All Collections

Vinyl LP pressing. Eliza Noble and Jennifer Skillman are Eli & Fur: the British live act, singer-songwriter and producer duo whose career together stretches back for nearly a decade. Having formed a close bond in their teens born out of their unwavering passion for music in all it's guises, their careers as DJs, songwriters, vocalists and producers has taken them around the globe as touring musicians and seen them grace the stages of the biggest festivals in the world including Coachella, Tomorrowland and Glastonbury.

No Doubt built their reputation the old-fashioned way: gigging relentlessly in and around LA where they frequently turned in high-octane sets at venues such as The Whisky A-Go-Go, Fender's Grand Ballroom and The Roxy, where they could often be found propping up bills for luminaries such as Fishbone and fellow SoCal ska-popsters The Untouchables. Thanks to Gwen Stefani's increasingly alluring stage presence and the band's energetic set of hooky, ska-flavored punk-pop songs, record companies began to take note and, in 1990, No Doubt landed a multi-album deal with the newly created Interscope imprint.

Though they'd pulled off a coup signing with the upwardly mobile and highly respected label, mainstream success initially eluded No Doubt. Their self-titled debut LP was released in 1992, but while it sold a decent number of copies, it appeared at a time when grunge was still in vogue and the industry was reeling from the shockwaves emanating from Seattle. No Doubt's bright, horn-laden ska-pop was anathema at a time when bands such as Nirvana and Pearl Jam were shifting serious units; they doggedly toured the US in support of their self-titled debut, No Doubt struggled to attract a sizeable audience outside of their Southern Californian stomping ground.

Ostensibly their first official single, "Trapped In A Box" was admittedly too out there for the radio of the time. It wasn't aggressively promoted and largely fell upon deaf ears in a world enthralled with an "alternative revolution" mainly centered on male aggression. That changed soon enough though. The horn section and quasi-ska rhythms remain inspired by early Madness/Fishbone influences, while the emerging sense of flow and pop bounce makes the track a benchmark for the time and a notable milestone today.

1. BND
2. Let's Get Back
3. Ache
4. Get On The Ball
5. Move On
6. Sad For Me
7. Doormat
8. Big City Train
9. Trapped In A Box
10. Sometimes
11. Sinking
12. A Little Something Refreshing
13. Paulina
14. Brand New Day

Marvin Gaye always dreamed of being a smooth crooner, "sitting on a stool, possibly behind a piano," delivering velvety songs like Nat King Cole. But Motown had other plans. Pushed between raw R&B and polished pop, Gaye fought to find his own voice, eventually rising to become one of the greatest soul singers in history. Motown Records released the first Marvin Gaye record in 1961 "(I'm Afraid) The Masquerade Is Over", a single intended for (radio) promotion from the singer's debut album. This was followed up by the officially released "Let Your Conscience Be Your Guide" a week later. Gaye scored his first real hit with "Stubborn Kind of Fellow" in 1962, which he had co-written himself, joking about his alleged stubbornness. He found his own unique style with the single released at the end of the year: "Hitch Hike". The foundations were now laid for an enormous series of chart successes: "Pride And Joy", "Can I Get A Witness", "How Sweet It Is (To Be Loved By You)" and "Ain't That Peculiar" are all Motown classics from 1963-1965 which are still being regularly played today after all these years. The duets he recorded with Kim Weston ("It Takes Two"), especially Tammi Terrell and Diana Ross were certainly at least as good. He scored his biggest ever hit with "I Heard It Through The Grapevine" in 1968. "What's Going On" from the same titled album became a number 1 hit in the USA and the album was received as a masterpiece and is regarded as one of the most important records in pop history. In 1973, the artistically and commercially very successful, "Let's Get It On" album was mainly a musical ode to Marvin's love for his new muse Janis Hunter. His journey continued after a turbulent relationship, addiction and a dramatic creative rebirth in Belgium, where he crafte the global hit "Sexual Healing" in 1982. Marvin Gaye left behind timeless hits, groundbreaking albums, and a legacy that shaped the sound of modern soul. His story, from ambition to artistry, from struggle to brilliance, remains as powerful as the music he created. Music On Vinyl proudly presents a special coloured edition of the Marvin Gaye Collected album which is available as a limited edition of 10,000 individually numbered copies on white (LP1) and silver coloured vinyl (LP2) and includes a booklet with liner notes.

• - Disc 1 -
• 1 (I'm Afraid) the Masquerade Is Over
• 2 Let Your Conscience Be Your Guide
• 3 Hitch Hike
• 4 Pride and Joy
• 5 Can I Get a Witness
• 6 Once Upon a Time (With Mary Wells)
• 7 Stubborn Kind of Fellow
• 8 How Sweet It Is (To Be Loved By You)
• 9 It Takes Two (With Kim Weston)
• 10 I'll Be Doggone
• 11 Ain't That Peculiar
• 12 Ain't No Mountain High Enough (With Tammi Terrell)
• 13 I Heard It Through the Grapevine
• 14 Ain't Nothing Like the Real Thing (With Tammi Terrell)
• 15 You're All I Need to Get By (With Tammi Terrell)
• 16 Too Busy Thinking About My Baby
• - Disc 2 -
• 1 What's Going on
• 2 Mercy Mercy Me (The Ecology)
• 3 Inner City Blues (Make Me Wanna Holler)
• 4 Trouble Man
• 5 Let's Get It on
• 6 You Are Everything (With Diana Ross)
• 7 Distant Lover
• 8 I Want You
• 9 Got to Give It Up
• 10 Heavy Love Affair
• 11 Sexual Healing
• 12 Sanctified Lady

Order of the Black is the ninth studio album by the heavy metal band Black Label Society. It was released in North America on August 10, 2010 through E1 Music. In New Zealand and Australia it was released by Riot Entertainment (with special cover art) and in Europe through Roadrunner Records. The first single "Parade of the Dead" was released on June 16. The second single of the album entitled "Crazy Horse" was released June 22. On August 9, 2010, the album was posted to AOL music for streaming in it's entirety (minus bonus tracks). Although various versions in different territories and formats carried different bonus tracks, all available bonus tracks are actually taken from the 2011 album The Song Remains Not The Same.

Lord Willin' - Clipse's debut album, Lord Willin' sent a clear message to the rap world - "we are not the same." Released in 2002, and now available on striking silver vinyl, this album captures the authentic sound of Virginia, seamlessly blending it with The Neptunes' groundbreaking production. Featuring standout singles like "Grindin'" and "When the Last Time," Lord Willin' showcases the duo's raw sound and sharp lyricism.

• - Disc 1 -
• 1 Intro
• 2 Young Boy
• 3 Virginia
• 4 Grindin'
• 5 Cot Damn
• 6 Ma, I Don't Love Her
• 7 Famlay Freestyle
• 8 When the Last Time
• - Disc 2 -
• 1 Ego
• 2 Comedy Central
• 3 Let's Talk About It
• 4 Gangsta Lean
• 5 I'm Not You
• 6 Grindin ' [Remix]
• 7 Grindin' [Selector Remix]

DE LA SOUL - CABIN IN THE SKY (Opaque sky blue vinyl) de la Soul returns with Cabin in The Sky, a deeply personal and emotionally charged album. More than just a collection of songs, this project serves as a journey through reflection, love, and healing, a space where pain transforms into art, and remembrance turns into rhythm. Cabin in The Sky is set to release on November 21. The album honors the legacy of Dave "Trugoy the Dove" Jolicoeur, and extends that tribute to all loved ones lost along the way. Through reflective lyricism, soulful samples, and the unmistakable de la groove, Cabin in The Sky captures the beauty and the heartbreak of carrying on.

• - Disc 1 -
• 1 Cabin Talk (Album Intro) Feat. Giancarlo Esposito
• 2 Yuhdontstop
• 3 Sunny Storms
• 4 Good Health
• 5 Will Be Feat. Yummy Bingham
• 6 The Package
• 7 A Quick 16 for Mama Feat. Killer Mike
• 8 Just How It Is (Sometimes) Feat. Jay Pharoah and Gareth Donkin
• 9 Cruel Summers Bring Fire Life!! Feat. Yukimi from Little Dragon
• 10 Day in the Sun (Gettin' Wit U) Feat. Q-Tip & Yummy Bingham
• - Disc 2 -
• 1 Run It Back!! Feat. Nas
• 2 Different World Feat. Gina Loring
• 3 Patty Cake
• 4 The Silent Life of a Truth
• 5 En Eff Feat. Black Thought
• 6 Believe (In Him) Feat. Lady Stout and K. Butler & the Collective
• 7 Yours Feat. Common and Slick Rick
• 8 Palm of His Hands Feat. Bilal
• 9 Cabin in the Sky
• 10 Don't Push Me

Featuring Michael Giacchino’s original score for the 2025 film, The Fantastic Four: First Steps. 2 LP set on color vinyl.

• - Disc 1 -
• 1 Fantastic Four: First Steps Main Theme [Extended Version]
• 2 Pregnancy Testing 1, 2, 3
• 3 Fantastic Four, First Cue
• 4 Herald Today, Gone Tomorrow
• 5 Out to Launch
• 6 Galactus Case of the Munchies
• 7 Bowel Before Me
• 8 Light Speed of Your Life
• 9 Nothing Neutron Under the Sun
• 10 Starship Birth
• - Disc 2 -
• 1 Span-Tastic Voyage
• 2 Bridges of Silver Surfer County
• 3 Mole in Your Plan
• 4 Walk on the City
• 5 Other Sue Drops
• 6 Don't Sue the Baby!
• 7 Without Further Adieu
• 8 Carseat Drivers
• 9 Fantastic Four to Be Reckoned with
• 10 Tripping the Lights Fantastic
• 11 Fantastic Four Power Hour [Cartoon Theme]
• 12 Ted Gilbert Show
• 13 Let Us Be Devoured [Studio Version]
• 14 H. E. R. B. I. E. 's Lullaby

Phenomenon is LL Cool J's seventh studio album under Def Jam Recordings. Released in 1997, the platinum-certified album includes the hits, "Phenomenon, " "4, 3, 2, 1, " "Father, " and "Candy." Produced by Trackmasters and Hitmen, among others, it reflects a shift in LL Cool J's sound in response to the evolving hip-hop landscape. 2LP set on standard black vinyl. EXPLICIT

• - Disc 1 -
• 1 Phenomenon
• 2 Candy
• - Disc 2 -
• 1 Starsky & Hutch
• 2 Another Dollar
• 3 Nobody Can Freak You
• - Disc 3 -
• 1 Hot, Hot, Hot
• 2 4, 3, 2, 1
• 3 Wanna Get Paid
• - Disc 4 -
• 1 Father
• 2 Don't Be Late, Don't Come Too Soon

de la Soul -"The Grind Date (20th Anniversary)" [Splatter Color 2 LP] This special release marks the 20th anniversary of The Grind Date. de la Soul's seventh studio album features guest appearances by Ghostface, MF Doom, Carl Thomas and Common. This limited edition 2 LP set is pressed on splatter color vinyl and includes 4 bonus instrumental versions of the leading tracks, "The Grind Date," "Verbal Clap," "Shopping Bags," and "Days of Our Loves." BMG Rights Management; BMG; Hip Hop; Catalog.

• - Disc 1 -
• 1 The Future
• 2 Verbal Clap
• 3 Much More
• 4 Shopping Bags (She Got from You)
• 5 The Grind Date
• - Disc 2 -
• 1 Church
• 2 It's Like That
• 3 He Comes
• 4 Days of Our Lives
• - Disc 3 -
• 1 Come on Down
• 2 No
• 3 Rock Co. Kane Flow
• 4 Shoomp
• - Disc 4 -
• 1 The Grind Date [Instrumental]
• 2 Verbal Clap [Instrumental]
• 3 Shopping Bags (She Got from You)
• 4 [Instrumental]
• 5 Days of Our Lives [Instrumenta

Godsmack's fourth studio album, IV, was their second consecutive album to top the Billboard 200 chart when it was originally released in 2006. Bringing in Led Zeppelin's producer/engineer Andy Johns, gave the album a heavier yet more melodic sound for Godsmack. A personal achievement for the band, this album includes the rocking anthem, "Speak," their fourth #1 single on the Billboard Mainstream Rock chart, as well as the hits, "Shinedown" and "The Enemy." Remastered and finally available on vinyl. 2 LP set, gatefold jacket.

Fantastic second album from Bel Air, Maryland musician Benny Clough

On June 28th 1974, King Crimson's New Jersey concert was recorded to multi-track tape. 50 years later to the date of that recording, the full concert will be reissued, as a 3,000 copies limited edition on 200gram blue sparkle vinyl. From one of the last few concerts of King Crimson's final US tour of the '70s, "USA" was issued as an epitaph for the band in Spring 1975 as a single album, at a time when doubles or even triple live albums were considered more the norm for live releases. Deleted towards the end of the vinyl era in the mid-1980s, it remained unreleased in the CD era until the expanded edition was finally issued in October 2002. In common with much of Crimson's output, it was not well received by critics when originally released, though it's critical reputation grew immeasurably in the intervening years to the point where a review of the "21st Century Guide to King Crimson" boxed set in 2004 identified the album as the point "... where Fripp maps out the guitar blueprint for the entire post-punk movement." If that claim sounds somewhat exaggerated, a casual listen to the opening minutes of the album - where the ethereal 'Walk On..' tape of Fripp & Eno's 'No Pussyfooting' gives way to the sonic assault of 'Larks' II' - provides ample evidence to back up the claim. It's also worth noting the audience response to the band - especially at the end of 'Starless', a piece that had yet to be recorded in the studio at that point. The 1972/1974 King Crimson line-ups is now revered by critics and fans alike as one of the key bands of the era - a reputation enhanced by DGM's archival live releases from that period, starting with "The Great Deceiver" released in 1992, through to the multi-disc boxed sets of more recent years. Originally issued on vinyl in 2018 as part of the second King Crimson vinyl series boxed sets & only briefly available as a standalone set from that box, this vinyl reissue is much sought after by King Crimson fans & presents the 2013 mix of the concert by Robert Fripp, David Singleton & Tony Arnold.

• - Disc 1 -
• 1 Walk on.. No Pussyfooting
• 2 Larks' Tongues in Aspic: Part II
• 3 Lament
• 4 Exiles
• 5 Asbury Park
• 6 Easy Money
• - Disc 2 -
• 1 Fracture
• 2 21st Century Schizoid Man
• 3 Starless

Change The Game [Indie Exclusive Limited Edition 2LP]

• 1 Sober Thing
• 2 Outlaws and Mustangs
• 3 I Can't Complain
• 4 Take This Bottle (Feat. Pearl)
• 5 Change the Game
• 6 I Would
• 7 The Working Man
• 8 Deceiver's Blues
• 9 A Few More Ghosts
• 10 Wasted
• 11 Always Running
• 12 What You Love

Art Official Intelligence: Mosaic Thump is the fifth studio album by de la Soul, released on August 8, 2000. Among the guests on the album are, Redman, Tash and J-Ro of Tha Liks, Xzibit, Busta Rhymes, Mike D and Ad Rock of the Beastie Boys, Busy Bee, Freddie Foxxx and Chaka Khan. Mosaic Thump returned De La Soul to chart territory again thanks to the hit singles "Oooh.", and "All Good?". "Oooh" was nominated for a Source Award and the album was nominated for a Grammy for Best Rap Performance By A Duo or Group. * Black LP x 2, 140 gram vinyl (Remastered), printed inner sleeves

Track Listings

Double 180gm audiophile vinyl LP pressing. 2Pacalypse Now is the 1991 debut studio album by 2Pac. The album is 2Pac's commentary on contemporary social issues facing American society such as racism, police brutality, poverty, black on black crime, and teenage pregnancy. It featured three singles; "Brenda's Got a Baby", "Trapped", and "If My Homie Calls". The album was initially released on T.N.T. Recordings and Interscope Records, which at the time was distributed through Eastwest Records America and Atlantic Records. Following Shakur's death, Amaru Entertainment (established by his mother Afeni Shakur) obtained the rights to this album. The album generated significant controversy stemming from then-U.S. Vice President Dan Quayle's public criticism after Ronald Ray Howard murdered a Texas state trooper and his defense attorney claimed he was influenced by 2Pacalypse Now and it's strong theme of police brutality. Quayle made the statement, "There's no reason for a record like this to be released. It has no place in our society."

Tracks

• 1 Young Black Male
• 2 Trapped (Featuring Shock G)
• 3 Soulja's Story
• 4 I Don't Give a F*** (Featuring Pogo)
• 5 Violent (Featuring DJ Fuze, Money B and Mac Mone)
• 6 Words of Wisdom
• 7 Something Wicked (Featuring Pee - Wee)
• 8 Crooked Ass Nigga (Featuring Stretch)
• 9 If My Homie Calls
• 10 Brenda's Got a Baby (Featuring Dave Hollister)
• 11 Tha' Lunatic (Featuring Stretch)
• 12 Rebel of the Underground (Featuring Ray Luv and Shock G)
• 13 Part Time Mutha (Featuring Angelique and Poppi)

Scratch and Dent:
Some Damage to Outer Sleeve-Vinyl is Unopened

Limited silver colored vinyl LP pressing. Toro y Moi's seventh studio album, Mahal, is the boldest and most fascinating journey yet from musical mastermind Chaz Bear. The record spans genre and sound-encompassing the shaggy psychedelic rock of the 1960s and '70s, and the airy sounds of 1990s mod-post-rock-taking listeners on an auditory expedition, as if they're riding in the back of Bear's Filipino jeepney that adorns the album's cover. But Mahal is also an unmistakably Toro y Moi experience, calling back to previous works while charting a new path forward in a way that only Bear can do. Mahal is the latest in an accomplished career for Bear, who's undoubtedly one of the decade's most influential musicians. Since the release of the electronic pop landmark Causers of This in 2009, subsequent records as Toro y Moi have repeatedly shifted the idea of what his sound can be. But there's little in Bear's catalog that will prepare you for the deep-groove excursions on Mahal, his most eclectic record to date.

Tracks

• 1 The Medium
• 2 Goes By So Fast
• 3 Magazine
• 4 Postman
• 5 The Loop
• 6 Last Year
• 7 Mississippi
• 8 Clarity
• 9 Foreplay
• 10 DÉJÀ Vu
• 11 Way Too Hot
• 12 Millennium
• 13 Days in Love

On January 27th, 1990, Helmet entered the stage of New York’s equally famous and infamous CBGB’s. What followed was an explosive live show, set during the earliest days of the band’s career. Getting ready to release their debut album 'Strap It On' in March that year, Helmet propelled themselves through a staccato-heavy set of tracks that would soon earn them worldwide acclaim in the Punk scene.

The first side of this brand-new live album features the CBGB’s set for the first time ever on vinyl and CD, while the second half contains an equally energetic performance, recorded in 1993 at the Big Day Out Festival in Melbourne, Australia. With tracks such as "Ironhead," "Better" and "In the Meantime," the set list strikes a perfect balance between the band’s hits and hidden gems from their early years.

• 1 Intro (Live at CBGB)
• 2 Impressionable (Live at CBGB)
• 3 Murder (Live at CBGB)
• 4 Your Head (Live at CBGB)
• 5 Repetition (Live at CBGB)
• 6 Sinatra (Live at CBGB)
• 7 Rumble (Live at CBGB)
• 8 Ironhead (Live at Big Day Out)
• 9 Better (Live at Big Day Out)
• 10 Give It (Live at Big Day Out)
• 11 Blacktop (Live at Big Day Out)
• 12 Oven (Live at Big Day Out)
• 13 Turned Out (Live at Big Day Out)
• 14 In the Meantime (Live at Big Day Out)

For anyone who's been feeling suffocated by the sameness that's been afflicting hip-hop and pop – where a small handful of ideas gets recycled endlessly, and a spin through the big new-release playlists quickly devolves into a blur – They Hate Change's Jagjaguwar debut, Finally, New lives up to its name. Finally, a record that can satisfy the geeky headphone trainspotters and the hedonistic ass-shakers, too. Finally, producers who refuse to settle for making drag-and-drop beats. Finally, rappers who aren't afraid of actually sticking out from the crowd and saying something new, and who embody the classic quote from Run of Run-DMC that, "The only thing rap music is – there is no music to rap. We just rap over whatever we want."

The album's lead single, "From the Floor" shows off Vonne and Dre's talents to organically connect disparate influences, fusing icy UK drum & bass breaks with Miami bass bounce, layering on Dirty-South-mixtape-style raps, and dousing the whole thing in spacy psychedelia worthy of Can. "Blatant Localism" spotlights the pair's verbal teamwork, as they trade lines taking aim at style-deficient hypebeast rappers over a pixelated beat, landing on something like turn-of-the-millennium IDM, but with a lot more shit talk. The coolly frenetic "X-Ray Spex" infuses jungle with propulsive synthesizer ambience. And they're as daring with their lyrics as they are with their beats: on "Little Brother," Dre draws an emotionally complex portrait of the hood economics other rappers shallowly glamorize, while "Some Days I Hate My Voice" is Vonne's speaker-knocking ode to androgynous gender euphoria, complete with shout-outs to 100 gecs and 60's trans soul star Jackie Shane.

Finally, New is what a truly post-genre musical landscape is supposed to be: building deep connections that transcend outdated distinctions between them, spilling over with the joy of exploration and possibility, and daring other artists to think broader, go deeper, take bigger risks. Let the rest of them keep playing by the old rules – They Hate Change will keep changing the game.

1. Stuntro
2. Breathing
3. Who Next?
4. Reversible Keys (ft. Vritra)
5. Blatant Localism
6. Coded Language (Interlude)
7. 1000 Horses (ft. Sarge)
8. Little Brother
9. Some Days I Hate My Voice
10. Certi
11. Perm
12. X-Ray Spex
13. From The Floor (ft. DJ Gay-Z)

Ty Segall meets a new non-rock challenge head-on; soundtrack music for the documentary film Whirlybird. A variety of synth sounds, electric keyboards, drums, percussion and saxophone (and yeah, a few guitars) form a shifting impressionist counterpart, instrumental music that dialogues with and serves to frame the film’s compulsive themes and images.