All Collections

Vinyl LP pressing. Eliza Noble and Jennifer Skillman are Eli & Fur: the British live act, singer-songwriter and producer duo whose career together stretches back for nearly a decade. Having formed a close bond in their teens born out of their unwavering passion for music in all it's guises, their careers as DJs, songwriters, vocalists and producers has taken them around the globe as touring musicians and seen them grace the stages of the biggest festivals in the world including Coachella, Tomorrowland and Glastonbury.

No Doubt built their reputation the old-fashioned way: gigging relentlessly in and around LA where they frequently turned in high-octane sets at venues such as The Whisky A-Go-Go, Fender's Grand Ballroom and The Roxy, where they could often be found propping up bills for luminaries such as Fishbone and fellow SoCal ska-popsters The Untouchables. Thanks to Gwen Stefani's increasingly alluring stage presence and the band's energetic set of hooky, ska-flavored punk-pop songs, record companies began to take note and, in 1990, No Doubt landed a multi-album deal with the newly created Interscope imprint.

Though they'd pulled off a coup signing with the upwardly mobile and highly respected label, mainstream success initially eluded No Doubt. Their self-titled debut LP was released in 1992, but while it sold a decent number of copies, it appeared at a time when grunge was still in vogue and the industry was reeling from the shockwaves emanating from Seattle. No Doubt's bright, horn-laden ska-pop was anathema at a time when bands such as Nirvana and Pearl Jam were shifting serious units; they doggedly toured the US in support of their self-titled debut, No Doubt struggled to attract a sizeable audience outside of their Southern Californian stomping ground.

Ostensibly their first official single, "Trapped In A Box" was admittedly too out there for the radio of the time. It wasn't aggressively promoted and largely fell upon deaf ears in a world enthralled with an "alternative revolution" mainly centered on male aggression. That changed soon enough though. The horn section and quasi-ska rhythms remain inspired by early Madness/Fishbone influences, while the emerging sense of flow and pop bounce makes the track a benchmark for the time and a notable milestone today.

1. BND
2. Let's Get Back
3. Ache
4. Get On The Ball
5. Move On
6. Sad For Me
7. Doormat
8. Big City Train
9. Trapped In A Box
10. Sometimes
11. Sinking
12. A Little Something Refreshing
13. Paulina
14. Brand New Day

Vinyl LP pressing. 2010 release from the Punk Rock survivors. Bad Religion are celebrating three decades of influential, thought provoking and groundbreaking Punk Rock with the Dissent of Man, their 15th studio album overall. The result is one of the band's most forward thinking and musically varied albums ever.

• Tracks
• Credits

Ska-punk pioneers The Mighty Mighty BossToneS deliver their eleventh studio record When God Was Great. Co-produced by longtime collaborator Ted Hutt (The Gaslight Anthem, Dropkick Murphys) and Rancid frontman Tim Armstrong (Transplants, Jimmy Cliff), When God Was Great is the culmination of their extensive and all-embracing career and sees the band bringing back friends, tourmates, and bandmates from the past for a sonic celebration that stresses the power of perseverance and human connection during tumultuous times. The album features 15-tracks that initially arose out of a collective sense of loss.

"We were lightly writing songs before the insanity without any sort of timeline in mind. All of a sudden, the world changed and benchmark events in a very long career that we were looking forward to, such as playing with the Madness at the Greek Theatre, were taken away from us," explains frontman Dicky Barrett. "With all of this time on our hands, we started writing at a quickened pace and we were really inspired. As grim as everything around us was in the outside world, this was the most fun we ever had making a record."

LP1

1. Decide
2. Move
3. I Don't Believe In Anything
4. Certain Things
5. Bruised
6. Lonely Boy
7. The Killing of Georgie (Part III)
8. You Had To Be There
9. When God Was Great

LP2

1. What It Takes
2. Long As I Can See the Light
3. The Truth Hurts
4. It Went Well
5. I Don't Want To Be You
6. The Final Parade

Completely up to task in following up their kitschy debut, the B-52's step everything up a notch on their ceaselessly fun 1980 sophomore album Wild Planet: songwriting, humor, melodies, hooks, and group interplay. Wild Planet also finds the band embracing stronger psychedelic accents that seamlessly mesh with its lava-lamp colors and textures.

Rollicking, rousing, and riotous, Wild Planet soars on vocal efforts put forth by the delightfully campy chanteuses Cindy Wilson and Kate Pierson, whose innocent girly tonalities wonderfully match up with Fred Schneider's effeminate deliveries and manic presentations. Add in Ricky Wilson's propulsive beach-bound guitar riffs, random squealing synthesizers, and a surfeit of danceable rhythms, and you have nothing less than a '80s masterpiece that, due to its optimistic vibes and buoyant grooves, only gets better with time.

As for clever humor and quirky character? Everywhere! Mentions of an icebox, fruit punch, and surprise greetings kick off the defining "Party Out of Bounds" while "Private Idaho" is an instant mix-tape essential, sent up with declamatory refrains and insouciant beats. 

1. Party out of Bounds
2. Dirty Back Road
3. Runnin' Around
4. Give Me Back My Man
5. Private Idaho
6. Devil in My Car
7. Quiche Lorraine
8. Strobe Light
9. 53 Miles West of Venus

Mesmeric and kaleidoscopic, shimmering with electrified unease, Show Me How You Disappear is both an exercise in self-forgiveness and an eventual understanding of unresolved trauma. Jilian Medford's third record as Ian Sweet unfolds at an acute juncture in her life, charting from a mental health crisis to an intensive healing process and what comes after. How do you control the thoughts that control you? What does it mean to get better? What does it mean to have a relationship with yourself?

Recorded with Andrew Sarlo (Big Thief, Empress Of) and Andy Seltzer (Maggie Rogers), among others, Medford approached this album as a curator. She handpicked the producers that fit each song, which explains the range and experimentation showcased. Medford then recruited Chris Coady to mix and tie everything together into one cohesive piece. Dizzying and enthralling, Show Me How You Disappear is the sound of someone coming apart and putting themselves back together – the moment an old mantra, repeated into the mirror time and time again, finally clicks. To look at your reflection, and finally feel seen.

1. My Favorite Cloud
2. Drink The Lake
3. Sword
4. Dirt
5. Sing Till I Cry
6. Dumb Driver
7. Get Better
8. Power
9. Show Me How You Disappear
10. I See Everything

Vinyl reissue of the 2001 album from Dashboard Confessional. The monumental emo effort, produced by original collaborator James Paul Wisner, marked the first time Chris Carrabba's hyper-personal acoustic sing-alongs were amplified by additional instrumentation. The Places You Have Come To Fear The Most includes the iconic emo anthem "Screaming Infidelities", as well as cult favorites like "Again I Go Unnoticed" and the title track.

1. The Brilliant Dance
2. Screaming Infidelities
3. The Best Deceptions
4. This Ruined Puzzle
5. Saints And Sailors
6. The Good Fight
7. Standard Lines
8. Again I Go Unnoticed
9. The Places You Have Come To Fear The Most
10. This Bitter Pill

Godsmack's fourth studio album, IV, was their second consecutive album to top the Billboard 200 chart when it was originally released in 2006. Bringing in Led Zeppelin's producer/engineer Andy Johns, gave the album a heavier yet more melodic sound for Godsmack. A personal achievement for the band, this album includes the rocking anthem, "Speak," their fourth #1 single on the Billboard Mainstream Rock chart, as well as the hits, "Shinedown" and "The Enemy." Remastered and finally available on vinyl. 2 LP set, gatefold jacket.

"You have to see them in concert," is what fans of The National have been preaching for years. "The songs transform. It's a whole other level." Recorded live (without overdubs) in June 2024 at an architecturally stunning venue named for famed Italian film composer Ennio Morricone, Rome is the definitive live document of The National. The 21-track double album is truly career spanning, and showcases scintillating versions of beloved songs like "Bloodbuzz Ohio," "Don't Swallow the Cap," "I Need My Girl," "The System Only Dreams in Total Darkness," “England” and "Fake Empire"; plus sharpened readings of recent tracks "Eucalyptus," "New Order T-Shirt," "Tropic Morning News" and the boundary-pushing "Smoke Detector." The National’s setlist changes significantly show to show, revisiting their 25-year catalog to cast fresh light on hidden gems. For Rome that includes the show opener “Runaway,” “Lemonworld,” “The Geese of Beverly Road,” “Lit Up” and a tour de force pairing of “Humiliation” from their critically acclaimed album Trouble Will Find Me into Sad Songs For Dirty Lovers’ “Murder Me Rachael.” The Rome encore features the election anthem “Mr. November,” and, from High Violet, “Terrible Love” and the show-closing fan singalong, “Vanderlyle Crybaby Geeks.” The live album was mixed by the band's longtime collaborator Peter Katis. Reviewing a National performance this summer, NME wrote that “every song is played like it could be the last.” Rome captures that playing-for-keeps urgency on record and serves not merely as a concert souvenir but the latest vital addition to the band’s peerless catalog.

A bold new look, sound and concept as Kraftwerk fully realize their clever use of melody and technology over supple processed rhythms predating the rise of European techno and trance. The Man Machine is so stunningly ahead of its time that "The Model" becomes a surprise UK #1 chart-topper three years after the album's initial release.

1. The Robots
2. Spacelab
3. Metropolis
4. The Model
5. Neon Lights
6. The Man Machine

Luke Bryan - Mind Of A Country Boy - Vinyl 2 LP

Five-time Entertainer of the Year Luke Bryan is releasing a brand-new album, Mind of a Country Boy, featuring 14 tracks including his latest single, “Love you, Miss you, Mean It.” “This song was special from the first time I heard it,” said Luke. “I knew it would resonate. It’s about young love and that whole process of trying to make relationships work through the on-again and off-again cycles. My wife and I went through that journey during college, and I know a lot of people out there have too.” During his career Luke has performed for more than 14 million fans inclusive of his numerous headline tours, “Crash My Playa,” “Luke Bryan: VEGAS” and “Farm Tour.”

• - Disc 1 -
• 1 Mind of a Country Boy
• 2 Love You, Miss You, Mean It
• 3 Country Song Came on
• 4 Pair of Boots
• 5 But I Got a Beer in My Hand
• 6 Kansas
• 7 Country on
• - Disc 2 -
• 1 Fish on the Wall
• 2 She's Still Got It
• 3 Closing Time in California
• 4 For the Kids
• 5 Southern and Slow
• 6 I'm on a Tractor
• 7 Jesus 'Bout My Kids

2LP 180g black vinyl. Experience the raw power of Ministry's "The Land of Rape and Honey (Deluxe Edition)." This definitive collection includes iconic tracks like "Stigmata" and the haunting title track, plus exclusive remixes and extended cuts. Dive into the intense energy and industrial ferocity of this genre-defining album.

Fantastic second album from Bel Air, Maryland musician Benny Clough

On June 28th 1974, King Crimson's New Jersey concert was recorded to multi-track tape. 50 years later to the date of that recording, the full concert will be reissued, as a 3,000 copies limited edition on 200gram blue sparkle vinyl. From one of the last few concerts of King Crimson's final US tour of the '70s, "USA" was issued as an epitaph for the band in Spring 1975 as a single album, at a time when doubles or even triple live albums were considered more the norm for live releases. Deleted towards the end of the vinyl era in the mid-1980s, it remained unreleased in the CD era until the expanded edition was finally issued in October 2002. In common with much of Crimson's output, it was not well received by critics when originally released, though it's critical reputation grew immeasurably in the intervening years to the point where a review of the "21st Century Guide to King Crimson" boxed set in 2004 identified the album as the point "... where Fripp maps out the guitar blueprint for the entire post-punk movement." If that claim sounds somewhat exaggerated, a casual listen to the opening minutes of the album - where the ethereal 'Walk On..' tape of Fripp & Eno's 'No Pussyfooting' gives way to the sonic assault of 'Larks' II' - provides ample evidence to back up the claim. It's also worth noting the audience response to the band - especially at the end of 'Starless', a piece that had yet to be recorded in the studio at that point. The 1972/1974 King Crimson line-ups is now revered by critics and fans alike as one of the key bands of the era - a reputation enhanced by DGM's archival live releases from that period, starting with "The Great Deceiver" released in 1992, through to the multi-disc boxed sets of more recent years. Originally issued on vinyl in 2018 as part of the second King Crimson vinyl series boxed sets & only briefly available as a standalone set from that box, this vinyl reissue is much sought after by King Crimson fans & presents the 2013 mix of the concert by Robert Fripp, David Singleton & Tony Arnold.

• - Disc 1 -
• 1 Walk on.. No Pussyfooting
• 2 Larks' Tongues in Aspic: Part II
• 3 Lament
• 4 Exiles
• 5 Asbury Park
• 6 Easy Money
• - Disc 2 -
• 1 Fracture
• 2 21st Century Schizoid Man
• 3 Starless

Seal (Deluxe Edition)

Seal (sometimes referred to as Seal II to avoid confusion with the 1991 album of the same name) is the second eponymous studio album by British singer Seal. The album was released in 1994 on ZTT and Sire Records and features the worldwide smash hit single "Kiss from a Rose".

Some Kind Of Orange Colored Vinyl reissue of the divisive 2003 album, "St. Anger". The album marked a departure from their earlier work with it's raw sound, absence of guitar solos, and experimentation with different tunings and metal styles. It was recorded during a turbulent period for Metallica, including internal conflicts and the departure of bassist Jason Newsted. The band's struggles during this period were documented in the acclaimed film "Some Kind of Monster." The album received mixed reviews from critics and fans but is regarded as a pivotal album in Metallica's career, reflecting a period of significant change for the band. Over time, "St. Anger" has been re-evaluated by some fans and critics, who have come to appreciate it's rawness and emotional depth. It remains a testament to Metallica's willingness to take risks and explore new musical territories, even after decades of success.

• - Disc 1 -
• 1 Frantic
• 2 St. Anger
• 3 Some Kind of Monster
• 4 Dirty Window
• 5 Invisible Kid
• 6 My World
• - Disc 2 -
• 1 Shoot Me Again
• 2 Sweet Amber
• 3 The Unnamed Feeling
• 4 Purify
• 5 All Within My Hands