Jazz

 180 gram VINYL AUDIOPHILE PRESSING.

• 1 In a Sentimental Mood
• 2 Take the Coltrane
• 3 Big Nick
• 4 Stevie
• 5 My Little Brown Book
• 6 Angelica
• 7 The Feeling of Jazz
• 8 I Got It Bad and That Ain't Good

Double vinyl LP pressing. Bitches Brew is a studio album by jazz musician, composer, and bandleader Miles Davis, originally released on March 30, 1970. It marked his continuing experimentation with electric instruments that he had previously featured on the critically acclaimed In a Silent Way (1969). With these instruments, such as the electric piano and guitar, Davis rejected traditional jazz rhythms in favor of loose, rock-influenced arrangements based on improvisation. In subsequent years, Bitches Brew gained recognition as one of jazz's greatest albums and a progenitor of the jazz rock genre, as well as a major influence on rock and funk musicians.

Tracks

• - Disc 1 -
• 1 Pharaoh's Dance (Album Version)
• - Disc 2 -
• 1 Bitches Brew (Album Version)
• - Disc 3 -
• 1 Spanish Key
• 2 John McLaughlin (Album Version)
• - Disc 4 -
• 1 Miles Runs the Voodoo Down
• 2 Sanctuary (Album Version)

• Bewitched: The Goddess Edition (Colored Vinyl, Blue, Booklet, Board Game)

Miles Davis Kind Of Blue on 180g Vinyl From Legacy

High-Quality Pressing of the Best-Selling Jazz Album in History

In 1958, after a string of critically acclaimed and successful albums, Miles Davis was searching for a new direction to take the music, and signs were pointing him off the chordal highway into a new jazz style: modal. His innovations would open up the world for improvisers. He recruited key players with the potential to solidify his new approach, forming his famed sextet with rising jazz giants John Coltrane, Cannonball Adderley, Bill Evans & Wynton Kelly, Paul Chambers and Jimmy Cobb. Miles hired the little-known Evans because he needed a pianist who was into the modal thing. Davis and Evans both had developed personal voices characterized by a melodic flow that suggested, rather than defined, musical structure. It was his relationship with Evans that created the spark that resulted in the album Kind of Blue.

In only two impromptu sessions in March and April of 1959, Davis’ sextet created a tour de force; five original tunes built on simple scales. Davis is committed to getting something spontaneous out of his musicians. The entire album was composed as a series of modal sketches and was conceived only hours before the recording dates. The outcome? Pure inspiration, and the stuff of legend, an album made up of the first full take of each tune, captured at the historic Columbia 30th Street Studio. The album was originally released on Columbia Records in 1959, stunning the jazz world by practically creating a new language of music. Its influence goes far beyond jazz. Kind of Blue is universally considered to be one of the best albums of all time, of any genre. More than fifty years later, Kind of Blue, the epitome of spontaneous invention, is still the best selling jazz album ever.

1. So What
2. Freddie Freeloader
3. Blue In Green
4. All Blues
5. Flamenco

180-gram pressing. Recorded in 1959, "Kind of Blue" remains one of the most celebrated and influential jazz albums ever made. It combined the talents of such soloists as Miles Davis, the leader, on trumpet, Cannonball Adderley on alto sax, John Coltrane on tenor sax, Bill Evans and Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums.

• - Disc 1 -
• 1 So What - Miles Davis Sextet with Cannonball Adderley, John Coltrane, Bill Evans
• 2 Freddie Freeloader
• 3 Blue in Green
• - Disc 2 -
• 1 All Blues
• 2 Flamenco Sketches

Vinyl LP pressing. Digitally remastered edition. Norah Jones' seminal debut album, Come Away With Me, became a global phenomenon reaching #1 in 20 countries, selling nearly 30 million copies, and sweeping the 2003 GRAMMY Awards with 8 wins including Album of the Year, Record of the Year, Song of the Year, and Best New Artist. The remastered 20th Anniversary Edition captures the emergence of a singular talent on this now-classic album.

Tracks

• - Disc 1 -
• 1 Don't Know Why
• 2 Seven Years
• 3 Cold Cold Heart
• 4 Feellin' the Same Way
• 5 Come Away with Me
• 6 Shoot the Moon
• 7 Turn Me on
• - Disc 2 -
• 1 Lonestar
• 2 I've Got to See You Again
• 3 Painter Song
• 4 One Flight Down
• 5 Nightingale
• 6 The Long Day Is Over
• 7 The Nearness of You

Blue Note Classic Vinyl Reissue Series All-Analog 180g Vinyl LP Mastered by Kevin Gray Directly from the Original Master Tapes and Manufactured at Optimal in Germany

Blue Note Records is pleased to present the Blue Note Classic Vinyl Reissue Series, a continuation of their acclaimed Blue Note 80 Vinyl Reissue Series which was launched in celebration of the label's 80th anniversary in 2019. The Classic Series will once again feature all-analog 180g vinyl pressings in standard packaging that are mastered by Kevin Gray directly from the original master tapes and manufactured at Optimal in Germany. The first 16 titles of the Classic Series will focus on the enduring classics of the Blue Note catalog. The Classic Series will be on-going, running alongside the Tone Poet Audiophile Vinyl Reissue Series which is produced by Joe Harley.

Even by the high-water marks set by Herbie Hancock's tremendous 1960s Blue Note output, 1965's Maiden Voyage remains one of the pinnacle artistic achievements of the great pianist's career. Hancock is joined here by his Miles Davis Quintet bandmates Ron Carter on bass and Tony Williams on drums, along with Freddie Hubbard on trumpet and George Coleman on tenor saxophone. The quintet embarks on an oceanic exploration of five original Hancock compositions, several of which have since become enduring standards of the jazz lexicon including the title track, "Eye of the Hurricane," and "Dolphin Dance."

Musicians:
Herbie Hancock, piano
Ron Carter, bass
George Coleman, tenor saxophone
Freddie Hubbard, trumpet
Anthony Williams, drums

Features:
• Blue Note Classic Vinyl Reissue Series
• All analog 180g vinyl LP
• Mastered by Kevin Gray directly from the original master tapes
• Manufactured at Optimal in Germany
• Standard packaging

1. Maiden Voyage
2. The Eye Of The Hurricane
3. Little One
4. Survival Of The Fittest
5. Dolphin Dance

A Tribute to Jack Johnson Combines Electric Fusion, Slashing Rock, and Aggressive Funk: 1971 Miles Davis Set Features Guitarist John McLaughlin, Sounds Vibrant on Vinyl LP

Michael Henderson launches into an enormous boogie groove with Billy Cobham and John McLaughlin. Miles immediately leaves the control room to join in with them. He achieved exactly what he wanted for the soundtrack of the documentary devoted to the black boxer Jack Johnson by creating the effect of a train going at full speed (which he compared to the force of a boxer). That's how side A of the 1971 LP A Tribute To Jack Johnson begins. By chance, Herbie Hancock had arrived unexpectedly and started playing on a cheap keyboard that a sound engineer quickly connected. Later, Teo Macero taped McLaughlin's riff on "Sing A Simple Song" by Sly Stone. Side B begins with a bass riff inspired by James Brown's "Say It Loud" and ends with "Willie Nelson," a piece recorded in a previous session. An a cappella improvisation by Miles, arranged in a variety of ways by Macero, was featured as a leitmotif throughout; a phrase spoken by Brock Peters was superimposed as a coda. Columbia didn't believe in this album and hastily released it. Today it is a cult record and strong seller.

Musicians:
Miles Davis (trumpet)
John McLaughlin (guitar)
Herbie Hancock (keyboards)
Michael Henderson (bass)
Billy Cobham (drums)
Steve Grossman (saxophone)

1. Right Off
2. Yesternow

Limited 180gm vinyl LP pressing. Guitarist Kenny Burrell debuted on Blue Note Records in 1956 and over the following 7 years made a series of excellent albums for the label that culminated with his masterwork Midnight Blue. Recorded in 1963, the album waded deep into the blues, conjuring an alluring late-night vibe with a profoundly soulful cast including tenor saxophonist Stanley Turrentine, bassist Major Holley, Jr., drummer Bill English, and Ray Barretto on congas. Burrell originals including "Chitlins con Carne," "Midnight Blue," "Saturday Night Blues," and the stunning solo guitar piece "Soul Lament" set the tone for this timeless classic adorned by one of the all-time great Reid Miles cover designs.

Musicians:
Kenny Burrell, guitar
Stanley Turrentine, tenor saxophone
Major Holley, Jr., bass
Bill English, drums
Ray Barretto, conga

Tracks

1. Chitlins Con Carne
2. Mule
3. Soul Lament
4. Midnight Blue
5. Wavy Gravy
6. Gee Baby Ain't I Good To You
7. Saturday Night Blues

Easily one of the most important records ever made, John Coltrane's a Love Supreme was his pinnacle studio outing that at once compiled all of his innovations from his past, spoke of his current deep spirituality, and also gave a glimpse into the next two and a half years (sadly, those would be his last). Recorded at the end of 1964, Trane's classic quartet of Elvin Jones, McCoy Tyner, and Jimmy Garrison stepped into the studio and created one of the most thought-provoking, concise, and technically pleasing albums of their bountiful relationship (not to mention his best-selling to date). from the flowing (and classic) bass line at the intro to the last breathy notes, Trane is at the peak of his logical yet emotionally varied soloing while the rest of the group is remarkably in tune with Coltrane's spiritual vibe. Composed of four parts, each has a thematic progression leading to an understanding of spirituality through meditation.

Limited 180gm vinyl LP pressing. On February 7, 1960, tenor saxophonist Hank Mobley with pianist Wynton Kelly, bassist Paul Chambers, and drummer Art Blakey, laid down what would become his masterpiece: Soul Station. The crystalline six-song set was a showcase for Mobley's lyrical flow from the breezy opening take on Irving Berlin's "Remember" through bluesy originals like "Dig Dis", & the swinging up-tempo number "Split Feelin's." Soul Station endures as a jazz classic for the ages.

• 1 Remember
• 2 This I Dig of You
• 3 Dig Dis
• 4 Split Feelin's
• 5 Soul Station
• 6 If I Should Lose You

Vinyl LP pressing. Louis "Satchmo" Armstrong devoted his life to "the cause of happiness," as he once put it, giving the gift of joy every time he put his trumpet to his lips. Since his passing, his music has become synonymous with the holiday season. Louis Wishes You A Cool Yule is the first Louis Armstrong Christmas record. This record includes a previously unheard recording of Louis reading of "A Visit from St. Nicholas", with fellow New Orleans icon Sullivan Fortner providing a gorgeous musical underbed.

• 1 Cool Yule
• 2 Winter Wonderland
• 3 I've Got My Love to Keep Me Warm
• 4 'Zat You Santa Claus? [Single Version]
• 5 Christmas in New Orleans
• 6 White Christmas
• 7 Christmas Night in Harlem
• 8 Baby It's Cold Outside
• 9 Moments to Remember
• 10 What a Wonderful World
• 11 A Visit from St Nicholas ('Twas the Night Before Christmas)

Vince Guaraldi Trio - "Peanuts Greatest Hits". This new picture disc edition of Peanuts Greatest Hits is released to celebrate the 75th anniversary of PEANUTS. Featuring the album cover scene on one side of the LP and Schroeder and Lucy on the other, the album contains 12 of the most memorable recordings from the beloved animated Peanuts® television specials, all with the sophisticated, yet accessible jazz stylings of the Vince Guaraldi Trio. Included are the instantly recognizable "Linus & Lucy" as well as holiday favorites and character themes such as "Great Pumpkin Waltz," "Baseball Theme," and "Christmas Time Is Here." Limited Edition.

• - Disc 1 -
• 1 Linus and Lucy
• 2 Charlie Brown Theme
• 3 Baseball Theme
• 4 Oh, Good Grief
• 5 Happiness Is
• 6 Little Birdie
• - Disc 2 -
• 1 Great Pumpkin Waltz
• 2 Thanksgiving Theme
• 3 Christmas Is Coming
• 4 Christmas Time Is Here [Instrumental]
• 5 Skating
• 6 Christmas Time Is Here

Blue Note Classic Vinyl Reissue Series All-Analog 180g Vinyl LP Mastered by Kevin Gray Directly from the Original Master Tapes and Manufactured at Optimal in Germany

Blue Note Records is pleased to present the Blue Note Classic Vinyl Reissue Series, a continuation of their acclaimed Blue Note 80 Vinyl Reissue Series which was launched in celebration of the label's 80th anniversary in 2019. The Classic Series will once again feature all-analog 180g vinyl pressings in standard packaging that are mastered by Kevin Gray directly from the original master tapes and manufactured at Optimal in Germany. The first 16 titles of the Classic Series will focus on the enduring classics of the Blue Note catalog. The Classic Series will be on-going, running alongside the Tone Poet Audiophile Vinyl Reissue Series which is produced by Joe Harley.

Time and troubles seem to melt away during the 15 enrapturing minutes of Idle Moments, the opening track of Grant Green's sublime 1963 album of the same name. As the piece unhurriedly unfurls all the unique colors of the ensemble present themselves with Green's soulful guitar joined by Duke Pearson's elegant piano, Bobby Hutcherson's crystalline vibraphone, Bob Cranshaw's reassuring upright bass, Al Harewood's subtle drums, and lastly Joe Henderson's magnificent tenor saxophone. The pace quickens for the rest of this set including the Green original "Jean de Fleur," a bluesy take on John Lewis' MJQ standard "Django," and Pearson's original "Nomad."

Musicians:
Grant Green, guitar
Duke Pearson, piano
Joe Henderson, tenor saxophone
Bobby Hutcherson, vibes
Bob Cranshaw, bass
Al Harewood, drums

Features:
• Blue Note Classic Vinyl Reissue Series
• All analog 180g vinyl LP
• Mastered by Kevin Gray directly from the original master tapes
• Manufactured at Optimal in Germany
• Standard packaging

1. Idle Moments
2. Jean De Fleur
3. Django
4. Nomad

Deluxe gatefold 180-gram vinyl release of the jazz pioneer's 1962 debut album. DOL.

Lee Mendelson Film Productions (LMFP) is thrilled to announce the release - for the first time ever - from recently rediscovered tapes - the complete Vince Guaraldi soundtrack to "It Was a Short Summer, Charlie Brown, " the timeless 6th animated Peanuts® special, from writer and creator Charles Schulz, director Bill Melendez and producers Melendez and Lee Mendelson. Originally the special aired in September 27, 1969 on CBS-TV. - The album includes the original recordings that comprise the cues from the Special across twenty-six tracks, plus another 6 alternative tracks that have never been released or heard before. - Guaraldi lovingly created the soundtrack for the summer camp adventure where Charlie Brown and his gang face off against the girls camp lead by Peppermint Patty. The large jazz combo album also includes the best rendition of Guaraldi classic, "Love Will Come (Nova Bossa)" as well as the first use of additional percussion in Victor Feldman. - The recording features Guaraldi (piano), Monty Budwig (double bass), Jack Sperling (drums), Conti and Pete Candoli (trumpet), Frank Rosolino (trombone), Victor Feldman (percussion), Herb Ellis (guitar), Willian Hood and Peter Christlieb (woodwind), and John Scott Trotter as the orchestra leader. The soundtrack was produced by Sean and Jason Mendelson and restored and re-mastered by Vinson Hudson.

• 1 Charlie Brown Theme
• 2 Linus and Lucy
• 3 It Was a Short Summer, Charlie Brown
• 4 Oh, Good Grief!
• 5 You're in Love, Charlie Brown
• 6 Schroeder
• 7 Bus Blues / Bus Blues (Reprise)
• 8 It Was a Short Summer, Charlie Brown (Reprise)
• 9 Frieda (With the Naturally Curly Hair)
• 10 Oh, Good Grief! (Reprise)
• 11 Come and Get It / Hash / Hash with Horn / Am Break / Tah Dah
• 12 Bon Voyage
• 13 Peppermint Patty
• 14 Love Will Come (Nova Bossa)
• 15 He's Your Dog, Charlie Brown
• 16 Pebble Beach
• 17 You're in Love, Charlie Brown (Reprise)
• 18 He's Your Dog, Charlie Brown (Reprise)
• 19 Masked Marvel
• 20 Air Music
• 21 Masked Marvel (Reprise) / Masked Marvel (2nd Reprise)
• 22 You're in Love, Charlie Brown (2nd Reprise)
• 23 Linus and Lucy (Reprise)
• 24 Oh, Good Grief! (2nd Reprise)
• 25 Charlie Brown Theme (Reprise)
• 26 It Was a Short Summer, Charlie Brown (2nd Reprise)
• 27 Linus and Lucy (Alternate)
• 28 Working on "It Was a Short Summer, Charlie Brown"
• 29 Bus Blues (Alternate)
• 30 Pebble Beach (Alternate)
• 31 Masked Marvel (Alternate)
• 32 Linus and Lucy (Reprise Alternate)

JIMMY SMITH / HOME COOKIN - Limited 180gm vinyl LP pressing. The Incredible Jimmy Smith was a self-taught keyboard virtuoso who gave up the piano in 1954 in favor of the Hammond B3 organ, setting up shop in a warehouse in Philadelphia and woodshedding for a year before emerging with a revolutionary approach to the instrument that immediately caught the ear Alfred Lion. The Blue Note founder recorded the B3 innovator as often as he could between 1956-1963 in a range of different settings and released a tremendous run of albums that laid the foundation for the Soul Jazz movement. Drawn from three different sessions recorded in 1958-1959, Home Cookin' featured Smith in a quartet with tenor saxophonist Percy France, guitarist Kenny Burrell, and drummer Donald Bailey, and it stands as one of the most deeply soulful albums Smith ever made. The band gives a soul jazz symposium on this seven-song set that includes covers of tunes by Ma Rainey, Ray Charles, and Jimmy McGriff along with originals by Smith and Burrell. - This Classic Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optima

• - Disc 1 -
• 1 See See Rider
• 2 Sugar Hill
• 3 I Got a Woman
• - Disc 2 -
• 1 Messin' Around
• 2 Gracie
• 3 Come on Baby
• 4 Motorin' Along

Limited 180gm vinyl LP pressing. Art Blakey's 1960 hard bop classic, The Big Beat, introduced one of the greatest line-ups of the Jazz Messengers with the legendary drummer joined by Lee Morgan, Wayne Shorter, Bobby Timmons, and Jymie Merritt. 3 of the 6 tunes were composed by Shorter, but the album is best-known for an unforgettable version of Timmons' enduring hit "Dat Dere." Blue Note Classic Vinyl Series is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180-gram vinyl at Optimal.

• 1 The Chess Players
• 2 Sakeena's Vision
• 3 Politely
• 4 Dat Dere
• 5 Lester Left Town
• 6 It's Only a Paper Moon
• 7 It's Only a Paper Moon (Bonus Track - Alternate Take)