RSD2025 Everything Else

Blink 182 has carved out a loyal following with relentless touring, and on the strength of their hit single "Dammit (Growing Up)," Blink 182's Dude Ranch has sold over 800,000 copies to date. Now the band is poised to make the jump to stardom. Produced by Jerry Finn (Rancid, Green Day, Pennywise), Enema of the State is a shot of Punk Rock that promises to be the group's miracle cure for the millions. 1st single/video: "What's My Age Again?" on Warped Tour '99!

• 1 Dumpweed
• 2 Don't Leave Me
• 3 Aliens Exist
• 4 Going Away to College
• 5 What's My Age Again?
• 6 Dysentery Gary
• 7 Adam's Song
• 8 All the Small Things
• 9 The Party Song
• 10 Mutt
• 11 Wendy Clear
• 12 Anthem

• 1 Pumpkin & Honey Bunny/Miserlou
• 2 Royale with Cheese
• 3 Jungle Boogie
• 4 Let's Stay Together
• 5 Bustin' Surfboards
• 6 Lonesome Town
• 7 Son of a Preacher Man
• 8 Zed's Dead Baby/Bullwinkle Part II
• 9 You Never Can Tell
• 10 Girl, You'll Be a Woman Soon
• 11 If Love Is a Red Dress
• 12 Bring Out the Gimp/Comanche
• 13 Flowers on the Wall
• 14 Personality Goes a Long Way
• 15 Surf Rider
• 16 Ezekiel 25-17

Chet Baker Sings Vol. 2 (Limited Edition 180-Gram Vinyl). After the success of Chet Baker Sings, the first vocal album, Chet continued recording vocal tracks. This LP presents the very best of them, none of which appeared on his debut vocal LP. Includes such hits as Let's Get Lost, Just Friends, and You Don't Know What Love Is. 14 tracks 180g vinyl William Claxton photos from sessions Limited edition CHET BAKER, vocals & trumpet With: Russ Freeman (p), Carson Smith (b), Bob Neel (d) Phil Urso (ts), Bobby Timmons (p), Jimmy Bond (b), Peter Littman (d), Kenny Drew (p), Sam Jones (b), Dannie Richmond (d), Ray Linn (tp), Milt Bernhart (tb), Bud Shank (as, fl), Charlie Mariano, Herbie Steward (as), Bill Holman (ts, arr), Richie Kamuca (ts), Pepper Adams (bar), Claude Williamson (p), Monty Budwig (b), Mel Lewis (d), George Morrow (b), Philly Joe Jones (d), David Wheat (g), Ross Savakus (b), Philly Joe Jones (d), Joe Mondragon (b), Shelly Manne (d), Bud Shank (fl), Red Mitchell (b). Secessions recorded between 1953 and 1962 in Los Angeles, New York, and Rome

• 1 Let's Get Lost
• 2 Line for Lyons
• 3 Just Friends
• 4 I Remember You
• 5 Long Ago and Far Away
• 6 While My Lady Sleeps
• 7 Let Me Be Loved
• 8 Chetty's Lullaby
• 9 Everything Happens to Me
• 10 You Don't Know What Love Is
• 11 They All Laughed
• 12 Old Devil Moon
• 13 I Fall in Love Too Easily [1953 Single Version]
• 14 Grey December

Out of print in the U.S.! Black vinyl LP pressing of this 2003 album from the SoCal punksters, their major label debut. 19 tracks. Epitaph.

• 1 Indestructible
• 2 Fall Back Down
• 3 Red Hot Moon
• 4 David Courtney
• 5 Start Now
• 6 Out of Control
• 7 Django
• 8 Arrested in Shanghai
• 9 Travis Bickle
• 10 Memphis
• 11 Spirit of '87
• 12 Ghost Band
• 13 Tropical London
• 14 Roadblock
• 15 Born Frustrated
• 16 Back Up Against the Wall
• 17 Ivory Coast
• 18 Stand Your Ground
• 19 Otherside

Compact Disc

WITH A DEEP-ROOTED LOVE FOR TRADITIONAL

MUSIC, Zach Top IS POISED TO INVIGORATE THE COUNTRY GENRE WITH HIS HOMAGE TO CLASSIC SOUNDS AND AUTHENTIC STORYTELLING. ZACH EMBODIES THE SPIRIT OF 90'S COUNTRY LEGENDS, SHAPED BY HIS UPBRINGING IN SUNNYSIDE, WA LISTENING TO CLASSIC COUNTRY MUSIC WHILE DRIVING AROUND HIS FAMILY'S RANCH TENDING TO LIVESTOCK. AT THE AGE OF SEVEN, HE FORMED A BAND WITH HIS SIBLINGS WHICH SET THE STAGE FOR HIS MUSICAL AMBITIONS. THROUGHOUT HIS TEENAGE YEARS AND EARLY TWENTIES, ZACH HONED HIS CRAFT BY PLAYING IN VARIOUS BLUEGRASS BANDS BEFORE MOVING TO NASHVILLE IN 2021 WHERE HE HAS BEEN STEADILY MAKING HIS MARK AS AN ARTIST TO WATCH. ZACH JUST RELEASED TWO SPECIAL HOLIDAY TRACKS AND IS SET TO JOIN CMA ENTERTAINER OF THE YEAR, LAINEY WILSON'S "COUNTRY'S COOL AGAIN" TOUR THIS YEAR. FANS CAN EXPECT HIS NEW ALBUM TO COME IN APRIL 2024.

Compact Disc

Bon Iver's three-song collection SABLE, was a prologue mired

in darkness, a controlled burn clearing the way for new possibilities. fABLE is the book that follows. Where SABLE, was a work of solitude, fABLE is an outstretched hand. Radiant, ornate pop music gleams around Vernon's voice as he focuses on a new and beautiful era. On every song, his eyes are locked with one specific person. It's love, which means there's an intense clarity, focus, and honesty within fABLE. It's a portrait of a man flooded and overwhelmed by that first meeting ("Everything Is Peaceful Love"). There's a tableau defined by sex and irrepressible desire ("Walk Home"). This is someone filled with light and purpose seeing an entire future right in front of him: a partner, new memories, maybe a family. There's something undeniably healing about infatuation. Cleaving to someone else can feel like light pouring in from a door that's suddenly swung wide. But there's a reason SABLE, is of a piece with fABLE; the shadow still rears it's head in lighter times. Even when you've reached a new chapter, you'll still find yourself back in your own foundational muck. A fable isn't a fairy tale. There's good stuff: unbridled joy and trips to Spain. But fables aren't hinged on happy endings; they're here to instill a lesson. As the album winds to a close, he acknowledges the need for patience and a commitment to put in the work. There's a selfless rhythm required when you're enmeshing yourself with another person. The song-and by extension the entire album -is a pledge. He's ready to find that pace.

• 1 Things Behind Things Behind Things
• 2 S P E y S I D E
• 3 Awards Season
• 4 Short Story
• 5 Everything Is Peaceful Love
• 6 Walk Home
• 7 Day One
• 8 from
• 9 I'll Be There
• 10 If Only I Could Wait
• 11 There's a Rhythmn
• 12 Au Revoir

Compact Disc

After a decade making the most of improvised recording spaces set in warehouses, trailers and lofts, Japanese Breakfast's fourth album, For Melancholy Brunettes (& sad women), marks the band's first proper studio release. Produced by Grammy Award winner Blake Mills, the record sees front-woman and songwriter Michelle Zauner pull back from the bright extroversion that defined it's predecessor Jubilee to examine the darker waves that roil within, the moody, fecund field of melancholy, long held to be the psychic state of poets on the verge of inspiration. The result is an artistic statement of purpose: a mature, intricate, contemplative work that conjures the romantic thrill of a gothic novel.

For Melancholy Brunettes follows a transformative period in Zauner's life during which her 2x GRAMMY nominated breakthrough album Jubilee and her bestselling memoir Crying In H Mart catapulted her into the cultural mainstream, delivering on her deepest artistic ambitions. Reflecting on that success, Zauner came to appreciate the irony of desire, which so often commingles bliss and doom. "I felt seduced by getting what I always wanted," she says. "I was flying too close to the sun, and I realized if I kept going I was going to die." The plight of Icarus and other such condemned ones lends For Melancholy Brunettes it's most persistent theme, the perils of desire. Like light dispersed, it's spectral parts take the album's characters through cycles of temptation, transgression and retribution. On "Orlando in Love" - a riff on John Cheever's riff on Orlando Innamorato, an unfinished epic made up of 68 ½ cantos by the Renaissance poet Matteo Maria Boiardo - the hero is a well meaning poet who parks his Winnebago by the sea and falls victim to a siren's call, his 69th canto (even in the lofty realm of classical myth Zauner has a soft spot for innuendo). "Honey Water" plumbs the quiet rage of a woman married to an unfaithful man, watching him cede again and again to lust like a base insect perpetuating it's own demise. Sadness is indeed the dominant emotional key of this record, but it is sadness of a rarified form: the pensive, prescient sadness of melancholy, in which the recognition of life's essentially tragic character occurs with sensitivity to it's fleeting beauty. Zauner finds space enough inside it for glimmers of hope. They are the consolations of mortals that poets before her have called out to and that poets after will continue to rediscover: love and labor, and though they run like tonic resolutions through the record's many episodes, they sound most saliently on it's final song, "Magic Mountain," an engagement with Thomas Mann's famous novel of the same name. For her, making any work feels like scaling a mountain, but from the perch of For Melancholy Brunettes, she surveys the future.

• 1 Here Is Someone
• 2 Orlando in Love
• 3 Honey Water
• 4 Mega Circuit
• 5 Little Girl
• 6 Leda
• 7 Picture Window
• 8 Men in Bars
• 9 Winter in la
• 10 Magic Mountain

Compact Disc

2023 release. Sometimes, Mitski says, it feels like life would be easier without hope, or a soul, or love. But when she closes her eyes and thinks about what's truly hers, what can't be repossessed or demolished, she sees love. She hopes her album, The Land Is Inhospitable and So Are We, will continue to shine that love long after she's gone. Listening to it, that's precisely how it feels: like a love that's haunting the land." This is my most American album," Mitski says about her seventh record, and the music feels like a profound act of witnessing this country, in all of it's private sorrows and painful contradictions. In this album, which is sonically Mitski's most expansive, epic, and wise, the songs seem to be introducing wounds and then actively healing them. Here, love is time-traveling to bless our tender days, like the light from a distant star. The album is full of the ache of the grown-up, seemingly mundane heartbreaks and joys that are often unsung but feel enormous. It's a tiny epic. From the bottom of a glass, to a driveway slushy with memory and snow, to a freight train barreling through the Midwest, and all the way to the moon, it feels like everything, and everyone, is crying out, screaming in pain, arching towards love. Love is that inhospitable land, beckoning us and then rejecting us. To love this place - this earth, this America, this body - takes active work. It might be impossible. The best things are.

• 1 Bug Like An Angel
• 2 Buffalo Replaced
• 3 Heaven
• 4 I Don't Like My Mind
• 5 The Deal
• 6 When Memories Snow
• 7 My Love Mine All Mine
• 8 The Frost
• 9 Star
• 10 I'm Your Man
• 11 I Love Me After You

Compact Disc

"The title Soft Sounds From Another Planet alludes to the promise of something that may or may not be there. Like a hope in something more. The songs are about human resilience and the strength it takes to claw out of the darkest of spaces." Michelle Zauner wrote the debut Japanese Breakfast album in the weeks after her mother died of cancer, thinking she would quit music entirely once it was done. That wasn't the case. When Psychopomp was released to acclaim in 2016, she was forced to confront her grief. Zauner would find find herself reliving traumatic memories multiple times a day during interviews, trying to remain composed while discussing the most painful experience of her life. Her sophomore album, Soft Sounds From Another Planet, is a transmutation of mourning, a reflection that turns back on the cosmos in search of healing. - With help from co-producer Craig Hendrix (who also co-produced Little Big League's debut) and Jorge Elbrecht, (Ariel Pink, Tamaryn) who mixed the album, Zauner recontextualizes her bedroom pop beginnings, expanding and maturing her sound. The sheer massiveness of the big room production on Soft Sounds From Another Planet introduces listeners to a new Japanese Breakfast. Zauner's familiar, capacious voice will serve as their guide.

• 1 Diving Woman
• 2 Road Head
• 3 Machinist
• 4 Planetary Ambience
• 5 Soft Sounds from Another Planet
• 6 Boyish
• 7 12 Steps
• 8 Jimmy Fallon Big!
• 9 The Body Is a Blade
• 10 Till Death
• 11 This House
• 12 Here Come the Tubular Bells

More than 20 years since the 2002 release of The Execution of All Things, this album remains an integral part of the underground and indie-rock story. With Jenny Lewis nearly a household name at this point, we are finally giving the people what they have wanted - a deluxe version of this classic album with expanded artwork, a die-cut gatefold jacket with limited edition poster insert, and on colored vinyl for the first time ever.

• 1 The Good That Won't Come Out
• 2 Paint's Peeling
• 3 The Execution of All Things
• 4 So Long
• 5 Capturing Moods
• 6 A Better Son/Daughter
• 7 Hail to Whatever You Found in the Sunlight
• 8 My Slumbering Heart
• 9 Three Hopeful Thoughts
• 10 With Arms Outstretched
• 11 Spectacular Views

The Bill Evans Trio with Scott LaFaro on bass and Paul Motian on drums would reach a climax with their June 25, 1961 club recordings at the Village Vanguard in New York. LaFaro would die in a car accident soon after (on July 6, 1961), at the age of 25. Evans was so shocked by his bassist's death that he waited a long time before forming a new trio. A selection of pieces from the Village Vanguard session was made by Evans himself and originally presented on two albums: Sunday at the Village Vanguard and Waltz for Debby, the latter presented here in it's entirety. THE COMPLETE ALBUM + 1 BONUS TRACK - 180-GRAM CRYSTAL CLEAR VINYL - LIMITED EDITION

• 1 My Foolish Heart 5:02
• 2 Waltz for Debby 6:58
• 3 Detour Ahead 7:37
• 4 My Romance 7:11
• 5 Some Other Time 4:57
• 6 Milestones 6:30
• 7 I Loves You Porgy 6:00*

Whenever Corrosion of Conformity releases an album, folks take notice. But their last was a true event. It had been a dozen years since C.O.C. recorded new material with vocalist/guitarist Pepper Keenan at the helm. In that time, there had been rumors, whispers and outright allegations that the legendary Southern rock outfit would reunite to blow the doors off the whole damn scene again. In 2014, after nearly a straight decade traversing the globe as a guitarist with New Orleans supergroup Down, Keenan reconnected with the core C.O.C. trio of Woody Weatherman, Mike Dean and Reed Mullin to write & record "No Cross No Crown". Gatefold jacket, Double trans violet LPs

• 1 Novus Deus
• 2 The Luddite
• 3 Cast the First Stone
• 4 No Cross
• 5 Wolf Named Crow
• 6 Little Man
• 7 Matre's Diem
• 8 Forgive Me
• 9 Nothing Left to Say
• 10 Sacred Isolation
• 11 Old Disaster
• 12 E.L.M
• 13 No Cross No Crown
• 14 A Quest to Believe (A Call to the Void)
• 15 Son and Daughter

10th anniversary of Blur's iconic album The Magic Whip with a special, half-speed mastered limited edition gold disc. The Magic Whip is blur's 8th studio album and includes the tracks Ghost Ship, Go Out, Lonesome Street and Ong Ong.

The formation heard here marks the third incarnation of Art Blakey's Jazz Messengers, which included trumpeter Lee Morgan, tenor saxophonist Benny Golson, pianist Bobby Timmons and bassist Jymie Merritt. Golson penned four of the songs from Moanin' and added several perennial compositions to the group's repertoire, among them the two bonus tracks on this edition, "Whisper Not" and "I Remember Clifford," the latter written in memory of star trumpeter Clifford Brown. Pianist Bobby Timmons contributed such hits of his own as the title track, "Moanin'". THE COMPLETE ALBUM + 2 BONUS TRACKS - 180- GRAM VIRGIN VINYL - LIMITED EDITION

• 1 Moanin'... 9:32
• 2 Are You Real... 4:48
• 3 Along Came Betty... 6:09
• 4 I Remember Clifford... 5:43 *
• 5 The Drum Thunder Suite First Theme: Drum Thunder Second Theme: Cry a Blue Tear Third Theme: Harlem's Disciples... 7:32
• 6 Blues March... 6:14
• 7 Come Rain or Come Shine... 5:47
• 8 Whisper Not... 7:32 *

Limited edition of 750 numbered copies on blue coloured 180-gram audiophile vinyl. Dickey Betts & Great Southern is the second studio album, originally released in 1977, by Dickey Betts, who is better known as bandmember of The Allman Brothers Band. Amongst others, it features the tracks "Bougainvillea", "Sweet Virginia" and "Nothing You Can Do". Dan Toler, who was also part of The Allman Brothers Band, performs on this album too. The album can be described as an attempt to combine the easy feel of his first album Highway Call with the more blues-driven sound of the Allmans.

• 1 Out to Get Me
• 2 Run Gypsy Run
• 3 Sweet Virginia
• 4 The Way Love Goes
• 5 Nothing You Can Do
• 6 California Blues
• 7 Bougainvillea

Juice Wrld -"Legends Never Die - Rapper Juice Wrld's first posthumous album, Legends Never Die, now available on CD. The 22-track project set several records when it debuted at No. 1 on the Billboard 200 upon release. Features hit singles "Righteous", "Come & Go (With Marshmello)" and "Wishing Well". EXPLICIT

• 1 Anxiety [Intro]
• 2 Conversations
• 3 Titanic
• 4 Bad Energy
• 5 Righteous
• 6 Blood on My Jeans
• 7 Smile
• 8 Tell Me U Luv Me
• 9 Hate the Other Side
• 10 Get Through It [Interlude]
• 11 Life's a Mess
• 12 Come & Go
• 13 I Want It
• 14 Fighting Demons
• 15 Wishing Well
• 16 Screw Juice
• 17 Up Up and Away
• 18 The Man, the Myth, the Legend [Interlude]
• 19 Stay High
• 20 Can't Die
• 21 Man of the Year
• 22 Juice WRLD Speaks from Heaven [Outro]

• 1 Thunderstruck
• 2 Fire Your Guns
• 3 Moneytalks
• 4 Razor's Edge
• 5 Mistress for Christmas
• 6 Rock Your Heart Out
• 7 Are You Ready
• 8 Got You By the Balls
• 9 Shot of Love
• 10 Let's Make It
• 11 Goodbye and Good Riddance to Bad Luck
• 12 If You Dare

Thunderball The Melvins Indie Exclusive "Smoke Is A Color" The new 2025 album featuring the 1983 lineup of Buzz & Mike Dillard. Plus special guests Void Manes and Ni Maitres. Formed over 40 years ago in Seattle, Melvins were one of the pioneers of the grunge and sludge metal scenes.

• 1 King of Rome
• 2 Vmit of Clarity
• 3 Short Hair with a Wig
• 4 Victory of the Pyramids
• 5 Venus Blood

Bon Iver's three-song collection SABLE, was a prologue mired

in darkness, a controlled burn clearing the way for new possibilities. fABLE is the book that follows. Where SABLE, was a work of solitude, fABLE is an outstretched hand. Radiant, ornate pop music gleams around Vernon's voice as he focuses on a new and beautiful era. On every song, his eyes are locked with one specific person. It's love, which means there's an intense clarity, focus, and honesty within fABLE. It's a portrait of a man flooded and overwhelmed by that first meeting ("Everything Is Peaceful Love"). There's a tableau defined by sex and irrepressible desire ("Walk Home"). This is someone filled with light and purpose seeing an entire future right in front of him: a partner, new memories, maybe a family. There's something undeniably healing about infatuation. Cleaving to someone else can feel like light pouring in from a door that's suddenly swung wide. But there's a reason SABLE, is of a piece with fABLE; the shadow still rears it's head in lighter times. Even when you've reached a new chapter, you'll still find yourself back in your own foundational muck. A fable isn't a fairy tale. There's good stuff: unbridled joy and trips to Spain. But fables aren't hinged on happy endings; they're here to instill a lesson. As the album winds to a close, he acknowledges the need for patience and a commitment to put in the work. There's a selfless rhythm required when you're enmeshing yourself with another person. The song-and by extension the entire album -is a pledge. He's ready to find that pace.

• 1 Disc One: Side A: Things Behind Things Behind Things
• 2 S P E y S I D E
• 3 Side B: Awards Season
• 4 Disc Two: Side A: Short Story
• 5 Everything Is Peaceful Love
• 6 Walk Home
• 7 Day One
• 8 from
• 9 Side B: I'll Be There
• 10 If Only I Could Wait
• 11 There's a Rhythmn
• 12 Au Revoir

Out of print in the US, REIGN IN BLOOD is often credited as the best thrash album ever. Originally released in 1986, includes extra tracks.

• 1 Angel of Death
• 2 Piece By Piece
• 3 Necrophobic
• 4 Altar of Sacrafice
• 5 Jesus Saves
• 6 Criminally Insane
• 7 Reborn
• 8 Epidemic
• 9 Postmortem
• 10 Raining Blood
• 11 Aggressive Perfector
• 12 Criminally Insane [Remix]

Gatefold 180-Gram Black Vinyl with Poster. Heritage is the tenth studio album by Swedish progressive metal band Opeth. The album was recorded in early 2011 at Atlantis Studios in Stockholm and produced by Mikael Åkerfeldt, engineered by Janne Hansson, and mixed by Steven Wilson (the first album since 2003's Damnation on which he worked with the band, although not as producer). It takes on more of a progressive rock sound, something the band had wanted to do for some time, resulting in a stark contrast to the progressive death metal sounds of their past albums. A critical and commercial success and charted at number 19 on the Billboard 200.

• 1 Heritage
• 2 The Devil's Orchard
• 3 I Feel the Dark
• 4 Slither
• 5 Nepenthe
• 6 Häxprocess
• 7 Famine
• 8 The Lines in My Hand
• 9 Folklore
• 10 Marrow of the Earth