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Vinyl LP pressing. 2022 release. With his first new album in 36 years, Reboot, Ronnie Foster returns to Blue Note Records 50 years after releasing his debut album, Two Headed Freap, on the label in 1972. Reboot is a collection of originals and covers that mark a fresh start for Foster who has whipped up an omnidirectional brew of Hammond Organ grooves that pay homage to the past but more often reflect Ronnie's restlessness for ushering in the new. The album is dedicated to the memory of his longtime friend Dr. Lonnie Smith.

• 1 Reboot
• 2 Sultry Song II
• 3 Swingin'
• 4 J's Dream
• 5 Isn't She Lovely
• 6 Carlos
• 7 Hey Good Lookin' Woman
• 8 After Chicago
• 9 After Conversation with Nadia

Limited 180gm vinyl LP pressing housed in gatefold jacket. Strangeland is Keane's fourth studio album. Originally released in May 2012 it charted at #1 and has gone on to sell over 200k in the UK. It also charted at #1 in Ireland and the Netherlands whilst in the US it peaked at #17. Produced by Dan Grech-Marguerat the album includes three singles: 'Silenced By The Night', 'Disconnecte'd and 'Sovereign Light Café'.

• 1 You Are Young
• 2 Silenced By the Night
• 3 Disconnected
• 4 Watch How You Go
• 5 Sovereign Light Café
• 6 On the Road
• 7 The Starting Line
• 8 Black Rain
• 9 Neon River
• 10 Day Will Come
• 11 In Your Own Time
• 12 Sea Fog

Vinyl LP pressing in gatefold sleeve. 2018 release. Legendary punk-rocker band Suicidal Tendencies is back with this 10 track release that includes 'Get Your Fight On' from the 2016 album World Gone Mad. This release has three new versions of the song; an acoustic version with Travis Barker on drums, an instrumental lead guitar version, and an instrumental bass version. The remaining six tracks are new recordings that have Dave Lombardo (Slayer) returning as drummer. Suicidal Tendencies is an American crossover thrash band founded in 1980 in Venice, California by vocalist Mike Muir, who is the only remaining original member of the band. Along with D.R.I., Corrosion of Conformity, and S.O.D., Suicidal Tendencies is often credited as one of the fathers of crossover thrash.

• 1 Nothing to Lose [Explicit]
• 2 Get United [Explicit]
• 3 Iauthority [Explicit]
• 4 Ain't Mess'n Around [Explicit]
• 5 S.E.D. [Explicit]
• 6 I Got a Right [Explicit]
• 7 Get Your Right on! (Acoustic Version) [Explicit]
• 8 Get Your Bass on! (Bass Instrumental) [Explicit]
• 9 Get Your Shred on! (Guitar Instrumental) [Explicit]
• 10 Get Your Fight on! (LP Version) [Explicit]

New LP from Cypress Hill, Back in Black, is Cypress's 10th Studio album. Cypress Hill is arguably one of the most successful Hip-hop of all time celebrating 30 years of Non-stop touring. They are the biggest selling latin Hip-hop group in the world first hip-hop group to have sold multi-platinum

• 1 Takeover
• 2 Open Ya Mind
• 3 Anymore
• 4 Certified
• 5 Bye Bye
• 6 Come with Me

On January 27th, 1990, Helmet entered the stage of New York’s equally famous and infamous CBGB’s. What followed was an explosive live show, set during the earliest days of the band’s career. Getting ready to release their debut album 'Strap It On' in March that year, Helmet propelled themselves through a staccato-heavy set of tracks that would soon earn them worldwide acclaim in the Punk scene.

The first side of this brand-new live album features the CBGB’s set for the first time ever on vinyl and CD, while the second half contains an equally energetic performance, recorded in 1993 at the Big Day Out Festival in Melbourne, Australia. With tracks such as "Ironhead," "Better" and "In the Meantime," the set list strikes a perfect balance between the band’s hits and hidden gems from their early years.

• 1 Intro (Live at CBGB)
• 2 Impressionable (Live at CBGB)
• 3 Murder (Live at CBGB)
• 4 Your Head (Live at CBGB)
• 5 Repetition (Live at CBGB)
• 6 Sinatra (Live at CBGB)
• 7 Rumble (Live at CBGB)
• 8 Ironhead (Live at Big Day Out)
• 9 Better (Live at Big Day Out)
• 10 Give It (Live at Big Day Out)
• 11 Blacktop (Live at Big Day Out)
• 12 Oven (Live at Big Day Out)
• 13 Turned Out (Live at Big Day Out)
• 14 In the Meantime (Live at Big Day Out)

For anyone who's been feeling suffocated by the sameness that's been afflicting hip-hop and pop – where a small handful of ideas gets recycled endlessly, and a spin through the big new-release playlists quickly devolves into a blur – They Hate Change's Jagjaguwar debut, Finally, New lives up to its name. Finally, a record that can satisfy the geeky headphone trainspotters and the hedonistic ass-shakers, too. Finally, producers who refuse to settle for making drag-and-drop beats. Finally, rappers who aren't afraid of actually sticking out from the crowd and saying something new, and who embody the classic quote from Run of Run-DMC that, "The only thing rap music is – there is no music to rap. We just rap over whatever we want."

The album's lead single, "From the Floor" shows off Vonne and Dre's talents to organically connect disparate influences, fusing icy UK drum & bass breaks with Miami bass bounce, layering on Dirty-South-mixtape-style raps, and dousing the whole thing in spacy psychedelia worthy of Can. "Blatant Localism" spotlights the pair's verbal teamwork, as they trade lines taking aim at style-deficient hypebeast rappers over a pixelated beat, landing on something like turn-of-the-millennium IDM, but with a lot more shit talk. The coolly frenetic "X-Ray Spex" infuses jungle with propulsive synthesizer ambience. And they're as daring with their lyrics as they are with their beats: on "Little Brother," Dre draws an emotionally complex portrait of the hood economics other rappers shallowly glamorize, while "Some Days I Hate My Voice" is Vonne's speaker-knocking ode to androgynous gender euphoria, complete with shout-outs to 100 gecs and 60's trans soul star Jackie Shane.

Finally, New is what a truly post-genre musical landscape is supposed to be: building deep connections that transcend outdated distinctions between them, spilling over with the joy of exploration and possibility, and daring other artists to think broader, go deeper, take bigger risks. Let the rest of them keep playing by the old rules – They Hate Change will keep changing the game.

1. Stuntro
2. Breathing
3. Who Next?
4. Reversible Keys (ft. Vritra)
5. Blatant Localism
6. Coded Language (Interlude)
7. 1000 Horses (ft. Sarge)
8. Little Brother
9. Some Days I Hate My Voice
10. Certi
11. Perm
12. X-Ray Spex
13. From The Floor (ft. DJ Gay-Z)

Born out of a series of studio sessions, LP.8 was created with no preconceptions or expectations: an unbridled exploration into the creative subconscious. After releasing her sophomore album Inner Song in the midst of the pandemic, Kelly Lee Owens was faced with the sudden realization that her world tour could no longer go ahead. Keen to make use of this untapped creative energy, she made the spontaneous decision to go to Oslo instead. There was no overarching plan, it was simply a change of scenery and a chance for some undisturbed studio time.

It just so happened that her flight from London was the last before borders were closed once again. The blank page project was underway. Arriving to snowglobe conditions and sub-zero temperatures, she began spending time in the studio with esteemed avant-noise artist Lasse Marhaug. Together, they envisioned making music somewhere in between Throbbing Gristle and Enya, artists who have had an enduring impact on Kelly's creative being. In doing so, they paired tough, industrial sounds with ethereal Celtic mysticism, creating music that ebbs and flows between tension and release.

One month later, Kelly called her label to tell them she had created something of an outlier, her ‘eighth album'.

1. Release
2. Voice
3. Anadlu
4. S.O (2)
5. Olga
6. Nana
7. Quickening
8. One 
9. Sonic 8

Grammy award-winning blues icon returns to his Delta blues roots for the most captivating musical statement of his long and legendary career. Charlie's first new solo studio release in seven years is stripped-down and semi-acoustic, driven by his deft guitar playing, while also featuring the masterful harp and soul-deep vocals for which he is famed. Mississippi Son is front porch country blues that is at turns raucous and languid, haunting and impossibly soulful. The track listing includes Musselwhite originals and songs by Charley Patton, Yank Rachell and Big Joe Williams. This warm, intimate recording is loaded with feeling and exhilarating, timeless music.

• 1 Blues Up the River
• 2 Hobo Blues
• 3 In Your Darkest Hour
• 4 Stingaree
• 5 When the Frisco Left the Shed
• 6 Remembering Big Joe
• 7 The Dark
• 8 Pea Vine Blues
• 9 Crawling King Snake
• 10 Blues Gave Me a Ride
• 11 My Road Lies in Darkness
• 12 Drifting from Town to Town
• 13 Rank Strangers
• 14 A Voice Foretold

Ty Segall meets a new non-rock challenge head-on; soundtrack music for the documentary film Whirlybird. A variety of synth sounds, electric keyboards, drums, percussion and saxophone (and yeah, a few guitars) form a shifting impressionist counterpart, instrumental music that dialogues with and serves to frame the film’s compulsive themes and images.

Van Morrison's forty-third studio album, What's It Gonna Take? features 14 new compositions that collectively reflect the artist's indefatigable drive to record and perform live in front of audiences. The album is preceded by "Pretending" - a gorgeous, restless soul track - produced by Morrison and recorded between Real World Studios, Bath Spa Hotel, Richard Dunn's Studio, Culloden Hotel Holywood Studio and Musicbox Studios.

LP1
1. Dangerous
2. What's It Gonna Take?
3. Fighting Back is the New Normal
4. Fodder for the Masses
5. Can't Go On This Way
6. Sometimes It's Just Blah Blah Blah
7. Money From America, 

LP2
1. Not Seeking Approval 
2. Damage and Recovery
3. Nervous Breakdown
4. Absolutely Positively the Most
5. I Ain’t No Celebrity
6. Stage Name
7. Fear and Self-Loathing in Las Vegas
8. Pretending