RSD2025 Everything Else

Limited vinyl LP pressing of this 2001 album from the Arizona-based emo rock band. Jimmy Eat World exemplify all that is the modern radio rock sound. Singing and playing with a conviction and sincerity that will melt the heart of even the most stoic of listeners, they produce rousing, well-crafted anthems along the lines of Third Eye Blind at their roughest or a more polished Green Day. These guys appear to be able to write ready-made singles at the drop of a hat, as evidenced by "Your House" as well as the title track. In fact, there is a rather shocking maturity to their material that belies the band members' ages (all in their 20s). Overall, Jimmy Eat World give the people what they want with Bleed American.

• - Disc 1 -
• 1 Bleed American
• 2 A Praise Chorus - Vocals - Davey Vonbohlen*
• 3 The Middle
• 4 Your House
• 5 Sweetness
• 6 Hear You Me
• - Disc 2 -
• 1 If You Don't, Don't
• 2 Get It Faster
• 3 Cautioners
• 4 The Authority Song
• 5 My Sundown
• 6 Splash Turn Twist

Knitting Factory Records reissues Fela Kuti's Army Arrangement on vinyl LP, previously only available as part of the Box Set series. Army Arrangement is about Nigeria's attempt at ‘democracy' in 1979 after more than a decade of military rule. The audio has been restored and remastered from Fela's original Nigerian recordings. The artwork has been meticulously recreated from original album artwork. 

Tracks

1. Army Arrangement (Part 1)
2. Army Arrangement (Part 2)

Brownswood Recordings are proud to present Indaba Is – a compilation of current South African improvised music and jazz. The project is a collaboration with two luminaries of the South African Music scene, pianist / songwriter Thandi Nthuli and The Brother Moves On's Siyabonga Mthembu who act as curators / musical directors on the project.

Bokani Dyer's "Ke Nako" (now's the time) opens with an irony, because that was a slogan used to get voters to the polls in the first post-apartheid election. Now, Dyer's using it to remind us to think again about who we are and where we're going. That's always been the question for The Brother Moves On (TBMO: a genre-refusing, personnel-revolving performance collective named, with a twist, for The Wire's assassin: Brother Mouzone). Here, it's embodied in a meditation on relationships refracted through the distorting-glass of their context. It's the singing voices on both those tracks that reference roots even as they engage with contemporary spoken flows and instrumental improvisations.

Explicitly, trumpeter Lwanda Gogwana bookends his track with the idioms of the Eastern Cape – galloping rhythms, harmonies from bow music and split-tone singing, a spluttering trumpet reminiscent of Mongezi Feza – and grows from them a chill contemporary meditation: no spatial or temporal barriers here. Chill, though, is the last term you'd use for Wretched, vocalist Gabisile Motuba's Fanon-inspired project with drummer Tumi Mogorosi and sound artist Andrei van Wyk and the voices of Black Panther Kwame Toure and liberation leader Winnie Madikizela-Mandela: "What is History?.."

That, like "Ke Nako" and The Brother Moves On's bitter allusion to "black yellow and green" (the colours of the ruling ANC) is the thread of another kind of tradition – the reminders and remainders of South Africa's struggle not yet won – weaving through the album. Balm is offered by what guitarist Sibusile Xaba has described as his "modal, groove-oriented roots music". It is, he says, inspired by dreams; he sees himself as a diviner not a performer and his music as functional for healing. That echoes one of his musical masters, the late Dr Philip Nchipi Tabane. "Umdali" is a reference to the Creator, inspirer of such service.

The Ancestors weave Siyabonga Mthembu's voice into a web of musical references forward-looking and historical, including bluesy instrumentals that hark back to what South Africa's jazz bandleaders of the ‘70s and ‘80s conjured up – another aspect of South Africa's musical tradition. Then pianist/composer/vocalist Thandi Ntuli returns to the theme of identity in "Dikeledi" (‘Tears'). "Who are you?' she asks. "What do you call yourself?.. the illusion [of who you are] emerges from you." Ultimately, the song concludes, rootedness in community trumps image.

But community isn't unproblematic. The persistent fractures in South African society were deliberately engineered by apartheid, results of an attempt to impose unitary, racially-constructed identities on all. All the tracks in this collection challenge that: they demonstrate the unifying power of collective hard music work. In that context, iPhupho L'ka Biko's "Abaphezulu" ("They are coming, those who are above" – an invocation to ancestors, including the spirit of Steve Bantu Biko) is a fitting conclusion. Opening with the notes of Kinsmen's Druv Sodha's sitar, it smashes another of the walls apartheid tried to build against Black unity: between South Africans of African and South Asian heritage. The classically-inflected gospel voices of Mthembu's dialogue with Indian and modern jazz rhythms and free horn improvisations in joyous heterophony.

LP1

1. Bokani Dyer - Ke Nako
2. The Brother Moves On - Umthandazo Wamagenge
3. Lwanda Gogwana - All Ok
4. The Wretched - What is History

LP2

1. Sibusile Xaba with Naftali, Fakazile Nkosi, & AshK - Umdali
2. The Ancestors - Prelude to Writing Together
3. Thandi Ntuli - Dikeledi
4. iPhupho L'ka Biko ft Siyabonga Mthembu & Kinsmen - Abaphezulu

Formed of Laura Lee on bass, Mark Speer on guitar, and Donald "DJ" Johnson on drums; globetrotting Texan trio Khruangbin present their second album Con Todo El Mundo. Whereas their 2015 debut The Universe Smiles Upon You was influenced by '60s and '70s Thai cassettes and compilations of southeast Asian pop, rock and funk, Con Todo El Mundo hops east over India to take inspiration in similarly under discovered funk and soul sounds of the Middle-East, particularly from Iran. Laura Lee explains the album's title: "My grandpa would always ask me ‘Como me quieres?' (‘how much do you love me'?), and he'd only ever accept one response. ‘Con todo el mundo' (With all the world)." Throughout Con Todo El Mundo, Laura Lee's melodic low-end theory, Mark's lyrical, free-role guitar lines, and DJ's ever-steady, ever-ready backbeat form something greater than their parts. A vibe-synchronous soul-unit travelling the planet, honing their craft, absorbing the sights, sounds and feels from cultures across the globe, processing them through the Khruangbin filter and gifting the result...with all the world.

1. Como Me Quieres
2. Lady and Man
3. Maria Tambien
4. 10-Aug-2017
5. Como Te Quiero
6. Shades of Man
7. Evan Finds the Third Room
8. A Hymn
9. Rules
10. Friday Morning

Vinyl LP pressing including digital download. The Best of Sam Cooke is the second greatest hits album by singer-songwriter Sam Cooke. Produced by Hugo & Luigi, the album was released in 1962 in the United States by RCA Victor. The compilation contains most of Sam Cooke's most well-known hits from 1957 to 1962. Sam Cooke was an American singer, songwriter, and entrepreneur. Influential as both a singer and composer, he is commonly known as the King of Soul for his distinctive vocals and importance within popular music. He began singing as a child and joined The Soul Stirrers before moving to a solo career where he scored a string of hit songs.

• - Disc 1 -
• 1 You Send Me 2:42
• 2 Only Sixteen 2:02
• 3 Everybody Loves to Cha Cha Cha 2:40
• 4 For Sentimental Reasons 2:37
• 5 Wonderful World 2:05
• 6 Summertime 2:17
• - Disc 2 -
• 1 Chain Gang 2:39
• 2 Cupid 2:34
• 3 Twistin' the Night Away 2:40
• 4 Sad Mood 2:40
• 5 Having a Party 2:37
• 6 Bring It on Home to Me 2:42

Originally released as a DVD, The Back Parade Is Dead! documents My Chemical Romance's final performance as The Black Parade from the Palacio de los Deportes in Mexico City, Mexico on October 7, 2007. Available on vinyl for the very first time as a 2LP-set, the album served as the band's second live album and features three bonus tracks on side D that were not included in the initial 2008 release.

LP1

1. The End.
2. Dead!
3. This Is How I Disappear
4. The Sharpest Lives
5. Welcome To The Black Parade
6. I Didn't Love You
7. House Of Wolves
8. Interlude
9. Cancer
10. Mama

LP2

1. Sleep
2. Teenagers
3. The Black Parade Is Dead
4. Disenchanted
5. Famous Last Words
6. Blood
7. Kill All Your Friends
8. My Way Home Is Through You
9. Heaven Help Us

My Chemical Romance I Brought You My Bullets, You Brought Me Your Love on LP

My Chemical Romance's auspicious 2002 debut I Brought You My Bullets, You Brought Me Your Love was produced by Thursday vocalist Geoff Rickly and combines the best of punk, metal and emo to create a big sound complete with an abundance of sing-along choruses and a relentless two-guitar attack. Equally anxious and angry frontman Gerard Way explores sinister themes of substance abuse and isolation with precision while the band's driving rhythms and anthemic melodies frame the proceedings handsomely. Includes the soaring standouts "Honey, This Mirror Isn't Big Enough For The Two Of Us," "Vampires Will Never Hurt You" and "Headfirst For Halos."

1. Romance
2. Honey, This Mirror Isn't Big Enough For the Two of Us
3. Vampires Will Never Hurt You
4. Drowning Lessons
5. Our Lady of Sorrows
6. Headfirst For Halos
7. Skylines and Turnstiles
8. Early Sunsets Over Monrover
9. This is the Best Day Ever
10. Cubicles
11. Demolition Lovers

Vinyl LP pressing. Tyler Childers is the finest songwriter to emerge from the Bluegrass State since Chris Knight and should be mentioned in the same breath as Fifth on the Floor, Sturgill Simpson, Chris Stapelton, and others who are currently leading the most notable renaissance of Kentucky music since Keith Whitley and Ricky Skaggs took Music City by storm 30 years ago. Previously released as two separate EPs, Live on Red Barn Radio I & II is now available on a single LP for the first time. Volume I was recorded live on May 29, 2013 and Volume II was recorded live on November 7, 2013, both at Kentucky's legendary Red Barn Radio show in Lexington, KY. Live on Red Barn Radio I & II features six original songs (including "Whitehouse Road" as heard on Tyler's latest full length, Purgatory) and two covers.

• 1 Shake the Frost
• 2 Deadman's Curve
• 3 Charleston Girl
• 4 Whitehouse Road
• 5 Rock Salt and Nails
• 6 Coming Down
• 7 Follow You to Virgie
• 8 Bottles and Bibles

Limited translucent purple vinyl LP pressing. 2020 EP containing four stripped-back classic Bayside songs, as well as one brand new track, "Light Me Up." Acoustic Volume 3 serves as a follow up - and a stark juxtaposition - to 2019's Interrobang, the band's heaviest record to date.

Tracks

• 1 Light Me Up
• 2 The New Flesh
• 3 Not Fair
• 4 Poison in My Veins
• 5 Prayers

Indie rock and sugary pop music collide in the sound of the Canadian band Alvvays and their self-titled debut album. Pronounced, "always" the twin v's are for artistic effect. Molly Rankin is the voice of the band, and she grew up with keyboardist Kerri MacLellan, who was her next door neighbor. Teen friend Alec Hanley on guitar rounds out the foundation of the band that also includes Brian Murphy and Eric Hamelin. Heavily influenced by the wistful Teenage Fanclub and Belle & Sebastion, Alvvays delivers with this 9-song musical snack.

Tracks

• 1 Adult Diversion
• 2 Archie, Marry Me
• 3 Ones Who Love You
• 4 Next of Kin
• 5 Party Police
• 6 The Agency Group
• 7 Dives
• 8 Atop a Cake
• 9 Red Planet

30th Anniversary 180g Vinyl 2LP Reissue with Gatefold Packaging!

Considered one of his most successful and most popular albums, No More Tears is Ozzy Osbourne's sixth solo studio effort, originally a top 10 charter upon its release in September 1991. Featuring some of Zakk Wylde's best-ever guitar work, along with four songs co-written by Motörhead's Lemmy Kilmister, No More Tears contains two of the biggest songs of Ozzy's career, including the top 5 rock radio hits "No More Tears" and "Mama, I'm Coming Home" (the latter also his highest charting top 40 radio track), along with the Grammy-winning cut "I Don't Want to Change the World." The album went on to quadruple-platinum status in the U.S., one of Ozzy's two best-selling albums alongside his groundbreaking solo debut Blizzard of Ozz. 30th anniversary 180g vinyl 2LP reissue with gatefold packaging.

LP1

1. Mr. Tinkertrain
2. I Don't Want To Change The World
3. Mama, I'm Coming Home
4. Desire
5. No More Tears

LP2

1. Won't Be Coming Home (S.I.N.)
2. Hellraiser
3. Time After Time
4. Zombie Stomp
5. A.V.H.
6. Road To Nowhere

180g vinyl cut of the Scottish rock group's sixth album from the HD masters. Includes MP3 download coupon.

• 1 Cherry-Coloured Funk
• 2 Pitch the Baby
• 3 Iceblink Luck
• 4 Fifty-Fifty Clown
• 5 Heaven or Las Vegas
• 6 I Wear Your Ring
• 7 Fotzepolitic
• 8 Wolf in the Breast
• 9 Road, River and Rail
• 10 Frou-Frou Foxes in Midsummer

Blue Note Classic Vinyl Reissue Series All-Analog 180g Vinyl LP Mastered by Kevin Gray Directly from the Original Master Tapes and Manufactured at Optimal in Germany

Blue Note Records is pleased to present the Blue Note Classic Vinyl Reissue Series, a continuation of their acclaimed Blue Note 80 Vinyl Reissue Series which was launched in celebration of the label's 80th anniversary in 2019. The Classic Series will once again feature all-analog 180g vinyl pressings in standard packaging that are mastered by Kevin Gray directly from the original master tapes and manufactured at Optimal in Germany. The first 16 titles of the Classic Series will focus on the enduring classics of the Blue Note catalog. The Classic Series will be on-going, running alongside the Tone Poet Audiophile Vinyl Reissue Series which is produced by Joe Harley.

Even by the high-water marks set by Herbie Hancock's tremendous 1960s Blue Note output, 1965's Maiden Voyage remains one of the pinnacle artistic achievements of the great pianist's career. Hancock is joined here by his Miles Davis Quintet bandmates Ron Carter on bass and Tony Williams on drums, along with Freddie Hubbard on trumpet and George Coleman on tenor saxophone. The quintet embarks on an oceanic exploration of five original Hancock compositions, several of which have since become enduring standards of the jazz lexicon including the title track, "Eye of the Hurricane," and "Dolphin Dance."

Musicians:
Herbie Hancock, piano
Ron Carter, bass
George Coleman, tenor saxophone
Freddie Hubbard, trumpet
Anthony Williams, drums

Features:
• Blue Note Classic Vinyl Reissue Series
• All analog 180g vinyl LP
• Mastered by Kevin Gray directly from the original master tapes
• Manufactured at Optimal in Germany
• Standard packaging

1. Maiden Voyage
2. The Eye Of The Hurricane
3. Little One
4. Survival Of The Fittest
5. Dolphin Dance

Over the past decade, the harpist Brandee Younger has been at the center of music's celebrated work, even if you didn't know she was there. Be it her output with the soul singer John Legend or the rapper Common, she's always put her stamp on the music in question, all while setting a new course for what classical music can entail. But with her major-label debut, Somewhere Different, she's pushing her artistry to the foreground. By her own admission, Younger would've stepped back in years past to let others shine; the harp would've been mixed behind layers of woodwind instruments. Now she's putting her instrument first.

"It was important for me to thrust the harp forward in a non-traditional setting," Younger says of her new album. "I made a conscious effort to make sure that the harp was a bit more present in this recording. It's important for the instrument." Indeed, the first sound heard on Somewhere Different is the harp, a gorgeous, tone-setting solo that ushers in "Love & Struggle," the album's meditative opener. It also sets the mission for the music that follows: Younger has spent her career breaking down the barriers between classical music and contemporary forms of R&B, hip-hop, and funk. This album synthesizes her work while forging new ground. "I started recording music that wasn't common on harp in 2006," she says. This is my way of combining all the worlds I have into one. This is me doing my own thing completely."

Listeners will hear this creative freedom throughout the LP, from the introspective tenor of "Olivia Benson," "Beautiful Is Black" and "Pretend," featuring Tarriona "Tank" Ball of the breakout New Orleans band Tank and the Bangas, to the vibrant rock and bounce-infused sounds of "Reclamation" and the title track, respectively. In that way, Younger pays homage to the pioneering harpists Alice Coltrane and Dorothy Ashby, both of whom merged the instrument with jazz, funk and soul at a time when such ingenuity wasn't commonplace. Somewhere Different is not only the realization of Younger's musical journey, it channels the spirit of a deserving performer whose life merits deeper examination. 

1. Love & Struggle
2. Olivia Benson
3. Beautiful Is Black
4. Pretend
5. Reclamation
6. Somewhere Different
7. Spirit U Will
8. Tickled Pink

Vinyl LP pressing. Reissue. 19 is the debut studio album by singer/songwriter Adele, originally released in 2008. Following Adele's graduation from the BRIT School for Performing Arts & Technology in May 2006, she began publishing songs and recorded a three-song demo for a class project and gave it to a friend. The friend posted the demo on Myspace, where it became very successful and led to interest from XL Recordings. This led to Adele signing a recording contract with the label and providing vocals for Jack Peñate, during this session for Peñate's song she met producer Jim Abbiss, who would go on to produce the majority of her debut album. Adele wrote most of the album's material solely, but did work with a select few writers and producers including Jim Abbiss, Eg White and Sacha Skarbek.

Tracks

• - Disc 1 -
• 1 Daydreamer
• 2 Best for Last
• 3 Chasing Pavements
• 4 Cold Shoulder
• 5 Crazy for You
• 6 Melt My Heart to Stone
• - Disc 2 -
• 1 First Love
• 2 Right As Rain
• 3 Make You Feel My Love
• 4 My Same
• 5 Tired
• 6 Hometown Glory

Kelela's debut album, Take Me Apart emerges as an epic portrait of an artist spanning the past and future of R&B. In her hands, however, the genre knows no boundaries and so Take Me Apart exists as an absolutely singular and fearless addition to a canon of recent classics. From her very earliest work, honesty and vulnerability have been cornerstones of Kelela's art - even when clad in the armor of the avant-garde electronics she so deftly inhabits - and Take Me Apart sees her double down on both the emotional intensity and resonance of her message as well as the sonic seeking she is renowned for.

The timeless, zero-gravity ballad "Better" sees Kelela at her most unadorned - baring her soul to a nameless other over subtly transforming piano and synth textures while first single "LMK" is all staggering club swagger that manages to span the past 20 years of innovative R&B while still exploring another dimension of possibilities. These songs typify the melding of classic song-craft and inventive production approach at the album's core, but it's here where things take yet another exhilarating turn. "Truth or Dare" has the brittle snap and vocal twists of a Neptunes track while "Blue Light" sees Kelela weld her sweeping pleas to the warped sonic palette of grime, pointing the way forward to a possible future of cybernetic soul.

Now we are swept into the slipstream of a pair of breathtaking Arca collaborations in "On And On" and the otherworldly grandeur of "Turn To Dust," which conjures images of the powerful and iconic diva of Luc Besson's The Fifth Element; and it's a short trip to the unforgettable pneumatic gospel of album closer "Altadena," a perfect uroboros link back to "Frontline" to begin the saga all over again. At this point you're left with the feeling that this trip through Take Me Apart is one you'll be making many more times.

1. Frontline
2. Waitin
3. Take Me Apart
4. Enough
5. Jupiter
6. Better
7. LMK
8. Truth Or Dare
9. S.O.S.
10. Blue Light
11. On and On
12. Turn To Dust
13. Bluff
14. Altadena

Atrocity Exhibition is one of the freshest and boldest-sounding rap albums in recent memory, a sonic swirl inspired by the work of Talking Heads and Joy Division that nonetheless sounds like nothing else from the past or present. Featuring contributions from producers like Evian Christ, Petite Noir (who also lends vocals to the world-weary clang of "Rolling Stone"), Black Milk, the Alchemist and frequent collaborator Paul White, the album is full of laser-beam guitars, gym-teacher whistles, creaking vocal samples, and air-raid drones. It is the most intriguing take on hallucinatory rap since the heady heights of Cold Vein or Madvillainy.

This album is a highly personal take on Danny Brown's ruminations on life and the changes that have occurred - and those that didn't - following the ups and downs of career success. Atrocity Exhibition makes for a thrilling third installment in his singular biopic, one not to be missed.

Tracks

1. Downward Spiral
2. Tell Me What I Don't Know
3. Rolling Stone (featuring Petite Noir)
4. Really Doe (featuring Kendrick Lamar, Ab-Soul & Earl Sweatshirt)
5. Lost
6. Ain't it Funny
7. Goldust
8. White Lines
9. Pneumonia
10. Dance In The Water
11. From The Ground (featuring Kelela)
12. When It Rain
13. Today
14. Get Hi (featuring B-Real)
15. Hell For It