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Love + Pop (Neon Green)
Regular price $27.00 Save $-27.00LOVE + POP is a snapshot of a moment in not-so-far-away time; something fast, loud, moody and a little dangerous. It is, in some ways, classic Current Joys: full of wild ambition, sneaky hooks, and songs that move from concept to completion with prolific speed. But LOVE + POP also explodes myriad expectations with aggressive, deconstructed production, house music influence, and a guest appearance from Lil Yachty. It is not so much a twist as it is a unique multiverse identity for Current Joys, as Nick Rattigan's set out to "capture this sonic moment and harken back to the way I first released music."
The story of LOVE + POP begins with one of those house parties: the kind that bulldozes your home and, in it's aftermath, leaves a wreckage that finds you flattened but also ready to be new. In that mess and mayhem, Rattigan watched Everybody's Everything, the documentary of Lil Peep, and recorded a cover of "walk away as the door slams". But the itch wasn't scratched, and what began as a moment of homage morphed into something bigger, deeper and more fundamental, a point where the seemingly haphazard - in his home, in Peep's process - opened Rattigan up to an entire creative space and a new approach to bending or even detonating genre. Crucially, all of this was recorded at home, in what Rattigan calls a "tribute to the process of creating" in a DIY space. And what began as a singular passion project unexpectedly grew into a uniquely collaborative record for Current Joys. "I've set out to make collaborative records before," Rattigan explains, "but they often end up totally me, with just a couple exceptions. But then this record gave me the opportunity to be extremely collaborative, to let other people write instrumental tracks, sending links around for people to mess with and weigh in on. I sat down to do credits and realized here were all these people and styles and they all came together and worked." LOVE + POP's cover art is an airbrush/spraypaint rendition of the Wild Heart album cover, which is itself a photo of Rattigan's grandparents kissing. It is sacred in some ways and shredded in others. This idea - the aggressive reimagining of something timeless into a present, finite style - is LOVE + POP.
Voyager (Opaque Purple)
Regular price $28.00 Save $-28.00Voyager, the seventh LP from Current Joys, rattles with the live-wire feeling that's thrummed through all of Nick Rattigan's previous releases: quavering, scream-itself-hoarse vocals and self-interrogation via song. But here, that bristling, sentimental rock ‘n' roll cacophony is overlaid with a soundtrack orchestra guiding it along. It's an odyssey, a grand-sounding journey of self-discovery spread across sixteen tracks. Part ekphrasis, part personal, it's Rattigan learning new ways to understand his own feelings and identity while inspired by the highly-stylized, striking storytelling of filmmakers like Alfred Hitchcock, Lars Von Trier, Terrence Malick, Agnès Varda, and Andrei Tarkovsky. Voyager is unlike anything Current Joys has released before.
On his new LP, Rattigan eschews lo-fi home recordings for a full band and recording sessions at Stinson Beach Studios. As a vocalist/drummer in his other band Surf Curse, Rattigan had finally opened up to the possibility of working in a professional studio: "I'd just been very stubborn in wanting to do it all my own way, but I guess I've kind of opened up the creative process to more people at this point," Rattigan explains. " And I think it yields better results."
Frequently Rattigan uses film as a jumping off point for songwriting. "Big Star" was written on tour after watching Adventureland, hoping to capture that specific endless youth energy of the soundtrack's Replacements and Big Star songs. "Amateur" is piano-heavy, a slow-build of tension, flitting with prettiness, while the creeping "Rebecca," named after the Hitchcock film before Rattigan had actually seen it, radiates a haunted, sinister presence; "Naked" feels almost unhinged, while "American Honey" is a longing, mellowed lament. The title track, "Voyager pt. 2," holds a sparse, near-funereal starkness, as well as the album's thesis: I'm a voyager in my mind, before the Spielberg-esque strings swell.
