RSDBF Small Business Saturday

Away From The Sun is the 4x platinum, sophomore album by 3 Doors Down. Released in 2002, it features the Top 5 hits, "When I'm Gone" and "Here Without You." Standard black vinyl, gatefold jacket.

• - Disc 1 -
• 1 When I'm Gone
• 2 Away from the Sun
• 3 The Road I'm on
• 4 Ticket to Heaven
• 5 Running Out of Days
• 6 Here Without You
• - Disc 2 -
• 1 I Feel You
• 2 Dangerous Game
• 3 Changes
• 4 Going Down in Flames
• 5 Sarah Yellin'
• 6 This Time

2022 release, the sophomore album from the Country Music singer/songwriter.

• 1 Hillbilly Hippie
• 2 Road Runner
• 3 Watermelon Moonshine
• 4 Grease
• 5 Weak-End
• 6 Me, You, and Jesus
• 7 Hold My Halo
• 8 Heart Like a Truck
• 9 Atta Girl
• 10 This One's Gonna Cost Me
• 11 Those Boots (Deddy's Song)
• 12 Live Off
• 13 Wildflowers and Wild Horses
• 14 What's Up (What's Going on)

Limited edition of 750 numbered copies on white coloured 180-gram audiophile vinyl. Britny Fox is the eponymous debut album by American glam metal band Britny Fox, originally released in 1988. It was met with critical acclaim and near Platinum sales. Their lead single "Long Way To Love" made heavy rotation on MTV and the band won Metal Edge magazine's Best New Band award in 1988. Britny Fox was formed in 1985 in Philadelphia, fronted by lead vocalist and rhythm guitarist "Dizzy" Dean Davidson. Other band members included Billy Childs on bass, and two former members of the band Cinderella; Michael Kelly Smith on lead guitar and Tony Destra on drums. Their debut album remains their most popular work to date.

• 1 Girlschool
• 2 Long Way to Love
• 3 Kick 'N' Fight
• 4 Save the Weak
• 5 Fun in Texas
• 6 Rock Revolution
• 7 Don't Hide
• 8 Gudbuy T' Jane
• 9 In America
• 10 Hold on

Radiohead's Thom Yorke & Jonny Greenwood + Sons of Kemet's Tom Skinner! / The Smile's 2024 album Wall of Eyes was recorded between Oxford and Abbey Road Studios, and is produced and mixed by Sam Petts-Davies. It features string arrangements by the London Contemporary Orchestra. Wall of Eyes is the follow up their 2022 debut LP A Light for Attracting Attention, which received critical acclaim from the likes of The Guardian, Pitchfork, The Observer, The Needle Drop, Rolling Stone, New York Magazine, Uncut and MOJO, and more.

• - Disc 1 -
• 1 Wall of Eyes
• 2 Teleharmonic
• 3 Read the Room
• 4 Under Our Pillows
• - Disc 2 -
• 1 Friend of a Friend
• 2 I Quit
• 3 Bending Hectic
• 4 You Know Me!

Hundreds of epic shows, memory lapses, unexplained injuries, one yearlong detour with Iggy Pop and multiple Grammy nominations later, Queens Of The Stone Age reemerge from the desert newly scarred and somehow strangely prettier with lucky seventh album, Villains, out on Matador Records. "The title Villains isn't a political statement," explains frontman Joshua Homme. "It has nothing to do with Trump or any of that shit. It's simply 1) a word that looks fantastic and 2) a comment on the three versions of every scenario: yours, mine and what actually happened...Everyone needs someone or something to rail against – their villain – same as it ever was. You can't control that. The only thing you can really control is when you let go."

Produced by Mark Ronson and co-produced by Mark Rankin and mixed by Alan Moulder, Villains is the first full album offering from Queens Of The Stone Age since 2013's ...Like Clockwork gave the band its first #1 album in the U.S. Like the stunning artwork of returning illustrator Boneface, the sonic signatures of the lineup that took ...Like Clockwork' around the world and back – founder/guitarist/vocalist/lyricist Homme, Troy Van Leeuwen (guitar, keys), Michael Shuman (bass), Dean Fertita (keys, guitar), Jon Theodore (drums) – are as unmistakable as ever, though coexisting with sufficient new twists to induce recurring double takes. As Homme himself puts it, "The most important aspect of making this record was redefining our sound, asking and answering the question ‘what do we sound like now?' If you can't make a great first record, you should just stop – but if you can make a great record but you keep making records and your sound doesn't evolve, you become a parody of that original sound."

Of his role working within such a closed and confident ecosystem as Queens Of The Stone Age, Ronson says, "Queens are and have always been my favorite rock n roll band ever since I walked into Tower on Sunset and bought ‘Rated R' in the summer of 2000, so it was incredibly surreal to be welcomed into their secret, pirate clan – or the ‘jacuzzi' as Josh likes to call it. I also knew that my super fandom alone would not keep me in the jacuzzi. There were moments during the making of the album in which I was aware I was watching my musical heroes craft something that was sure to become one of my favorite moments on any Queens album. And to have some part in that felt like being in a dream – a very heavy, dark, wonderful dream."

Longtime Queens cohort co-producer Mark Rankin added, "After the baptism of fire that was ...Like Clockwork, I was excited to get into the studio again with the challenge of pushing the sound for this record, especially with the the addition of Ronson into the creative mix. We wanted to evolve the production to be processed in a modern way yet be totally organic and still performed fully live, like lifting a veil and what you thought was electronic is actually live and things are not as they first appear...What we've made is forward looking yet unmistakably Queens."

1. Feet Don't Fail Me
2. The Way You Used To Do
3. Domesticated Animals
4. Fortress
5. Head Like A Haunted House
6. Un-Reborn Again
7. Hideaway
8. The Evil Has Landed
9. Villains of Circumstance

Tri-fold, deluxe, anniversary edition. This 2023 edition of The Shins' beloved second album, Chutes Too Narrow, celebrates the album's 20th anniversary with a fresh remaster by Adam Ayan, supervised by band leader James Mercer, and lovely new packaging for the vinyl.

Chutes Too Narrow was recorded in James' basement home studio, with later mixing assistance from Phil Ek (Built to Spill, Modest Mouse, David Cross, Les Savy Fav, etc.). And, with 10 songs, clocking in at just over 30 minutes, Chutes Too Narrow is a brief yet entirely scintillating glimpse at chiming, reflective and perfectly skewed pop innovation. It was released to widespread acclaim in 2003, garnering Pitchfork's Best New Music, four stars from Rolling Stone, and raves from the New York Times, MOJO, the Village Voice, SPIN, and tons more. It subsequently made best-of-the-decade lists from The AV Club, NME, Paste, Pitchfork, and Uncut.

• 1 Kissing the Lipless
• 2 Mine's Not a High Horse
• 3 So Says I
• 4 Young Pilgrims
• 5 Saint Simon
• 6 Fighting in a Sack
• 7 Pink Bullets
• 8 Turn a Square
• 9 Gone for Good
• 10 Those to Come

More than 20 years since the 2002 release of The Execution of All Things, this album remains an integral part of the underground and indie-rock story. With Jenny Lewis nearly a household name at this point, we are finally giving the people what they have wanted - a deluxe version of this classic album with expanded artwork, a die-cut gatefold jacket with limited edition poster insert, and on colored vinyl for the first time ever.

• 1 The Good That Won't Come Out
• 2 Paint's Peeling
• 3 The Execution of All Things
• 4 So Long
• 5 Capturing Moods
• 6 A Better Son/Daughter
• 7 Hail to Whatever You Found in the Sunlight
• 8 My Slumbering Heart
• 9 Three Hopeful Thoughts
• 10 With Arms Outstretched
• 11 Spectacular Views

Compact Disc

Ghost -"Phantomime " - Ghost follows last year's international chart-topping opus IMPERA as intended from the start with PHANTOMIME, a diverse and spellbinding sampling of the GRAMMY Award-winning band's musical DNA. Featuring covers of classics by Television, Genesis, The Stranglers, Iron Maiden and Tina Turner, PHANTOMIME pays tribute to these unlikely bedfellow influences while stamping them all with Ghost's undeniable sonic signature.

• 1 See No Evil
• 2 Jesus He Knows Me
• 3 Hanging Around
• 4 Phantom of the Opera
• 5 We Don't Need Another

Brian Setzer Orchestra - The Dirty Boogie (Limited Edition Seafoam Melt Vinyl) The Brian Setzer Orchestra (sometimes known by it's initials BSO) is a swing and jump blues band formed in 1992 by Stray Cats frontman Brian Setzer. In 1994 they released their debut album which was followed up in 1996 with Guitar Slinger. In 1998, for their breakout album The Dirty Boogie, the group covered Louis Prima's "Jump, Jive an' Wail", which originally appeared on Prima's 1957 album The Wildest!. The BSO's follow up single, appearing on the album Vavoom!, was "Gettin' in the Mood." Now get The Dirty Boogie from the Brian Setzer Orchestra for the first time on vinyl since 1998. Remastered on 180g vinyl in two amazing Limited-Edition Colors with expanded gatefold. There are only 300 of the Red Multi-Color Splatter and 700 of the Seafoam Melt. The Dirty Boogie is the third release from the Brian Setzer Orchestra and was their breakout album featuring "Jump, Jive an' Wail".

• - Disc 1 -
• 1 This Cat's on a Hot Tin Roof
• 2 The Dirty Boogie
• 3 This Old House
• 4 Let's Live It Up
• 5 Sleepwalk
• 6 Jump Jive An' Wail
• 7 You're the Boss
• - Disc 2 -
• 1 Rock This Town
• 2 Since I Don't Have You
• 3 Switchblade 327
• 4 Nosey Joe
• 5 Hollywood Nocturne
• 6 As Long As I'm Singin'

Larkin Poe, the dynamic sister duo known for their electrifying blend of Southern rock, blues, and Americana, emerges once again onto the musical landscape with their eagerly anticipated album, 'Bloom'. Following their Grammy-winning success with 'Blood Harmony' in 2024, the duo has ventured deeper into their musical journey, crafting a collection of songs that resonate with introspection, authenticity, and a profound connection to their roots in American music. The album "Bloom" marks a significant evolution in Larkin Poe's creative journey. All the songs were born from collaborations between Megan, Rebecca, and co-producer Tyler Bryant, reflecting a synergy that extends beyond mere musical partnership. As Rebecca observes, "'Bloom' is about finding oneself amidst the noise of the world, about wholeheartedly embracing the flaws and idiosyncrasies that make us real." This theme of self-acceptance is central to the album's narrative: celebrating individuality against a backdrop of contemporary blues and rock influences. Reflecting on the album's thematic core, Megan explains, "In one way or another, pretty much all of the songs on this album are about finding yourself, knowing yourself, and separating the truth of who you are from societal expectations." This sentiment permeates through the first song, "Mockingbird", a contemplative piece on personal growth and staying true to oneself amidst life's twists and turns. Rebecca adds, "'Mockingbird' is a tender reflection on the perpetual journey of becoming. When viewed through a reductive lens, the inevitable countless missteps I've taken in my life can feel disheartening - but looking too long in the rearview can be harmful to one's future. Choosing to find the hidden meaning in the pitstops and messy detours that life sometimes demands has felt like a very important perspective shift." Known for their sincere songwriting, the Lovell sisters place a spotlight on storytelling with 'Bloom'. Each track unfolds like a chapter, with lyrics that wind deeper and deeper towards the heart of Larkin Poe. Rebecca reflects, "Songwriting takes center stage with this record; the lyrics hit home in a real way." Their influences from '70s Southern rock are unmistakable, yet woven into a modern context that feels simultaneously nostalgic and fresh. The album's lead single, "Bluephoria", captures the essence of Larkin Poe's genre-bending exploration. Rebecca describes, "It's a rock 'n' roll rumination on the duality of the human experience, where suffering and joy intertwine to create meaning." With lyrics inspired by blues legend Furry Lewis, the track exemplifies their ability to blend personal narratives with universal themes; while the riff-heavy, psychedelic-flavored musical underpinnings make it primed for take off into the stratosphere on the live stage. Another standout track, "If God Is A Woman", melds lush sonic landscapes with lyrics that ground listeners in contemporary questions through the blues-soaked sounds of the Mississippi hill country; while the gritty rock anthem and punk energy of "Pearls" addresses the challenges of maintaining authenticity in a digital age where public personas are under constant scrutiny. It's a testament to Larkin Poe's willingness to confront modern realities while staying true to their musical heritage. Closing the album is "Bloom Again", a poignant love song in the style of the Everly Brothers, showcasing the sisters' harmonies in a deeply personal light. Megan fondly recalls, "One of our friends and heroes, Mike Campbell suggested we write a song following in the footsteps of Phil and Don Everly to showcase our sister harmonies; we took his counsel to heart, and 'Bloom Again' was born." It's a fitting finale that leaves listeners with a sense of catharsis and a desire for more. With their distinctive blend of poetic lyricism, masterful instrumentation, and soulful harmonies 'Bloom' not only cements Larkin Poe's status as musical innovators, but also reaffirms their commitment to crafting meaningful, soul-stirring music. As modern torchbearers of American roots music, the Lovell sisters continue their journey of self-discovery and celebration of the authentic self. With this album, Larkin Poe invites us to bloom alongside them, embracing the beauty of growth and the richness of their American, musical heritage.

• 1 Mockingbird
• 2 Easy Love Pt. 1
• 3 Little Bit
• 4 Bluephoria
• 5 Easy Love Pt. 2
• 6 Nowhere Fast
• 7 If God Is a Woman
• 8 Pearls
• 9 Fool Outta Me
• 10 You Are the River
• 11 Bloom Again

Brand new album from Dave Stewart (Eurythmics) performing acoustic covers of Bob Dylan songs. Stewart and Dylan have been dear friends for over 40 years and this is Dave's love letter to Bob. Talking about Stewart, Dylan says, "An explosive musician, Captain Dave is a dreamer and a fearless innovator, a visionary of high order, very delicately tractable on the surface but beneath that, he's a slamming, thumping, battering ram, very mystical but rational and sensitive when it comes to the hot irons of art forms."

• "Goin' Home Tonight" 4:57.
• "Dirty Woman" 3:27.
• "Little Fighter" 4:23.
• "Broken Home" 4:59.
• "Baby Be Mine" 4:10.
• "Living on the Edge" 5:02.
• "Let's Get Crazy" 4:52.
• "Don't Say It's Over" 4:04.

After a decade making the most of improvised recording spaces set in warehouses, trailers and lofts, Japanese Breakfast's fourth album, For Melancholy Brunettes (& sad women), marks the band's first proper studio release. Produced by Grammy Award winner Blake Mills, the record sees front-woman and songwriter Michelle Zauner pull back from the bright extroversion that defined it's predecessor Jubilee to examine the darker waves that roil within, the moody, fecund field of melancholy, long held to be the psychic state of poets on the verge of inspiration. The result is an artistic statement of purpose: a mature, intricate, contemplative work that conjures the romantic thrill of a gothic novel.

For Melancholy Brunettes follows a transformative period in Zauner's life during which her 2x GRAMMY nominated breakthrough album Jubilee and her bestselling memoir Crying In H Mart catapulted her into the cultural mainstream, delivering on her deepest artistic ambitions. Reflecting on that success, Zauner came to appreciate the irony of desire, which so often commingles bliss and doom. "I felt seduced by getting what I always wanted," she says. "I was flying too close to the sun, and I realized if I kept going I was going to die." The plight of Icarus and other such condemned ones lends For Melancholy Brunettes it's most persistent theme, the perils of desire. Like light dispersed, it's spectral parts take the album's characters through cycles of temptation, transgression and retribution. On "Orlando in Love" - a riff on John Cheever's riff on Orlando Innamorato, an unfinished epic made up of 68 ½ cantos by the Renaissance poet Matteo Maria Boiardo - the hero is a well meaning poet who parks his Winnebago by the sea and falls victim to a siren's call, his 69th canto (even in the lofty realm of classical myth Zauner has a soft spot for innuendo). "Honey Water" plumbs the quiet rage of a woman married to an unfaithful man, watching him cede again and again to lust like a base insect perpetuating it's own demise. Sadness is indeed the dominant emotional key of this record, but it is sadness of a rarified form: the pensive, prescient sadness of melancholy, in which the recognition of life's essentially tragic character occurs with sensitivity to it's fleeting beauty. Zauner finds space enough inside it for glimmers of hope. They are the consolations of mortals that poets before her have called out to and that poets after will continue to rediscover: love and labor, and though they run like tonic resolutions through the record's many episodes, they sound most saliently on it's final song, "Magic Mountain," an engagement with Thomas Mann's famous novel of the same name. For her, making any work feels like scaling a mountain, but from the perch of For Melancholy Brunettes, she surveys the future.

• 1 Here Is Someone
• 2 Orlando in Love
• 3 Honey Water
• 4 Mega Circuit
• 5 Little Girl
• 6 Leda
• 7 Picture Window
• 8 Men in Bars
• 9 Winter in la
• 10 Magic Mountain

Liam Finn is back with Hyperverse, a high-energy, fun, and thoughtful record that redefines the artist-audience relationship. This groundbreaking album was entirely conceived, performed, and mixed live on Twitch, offering fans an unprecedented glimpse into the creative process. The 10 tracks on Hyperverse highlight Liam Finn's versatility as a musician. From his signature melodic beauty to the raw punk energy of his live shows, the album is a diverse yet cohesive collection that embodies his DIY spirit. Fans can expect a thrilling ride filled with unexpected twists and turns, as Finn fearlessly explores new sonic territories. Since his last acclaimed solo album The Nihilist in 2012 (Yep Roc), Liam has immersed himself in a variety of projects, including film soundtracks, a collaborative album with his legendary father Neil Finn, and a full-time role in Crowded House. With Hyperverse, he returns to the solo spotlight, delivering a fresh and exhilarating experience. The LP will have it's own version of his iconic Hyperverse art along with cloudy color vinyl, exclusive to RSD 2025

Track List

1. I Just Want You To Be So Happy
2. The Howl
3. Suspicious
4. Purple Dress
5. Living Daylights
6. Spiraling
7. Love In Disguise
8. Unleash Your Animal
9. Con Man
10. Old Man Spider

Vixen, repressed for the first time since it's initial release on 1LP Black vinyl. Gloria Jones the "Queen of Northern Soul" might be most famous for recording the original version of Tainted Love, the Northern Soul classic popularised by Soft Cell. Inspired by her relationship with T. Rex's Marc Bolan, Vixen, featuring Tainted and the two-part rendering of the T. Rex classic Get It On. Recycled Black Vinyl

The Jayhawks' second album, released on Twin-Tone Records. It has not been on LP since it was originally issued in 1989. Contains 7" EP with 4 bonus tracks never on vinyl.

Varèse Sarabande revives a cult-classic horror score! Brad Fiedel's soundtrack for Wes Craven's 1988 Voudou-Zombie frightfest The Serpent and the Rainbow is crawling out of it's eternal resting place to live again on wax. This RSD 2024 exclusive features the vinyl debut of the film mixes of the score pressed on a 2-LP "Voudou Blue" vinyl set, packaged in a gatefold jacket featuring liner notes by Randall D. Larson.

Track List

1. Main Title (From the Motion Picture the Serpent and the Rainbow)
2. Buried Alive
3. Out of Jungle
4. Vision
5. Question Montage
6. Into Graveyard
7. Christophe
8. Pigs in a Hotel/Goat
9. Procession/Dream
10. Love Scene
11. Dragged Into Office
12. Crone in Grave/Door
13. Dennis Dumped
14. Powder Making
15. Nightmare
16. Head Bed
17. Leaving Haiti
18. Mozart Leaves
19. Back to Haiti
20. Airport Grab
21. Dennis Powdered
22. No No No Rest
23. Digging Out Grave
24. Revolution
25. Battle for Souls
26. Nailed
27. End Credits Theme (From the Motion Picture the Serpent and the Rainbow)

Lou Reed's Metal Machine Music is an album that stands out for it's defiance of traditional music norms. Released in 1975, and described as "The greatest record ever made in the history of the human eardrum" by Lester Bangs (Creem, 1975), it challenged listeners and critics alike with it's experimental approach. Now, to mark it's 50th anniversary, a special vinyl edition is being launched as part of Record Store Day, offering fans a chance to reconnect with this groundbreaking work. Pressed on metallic silver vinyl.

Featuring 4 bonus tracks from Tori Amos' Diving Deep Live album, previously only available on CD and digital due to space limitations on vinyl. This 12" EP is pressed on custard color vinyl exclusively for Record Store Day 2025.

'Everything has to be said.' This is the conviction guiding Indigo De Souza's sophomore album, Any Shape You Take. This dynamic record successfully creates a container for the full spectrum'pushing through and against every emotion: 'I wanted this album to give a feeling of shifting with and embracing change. These songs came from a turbulent time when I was coming to self-love through many existential crises and shifts in perspective.'

Faithful to its name, Any Shape You Take changes form to match the tenor of each story it tells. 'The album title is a nod to the many shapes I take musically. I don't feel that I fully embody any particular genre'all of the music just comes from the universe that is my ever-shifting brain/heart/world,' says Indigo. This sonic range is unified by Indigo's strikingly confessional and effortless approach to songwriting, a signature first introduced in her debut, self-released LP, I Love My Mom. Written in quick succession, Indigo sees these two records as companion pieces, both distinct but in communion with each other: 'Many of the songs on these two records came from the same season in my life and a certain version of myself which I feel much further from now.

'I feel very much like a shape-shifter with my music, I'm always trying to embody a balance between the existential weight and the overflowing sense of love I feel in the world.' It is exactly this balance that Indigo strikes in her Saddle Creek debut, Any Shape You Take. A listening experience that gives back, as you shed and shape-shift along with her.

Tracks

1. 17
2. Darker Than Death
3. Die/Cry
4. Pretty Pictures
5. Real Pain
6. Bad Dream
7. Late Night Crawler
8. Hold U
9. Way Out
10. Kill Me