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Way back in October 2013, The Dead Weather and Third Man Records announced an incredibly special 7" featuring "Open Up (That's Enough)" b/w "Rough Detective" as part of Vault Package #18. These two tracks were a fierce battle cry heralding the announcement of a brand new Dead Weather album that was to be released in a revolutionary fashion. Teased out over the past year and a half via a series of 7" singles, the physical versions of which were ONLY available via The Vault (Third Man's one-of-a-kind subscription mail-order service), the band promised this would culminate in a brand new album in 2015.

The third Dead Weather LP would be a full length album comprised not only of the previously released 7" singles, but newly recorded, previously-unheard material. Now The Dead Weather officially present their new album Dodge & Burn. The 12-track set will be released worldwide in September 2015 on Third Man Records and will feature eight brand new songs, along with the four previously released tracks remixed and remastered.

Alison Mosshart, Jack White, Dean Fertita and Jack Lawrence spent their rare and sporadic free moments over the past year recording together in Nashville. With the members of the band heavily involved in other projects, The Dead Weather will not be touring in support of the new album. Thankfully the thick and heavy Dodge & Burn will satisfy your urges for the dark magic that is The Dead Weather for a very long time.

Tracks

• 1 I Feel Love (Every Million Miles) 3:16
• 2 Buzzkill (Er) Mosshart/Fertita 3:08
• 3 Let Me Through 4:17
• 4 Three Dollar Hat 3:23
• 5 Lose the Right 3:18
• 6 Rough Detective White/Mosshart/Fertita 3:03
• 7 Open Up (That's Enough) White/Mosshart 3:50
• 8 Be Still 2:48
• 9 Mile Markers 3:46
• 10 Cop and Go 4:07
• 11 Too Bad Mosshart/Fertita 3:47
• 12 Impossible Winner 4:00

Vinyl LP pressing. 2019 release. Hyperspace's new dimensions in sound are the result of Beck's most collaborative efforts to date. Seven of the album's 11 tracks - including singles "Uneventful Days" and "Saw Lightning" - features co-writing/co-production from Pharrell Williams. "See Through" is co-written/co-produced by frequent collaborator Greg Kurstin, "Stratosphere" features back-up from Chris Martin, the album's title track features guest vocals from Terrell Hines, and "Die Waiting" features backing vocals from Sky Ferreira.

Tracks

• - Disc 1 -
• 1 Hyperlife
• 2 Uneventful Days
• 3 Saw Lightning
• 4 Die Waiting
• 5 Chemical
• 6 See Through
• - Disc 2 -
• 1 Hyperspace
• 2 Stratosphere
• 3 Dark Places
• 4 Star
• 5 Everlasting Nothing

Boyz N The Hood is the critically acclaimed story of three friends growing up in a South Central Los Angeles neighborhood, and of street life where friendship, pain, danger and love combine to form reality. "The Hood" is a place where drive-by shootings and unemployment are rampant. But it is also a place where harmony coexists with adversity, especially for three young men growing up there: Doughboy (Ice Cube), an unambitious drug dealer; his brother Ricky (Morris Chestnut), a college-bound teenage father; and Ricky's best friend Tre (Cuba Gooding, Jr.), who aspires to a brighter future beyond "The Hood." In a world where a trip to the store can end in death, the friends have diverse reactions to their bleak surroundings. Tre's resolve is strengthened by a strong father (Larry Fishburne) who keeps him on the right track. But the lessons Tre learns are put to the ultimate test when tragedy strikes close to home, and violence seems like the only recourse. The Oscar-nominated 1991 film's gold-certified soundtrack peaked at No. 12 on the Billboard 200 and is comprised of '90s hip-hop (Ice Cube, 2 Live Crew) and R&B (Tevin Campbell, Tony! Toni! Toné!) plus a few score pieces from Quincy Jones and Stanley Clarke.

Tracks

LP1

1. Ice Cube - How To Survive In South Central
2. Tevin Campbell - Just Ask Me To
3. Yo-Yo - Mama Don't Take No Mess
4. CMW - Growin' Up In The Hood
5. Main Source - Just A Friendly Game Of Baseball (Remix)
6. Tony! Toni! Toné! - Me & You
7. Monie Love - Work It Out

LP2

1. Kam - Every Single Weekend
2. Hi-Five - Too Young
3. The 2 Live Crew - Hangin' Out
4. Too Short - It's Your Life
5. Force One Network - Spirit (Does Anyone Care?)
6. Quincy Jones - Setembro
7. Stanley Clarke - Black On Black Crime

Limited double 180gm vinyl LP pressing. Sawdust is a compilation album by alt-rock band The Killers, released on November 9, 2007 by Island Records. The album consists of singles, B-sides, rarities, covers, and remixes recorded between 2002 and 2007. Sawdust was inspired by b-sides collections such as Oasis' The Masterplan, Smashing Pumpkins' Pisces Iscariot and Nirvana's Incesticide. Sawdust debuted at #12 on the US Billboard 200, selling 82, 000 copies in it's first week. The album was certified platinum by the British Phonographic Industry (BPI) on April 4, 2008, and had sold 459, 500 copies in the United Kingdom by September 2012. It was also certified platinum by the Irish Recorded Music Association (IRMA) for sales of 15, 000 copies.

Tracks

• - Disc 1 -
• 1 Tranquilize
• 2 Shadowplay
• 3 All the Pretty Faces
• 4 Leave the Bourbon on the Shelf
• 5 Sweet Talk
• - Disc 2 -
• 1 Under the Gun
• 2 Where the White Boys Dance
• 3 Show You How
• 4 Move Away
• - Disc 3 -
• 1 Glamorous Indie Rock and Roll
• 2 Who Let You Go?
• 3 The Ballad of Michael Valentine
• 4 Ruby, Don't Take Your Love to Town
• - Disc 4 -
• 1 Daddy's Eyes
• 2 Sam's Town
• 3 Romeo and Juliet
• 4 Mr. Brightside / Questions with the Captain

For the past ten years, San Francisco rock / post-metal luminaries Deafheaven have built one of the most compelling discographies in metal, one that has challenged both the modus operandi and perceptions of the genre. Each critically acclaimed release widened the scope of their particular views of what rock and metal can be. Set to embark on a world tour earlier this year to celebrate their 10th anniversary, Deafheaven had to switch gears when COVID canceled all gatherings across the world, instead teaming with longtime producer Jack Shirley at Atomic Garden studios to bring the show they planned to perform in a studio sessions format. 10 Years Gone includes the first song they ever wrote in "Daedalus" from Demo, which also serves as the first single released from this album, along with fan favorites like “Dream House” and “Vertigo” that have an added power in this setting.

Indie Exclusive Yellow Vinyl. All Day Gentle Hold ! is the fifth album from Aaron Maine and a celebratory collection of songs. Harder, faster, shorter and louder than any other Porches record, it’s direct and pointed, charged up and chaotic, described by Maine as “the most energetic, off-the-cuff moments, collaged together into the most captivating songs [he] could make.”

Tracks

1. Lately
2. I Miss That
3. Okay
4. Swimming Big
5. Back3School
6. Swarovski
7. Watergetsinside
8. In A Fashion
9. Inasint
10. Grab The Phone
11. Comedown Song (Gunk)

Singer/songwriter Ben E. King personified artistic excellence. In the words of Ahmet Ertegun, "Ben E. King is one of the greatest singers in the history of rock and roll and rhythm and blues. His style and the tempo of his voice have a magic all their own." As a solo artist King created some of the most memorable recordings in popular music: "Spanish Harlem", "Don't Play That Song", "I (Who Have Nothing)", and the iconic, international anthem "Stand By Me" (which King co-wrote). 1964's Ben E. King's Greatest Hits collects all of the aforementioned evergreens and more. Colored vinyl LP reissue from Friday Music.

Tracks

1. That's When It Hurts
2. Auf Wiedersehen, My Dear
3. Around The Corner
4. Young Boy Blues
5. What Now My Love
6. Stand By Me
7. Amor
8. Don't Play That Song
9. I (Who Have Nothing)
10. How Can I Forget
11. I Could Have Danced All Night
12. Spanish Harlem

Singer/songwriter Ben E. King personified artistic excellence. In the words of Ahmet Ertegun, "Ben E. King is one of the greatest singers in the history of rock and roll and rhythm and blues. His style and the tempo of his voice have a magic all their own." As a solo artist King created some of the most memorable recordings in popular music: "Spanish Harlem", "Don't Play That Song", "I (Who Have Nothing)", and the iconic, international anthem "Stand By Me" (which King co-wrote). 1964's Ben E. King's Greatest Hits collects all of the aforementioned evergreens and more. Colored vinyl LP reissue from Friday Music.

Tracks

1. That's When It Hurts
2. Auf Wiedersehen, My Dear
3. Around The Corner
4. Young Boy Blues
5. What Now My Love
6. Stand By Me
7. Amor
8. Don't Play That Song
9. I (Who Have Nothing)
10. How Can I Forget
11. I Could Have Danced All Night
12. Spanish Harlem

Deluxe reissue of their 2nd LP, from '81. Mastered from the original tapes by Greg Sage himself. One of the most passionate & influential punk records ever. Broken up into 6 long songs, "Youth of America" is a much colder, harrowing experience than the teen angst of their debut.

Tracks

• 1 Taking Too Long
• 2 Can This Be
• 3 Pushing the Extreme
• 4 When It's Over
• 5 No Fair
• 6 Youth of America

2014 collector's edition special purple purple vinyl LP pressing reissue. Of the many wonderful blaxpoitation soundtracks to emerge during the early '70s, SHAFT certainly deserves mention as not only one of the most lasting but also one of the most successful. Isaac Hayes was undoubtedly one of the era's most accomplished soul artists, and with 'Theme from Shaft,' he delivered an anthem just as ambitious and revered as the film itself, a song that has only grown more treasured over the years, after having been an enormously popular hit at the time of it's release. Shaft still remains a powerful record; one of Hayes' pinnacle moments for sure.

Tracks

• 1 Theme from Shaft
• 2 Bumpy's Lament
• 3 Walk from Regio's
• 4 Ellie's Love Theme
• 5 Shaft's Cab Ride
• 6 Cafe Regio's
• 7 Early Sunday Morning
• 8 Be Yourself
• 9 A Friend's Place
• 10 Soulsville (Vocal Version)
• 11 No Name Bar
• 12 Bumpy's Blues
• 13 Shaft Strikes Again
• 14 Do Your Thing (Vocal Version)
• 15 The End Theme

‘Established!’ is the new album from RP Boo, his fourth full-length for Planet Mu. In 2013, Mu released his debut ‘Legacy’ – an acclaimed album that put RP on the international music map, acknowledging his unique role in the creation of the Chicago-developed art form known as Footwork. It’s been said that RP Boo is to Footwork what Juan Atkins is to Techno. The start. The Soul. On ’Established!’ RP looks back to that time when he was inventing Footwork, going out listening to disco and linking with the creators of house such as Paul Johnson. For tracks like ‘Another Night To Party’ or ‘Finally Here (ft. Afiya)’ he takes himself back in time to when he started DJing, playing ghetto house and being inspired by jack tracks. These moments were the foundation point to create his own style, elevating his sound into new territories for the future.

Tracks

1. All My Life
2. How 2 Get It Done!
3. Haters Increase The Heat!
4. Oh!
5. Finally Here (ft. Afiya)
6. All Over
7. Just Like That!
8. Be Of It!
9. Now U Know!
10. Ivory Surface
11. Beauty Speak Of Sounds
12. Another Night To Party

A fever dream in sonic form, The Alien Coast is the first album St. Paul & The Broken Bones recorded in their hometown of Birmingham. Produced by Matt Ross-Spang (Drive-By Truckers, Margo Price) - the bands 4th full-length is a dizzying convergence of rock n' roll, R&B, psychedelia, stoner metal, gospel and jazz-funk. At turns explosive, elegant, and thrillingly unhinged - it makes for a majestic backdrop to the group's visceral exploration of the strangest dimensions of the human psyche.

Tracks

• 1 3000 Ad Mass
• 2 Bermejo and the Devil
• 3 Minotaur
• 4 Atlas
• 5 The Last Dance
• 6 Ghost in Smoke
• 7 Alien Coast
• 8 Hunter and His Hounds
• 9 Tin Man Love
• 10 Popcorn Ceiling
• 11 Love Letter from a Red Roof Inn

In 2020 Brooklyn's Holy Hive introduced us all to something we didn't know we needed. Homer Steinweiss' thickly pocketed drumming paired with Paul Spring's floaty falsetto vocal produces a sound that's like a salve. It's been dubbed Folk Soul and Holy Hive not only expertly overlay the more apparent musical aspects of folk and soul-but they also draw from the more profound: being able to pull traditions from the past and make them their own. When Homer wasn't playing drums for Lady Gaga or Adele or Bruno Mars, he'd produce Paul's solo folk records. Along with original bassist and frequent collaborator Joe Harrison, these sessions proved to be Holy Hive's foundation. And their first record, Float Back to You, expertly combined what each musician does best: Paul's heady, reflective approach to folk with Homer's universal classic soul sound.

With their new record released on Big Crown, Holy Hive's beautifully simple-and-sparse Folk Soul sound is back-but updated. With new influences and the challenge of creating and capturing music during a global pandemic, this new self-titled album, is more personal, more reflective. The first single off of Holy Hive, "I Don't Envy Yesterdays," picks up right where Homer and Paul left off. The song weighs the question of time and the human condition-a deeply thoughtful and typically tricky subject-but in a light, almost easy-breezy way. Homer's drumming provides the song a space, a kind of breathing room. Written in the Yucca Valley desert before the world broke in 2020, it's no wonder Paul's voice drifts and darts on top of it all like a heat shimmer. They describe three distinct phases when piecing together Holy Hive: this first stage was pre-pandemic in California while traveling as a group, then-like the rest of us-they were separated, creating together but apart, and lastly an explosion of output once they reunited in New York. There is a natural but subtle evolution for Holy Hive on this record. Homer and Paul drew from new and maybe more obscure-yet-honest influences. It's still very much Folk Soul-how could it not be. But, like all artists, they've taken in what they've made and how they've made it, only to push it into new places. We know of Holy Hive's ability to lyrically convey the abstract and complex in poetic and palatable ways. But where the first record was soulfully silver-tongued with chill songs about love and affection, Holy Hive widens the lens with these novel influences, reflecting the points both Homer and Paul are in their own lives. "We put the utmost importance on having lyrics that mean something to us," Homer explains. "A lot of the songs on the first record were fun, but could be kind of surface. On this record, we wanted to be more personal-we wanted to write more about life."

Tracks

• 1 Color It Easy
• 2 Story of My Life
• 3 Golden Crown
• 4 Ain't That the Way
• 5 Runaways
• 6 Deadly Valentine
• 7 I Don't Envy Yesterdays
• 8 A Wind Rose
• 9 All I'd Be Is Where You Are
• 10 Great Chains
• 11 Cynthia's Meditation
• 12 Brooklyn Ferry
• 13 Circling the Surface
• 14 Starless
• 15 Star Crossed

Remastered by Steve Albini and Bob Weston at Chicago Mastering. Big Black was started by Steve Albini in 1982 while he was living in Evanston, Illinois, and attending Northwestern University. After recruiting Jeff Pezzati (Naked Raygun) to help out on bass and Santiago Durango (Naked Raygun)on guitar, together with live drummer Pat Byrne, they recorded the Bulldozer EP in 1983. By 1984, the band did some touring and signed a deal with Homestead Records. They recorded one more time with Pezzati on bass, which resulted in their Homestead debut the Racer-X EP.

Tracks

• 1 Racer X
• 2 Shotgun
• 3 The Ugly American
• 4 Deep Six
• 5 Sleep!
• 6 The Big Payback

American Head is the best and most consistent studio album from The Flaming Lips since the release of their most successful brace of albums The Soft Bulletin and Yoshimi Battles The Pink Robots. Similar to those records, the 13 cinematic songs on American Head are classically structured and feature the same sonic and production qualities. Kacey Musgraves (a fan who covers "Do You Realize" in her live set) is a guest on three tracks – "Watching the Lightbugs Glow" as well as the focus tracks "Flowers Of Neptune 6" and "God and the Policeman." "Flowers of Neptune 6" serves as the first new music from The Lips since 2019's internationally acclaimed King's Mouth Music And Songs. Produced by Dave Fridmann and The Flaming Lips, it reflects the gentler side of the band's paisley oeuvre and melodically flows downstream into a welcoming wormhole of wistful summer pop.

Tracks

1. Will You Return / When You Come Down
2. Watching the Lightbugs Glow
3. Flowers Of Neptune 6
4. Dinosaurs On The Mountain
5. At The Movies On Quaaludes
6. Mother I've Taken LSD
7. Brother Eye
8. You n Me Sellin' Weed
9. Mother Please Don't Be Sad
10. When We Die When We're High
11. Assassins of Youth
12. God and the Policeman
13. My Religion Is You

Interpol follows-up 2014's El Pintor with their sixth studio album, Marauder. For the first time since 2007's Our Love to Admire, the band has opened themselves up to the input of a producer. For two-week spells between December of 2017 to April of 2018, they traveled to upstate New York to work with Dave Fridmann – famed for recording with Mercury Rev, Flaming Lips, MGMT, Spoon, Mogwai, and countless more.

In the run up to writing and recording, Sam Fogarino found himself immersed in soul drummers such as Al Jackson Jr (Otis Redding's drummer) and 80's funk producers Jimmy Jam and Terry Lewis. "How can I make shit swing?" was the question Sam repeatedly asked himself, and the answer is in the striding gallop of opener "If You Really Love Nothing," the embellished skip ‘n' bounce of "Stay in Touch" and the R&B swagger of closer "It Probably Matters." Interpol have always been world-beaters at creating a feeling, but Marauder is where the feel is just as crucial.

Paul Banks may have stepped out of the shadows as a bassist, but he steps into an even brighter light as a songwriter here. During Interpol's previous albums, the singer largely kept himself out of his own work, preferring to fill his lyrics with detached thoughts, characters, and observations, often phrased in abstract. But more than 20 years on since forming at NYU, the frontman is finally allowing himself to play a role in his own stories. 

"Marauder is a facet of myself," he explains. "That's the guy that fucks up friendships and does crazy shit. He taught me a lot, but it's representative of a persona that's best left in song. In a way, this album is like giving him a name and putting him to bed."

1. If You Really Love Nothing
2. The Rover
3. Complications
4. Flight of Fancy
5. Stay In Touch
6. Interlude 1
7. Mountain Child
8. NYSMAW
9. Surveillance
10. Number 10
11. Party's Over
12. Interlude 2
13. It Probably Matters

Radiohead figurehead Thom Yorke follows up his 2014 album Tomorrow's Modern Boxes and 2018 score to Suspiria with his third full-length solo effort Anima. Produced by longtime collaborator Nigel Godrich, several of the album's songs were debuted live during Yorke, Godrich and Tarik Barri's Tomorrow's Modern Boxes performances.

This standard black double vinyl LP edition is housed in a wide-spine single sleeve and includes the exclusive bonus track, "(Ladies & Gentlemen, Thank You For Coming)." A download card for the original nine-track album is also included in the sleeve.

Tracks

1. Traffic
2. Last I heard (...He Was Circling the Drain)
3. Twist
4. Dawn Chorus
5. I Am a Very Rude Person
6. Not the News
7. The Axe
8. Impossible Knots
9. Runwayaway
10. (Ladies & Gentlemen, Thank You For Coming)