1 Money Jungle
• 2 Fleurette Africaine
• 3 Very Special
• 4 Warm Valley
• 5 Switch Blade
• 6 Little Max (Parfait)
• 7 Wig Wise
• 8 Caravan
• 9 Solitude
• 10 REM Blues
• 11 Backward Country Boy Blues

Blue Note Classic Vinyl Reissue Series All-Analog 180g Vinyl LP Mastered by Kevin Gray Directly from the Original Master Tapes and Manufactured at Optimal in Germany

Blue Note Records is pleased to present the Blue Note Classic Vinyl Reissue Series, a continuation of their acclaimed Blue Note 80 Vinyl Reissue Series which was launched in celebration of the label's 80th anniversary in 2019. The Classic Series will once again feature all-analog 180g vinyl pressings in standard packaging that are mastered by Kevin Gray directly from the original master tapes and manufactured at Optimal in Germany. The first 16 titles of the Classic Series will focus on the enduring classics of the Blue Note catalog. The Classic Series will be on-going, running alongside the Tone Poet Audiophile Vinyl Reissue Series which is produced by Joe Harley.

Time and troubles seem to melt away during the 15 enrapturing minutes of Idle Moments, the opening track of Grant Green's sublime 1963 album of the same name. As the piece unhurriedly unfurls all the unique colors of the ensemble present themselves with Green's soulful guitar joined by Duke Pearson's elegant piano, Bobby Hutcherson's crystalline vibraphone, Bob Cranshaw's reassuring upright bass, Al Harewood's subtle drums, and lastly Joe Henderson's magnificent tenor saxophone. The pace quickens for the rest of this set including the Green original "Jean de Fleur," a bluesy take on John Lewis' MJQ standard "Django," and Pearson's original "Nomad."

Musicians:
Grant Green, guitar
Duke Pearson, piano
Joe Henderson, tenor saxophone
Bobby Hutcherson, vibes
Bob Cranshaw, bass
Al Harewood, drums

Features:
• Blue Note Classic Vinyl Reissue Series
• All analog 180g vinyl LP
• Mastered by Kevin Gray directly from the original master tapes
• Manufactured at Optimal in Germany
• Standard packaging

1. Idle Moments
2. Jean De Fleur
3. Django
4. Nomad

Limited 180gm blue vinyl LP pressing. Includes bonus track.

• 1 Giant Steps
• 2 Cousin Mary
• 3 Countdown
• 4 Spiral
• 5 Syeeda's Song Flute
• 6 Naima
• 7 Mr. P.C
• 8 Harmonique

Flutist Bobbi Humphrey debuted on Blue Note in 1971 and released 6 albums with them capped by Fancy Dancer in 1975, his 3rd collaboration with producer Larry Mizell. It proved to be a winning combination once again with Humphrey's alluring flute dancing through a set featuring standout Mizell compositions like "Uno Esta," and "You Make Me Feel So Good." Blue Note Classic Vinyl Series is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180-gram vinyl at Optimal.

• - Disc 1 -
• 1 Uno Esta
• 2 The Trip
• 3 You Make Me Feel So Good
• - Disc 2 -
• 1 Fancy Dancer
• 2 Mestizo Eyes
• 3 Sweeter Than Sugar
• 4 Please Set Me at Ease

Visions is a vibrant and joyous 12-song set that finds Jones singing about feeling free, wanting to dance, making it right, and acceptance of what life brings. It’s the yang to the yin that was Pick Me Up Off The Floor, Jones’ last album of new original songs which was released early in the pandemic lockdown of 2020 and foreshadowed many of the dark emotions of that period. Indie Exclusive "Sun-kissed" Orange Blend LP. Alternate Cover Art.

All-Analog 180g Vinyl LP of Kenny Burrell Mastered from the Original Master Tapes by Kevin Gray & Pressed at RTI: Reference-Caliber Blue Note Reissue Helmed by Music Matters' Joe Harley

The first thing that strikes you about Kenny Burrell's second Blue Note album, simply titled Kenny Burrell and released as part of Blue Note's fabled 1500 series, is the cover, which features an illustration by Andy Warhol, the first of three Blue Note covers the soon-to-be famed artist collaborated on with designer Reid Miles. The second is the striking music, which is drawn from four different sessions recorded in 1956 with the great guitarist featured in a variety of different configurations.

The opener, a brisk romp through Harold Arlen's "Get Happy," features Tommy Flanagan on piano, Paul Chambers on bass, Kenny Clarke on drums, and Candido on congas. That leads into a stunning solo guitar rendition of the Gershwin tune "But Not For Me," which is followed by the live track "Mexico City," a piece by Kenny Dorham and recorded with the trumpeter's sextet at the Café Bohemia. Burrell and Flanagan are joined by bassist Oscar Pettiford and drummer Shadow Wilson on the Basie band number "Moten Swing" and Burrell's "Cheeta," and tenor saxophonist Frank Foster makes it a quintet for remainder of Side 2 on Pettiford's "Now See How You Are," Burrell's "Phinupi," and the Burton Lane standard "How About You."

Blue Note Records' acclaimed Tone Poet Audiophile Vinyl Reissue Series continues in 2022. Launched in 2019 in honor of the label's 80th Anniversary, the Tone Poet series is produced by Joe Harley (from Music Matters) and features all-analog, 180g audiophile vinyl reissues that are mastered from the original master tapes by Kevin Gray of Cohearent Audio. Tone Poet vinyl is manufactured at RTI in Camarillo, CA, and packaged in deluxe Stoughton Printing "Old Style" gatefold Tip-On jackets. The titles were once again handpicked by Harley and cover the crème de la crème of the Blue Note catalog along with underrated classics, modern era standouts, and albums from other labels under the Blue Note umbrella including Pacific Jazz and United Artists Records. Every aspect of these Blue Note/Tone Poet releases is done to the highest-possible standard. It means that you will never find a superior version.

"The LPs are mastered directly from the original analog master tapes by Kevin at his incredible facility called Cohearent Mastering. We go about it in the exact same way that we did for so many years for the Music Matters Blue Note reissues. We do not roll off the low end, boost the top or do any limiting of any kind. We allow the full glory of the original Blue Note masters to come though unimpeded! Short of having an actual time machine, this is as close as you can get to going back and being a fly on the wall for an original Blue Note recording session."
- Joe Harley

Musicians:
Kenny Burrell, guitar
Bobby Timmons / Tommy Flanagan, piano
Kenny Dorham, trumpet
Frank Foster / J.R. Monterose, tenor saxophone
Oscar Pettiford / Paul Chambers / Sam Jones, bass
Arthur Edgehill / Kenny Clarke / Shadow Wilson, drums
Candido, congas

Features:
• Blue Note Tone Poet Series
• Curated by Music Matters co-founder Joe Harley
• Audiophile-quality 180g vinyl LP
• All-analog mastering (direct from the master tapes) by Kevin Gray
• Manufactured at Record Technology Incorporated
• Deluxe gatefold jacket packaging

1. Get Happy
2. But Not For Me
3. Mexico City
4. Moten Swing
5. Cheeta
6. Now See How You Are
7. Phinupi
8. How About You

Blue Note Classic Vinyl Reissue Series All-Analog 180g Vinyl LP Mastered by Kevin Gray Directly from the Original Master Tapes and Manufactured at Optimal in Germany

Blue Note Records has announced the continuation of the Classic Vinyl Reissue Series which presents 180g vinyl LP reissues in standard packaging mastered by Kevin Gray and manufactured at Optimal. The pressings are all-analog whenever an analog source is available, with Gray mastering directly from the original master tapes. While the first 16 titles of the series focused on the best-known Blue Note classics from the 1950s and 60s, the new run of titles curated by Don Was and Cem Kurosman broadens its scope to span the many eras and styles of the legendary label's eight-decade history presented by themes: Bebop, Hard Bop, Soul Jazz, Post-Bop, Avant-Garde, The 70s, The Rebirth, and Hidden Gems.

In the late 1940s, Blue Note founder Alfred Lion became enthralled with the modern sounds of bebop and began recording several of the new music's innovators including the brilliant pianist Bud Powell, who Lion dubbed The Amazing Bud Powell. Powell could be erratic, but as a producer Lion always seemed to draw the best out of the piano master, and cut numerous classic sides including "Un Poco Loco" and "Bouncing with Bud." The fourth volume of The Amazing Bud Powell series, titled Time Waits, was recorded in 1958 and found Powell in particularly fine form on an ebullient set of his original tunes including "Buster Rides Again," "Monopoly," and "John's Abbey." Powell's playing is endlessly inventive as he takes flight in a trio setting with bassist Sam Jones and Philly Joe Jones, who elevates the session with some of his most inspired drumming on record.

Musicians:
Bud Powell, piano
Sam Jones, bass
'Philly' Joe Jones, drums

Features:
• Blue Note Classic Vinyl Reissue Series
• All analog 180g vinyl LP
• Mastered by Kevin Gray directly from the original master tapes
• Manufactured at Optimal in Germany
• Standard packaging

1. Buster Rides Again
2. Sub City
3. Time Waits
4. Marmalade
5. Monopoly
6. John's Abbey
7. Dry Soul
8. Sub City (Alternate Take)

Tracklist

Blue Note Classic Vinyl Reissue Series All-Analog 180g Vinyl LP Mastered by Kevin Gray Directly from the Original Master Tapes and Manufactured at Optimal in Germany

Blue Note Records has announced the continuation of the Classic Vinyl Reissue Series which presents 180g vinyl LP reissues in standard packaging mastered by Kevin Gray and manufactured at Optimal. The pressings are all-analog whenever an analog source is available, with Gray mastering directly from the original master tapes. While the first 16 titles of the series focused on the best-known Blue Note classics from the 1950s and 60s, the new run of titles curated by Don Was and Cem Kurosman broadens its scope to span the many eras and styles of the legendary label's eight-decade history presented by themes: Bebop, Hard Bop, Soul Jazz, Post-Bop, Avant-Garde, The 70s, The Rebirth, and Hidden Gems.

Herbie Nichols was one of the most highly original and under-recognized pianists and composers in jazz history. Blue Note founder Alfred Lion considered him to be every bit as unique and important as Thelonious Monk, another singular talent who Lion was the first to record just a few years before he signed Nichols in 1955. Little-known during his lifetime, recognition has begun to grow in recent years for Nichols' incredibly hip, angular compositions like "The Third World," "2300 Skidoo," "Step Tempest," and "Dance Line," each of which were miniature marvels built with their own sturdy inner logic.

In May 1955, Nichols recorded two sessions with Al McKibbon on bass and Art Blakey on drums which were originally released as The Prophetic Herbie Nichols, Vol. 1 and The Prophetic Herbie Nichols, Vol. 2. The two 10" LPs are combined here onto a single 12" LP that's presented in gatefold packaging with the two covers on the front and back with the liner notes on the inside.

Musicians:
Herbie Nichols, piano
Al McKibbon, bass
Art Blakey, drums

Features:
• Blue Note Classic Vinyl Reissue Series
• All analog 180g vinyl LP
• Mastered by Kevin Gray directly from the original master tapes
• Manufactured at Optimal in Germany
• Standard packaging

1. The Third World
2. Step Tempest
3. Dance Line
4. Blue Chopsticks
5. Double Exposure
6. Cro-Magnon Nights
7. Amoeba's Dance
8. Crisp Day
9. 2300 Skiddoo
10. It Didn't Happen
11. Shuffle Montgomery
12. Brass Rings