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The Beatles' chart-topping 1970 album Let It Be receives a range of beautifully presented Special Edition packages in October 2021! The new Special Edition follows the universally acclaimed remixed and expanded anniversary editions of Sgt. Pepper's Lonely Hearts Club Band (2017), The Beatles (aka The White Album) (2018), and Abbey Road (2019). All of the new Let It Be releases feature a new stereo mix of the album, as guided by the original "reproduced for disc" version by Phil Spector, sourced directly from the original session and rooftop performance eight-track tapes. The new stereo mix is presented here on 180g vinyl LP.

While recorded in 1969, Let It Be remains the Beatles' final salvo due to its release in 1970 and the internal tensions that mark the album. Filled with a litany of underrated gems, it also hosts the universally recognized gospel-laden title track, on a par with the best material the Beatles ever recorded. Controversial due to its involvement of Spector, Let It Be marks a return to a drier, back-to-basics live-in-the-studio sound. Seldom, if ever, were the Beatles so raw and direct, as the folksy harmonies on "Two of Us" and straight-ahead charge of "I've Got a Feeling" demonstrate. And the orchestral and choir arrangements on the Spector-treated "The Long and Winding Road" simply soar.

Tracks

1. Two Of Us
2. Dig A Pony
3. Across The Universe
4. I Me Mine
5. Dig It
6. Let It Be
7. Maggie Mae
8. I've Got A Feeling
9. One After 909
10. The Long And Winding Road
11. For You Blue
12. Get Back

Brendan O'Brien Produced/Mixed Posthumous Covers Collection Personally Selected and Sequenced by Chris Cornell!

No One Sings Like You Anymore is a posthumous collection of ten cover songs which Chris Cornell personally selected and sequenced to celebrate artists and songs that inspired him. Recorded by Cornell in 2016, the album, which is his last fully completed studio album, features his renditions of John Lennon's "Watching The Wheels," Ghostland Observatory's "Sad Sad City," Harry Nilsson's "Jump Into The Fire," Carl Hall's "You Don't Know Nothing About Love," Electric Light Orchestra's "Showdown," Terry Reid's "To Be Treated Rite," Lorraine Ellison's "Stay With Me Baby" (originally released for HBO's show Vinyl), "Get It While You Can," popularized by Janis Joplin, and a new studio recording of "Nothing Compares 2 U," written by Prince.

Cornell's cover of Gun's & Roses "Patience," which earned him his first solo Billboard No.1 on the Mainstream Rock Songs chart, is also included here. All of the instruments on No One Sings Like You Anymore were played by Chris Cornell and Brendan O'Brien, who also produced and mixed the album.

"This album is so special because it is a complete work of art that Chris created from start to finish. His choice of covers provides a personal look into his favorite artists and the songs that touched him. He couldn't wait to release it," said the artist's wife Vicky Cornell.

1. Get It While You Can
2. Jump Into The Fire
3. Sad Sad City
4. Patience
5. Nothing Compares 2 U
6. Watching The Wheels
7. You Don't Know Nothing About Love
8. Showdown
9. To Be Treated Rite
10. Stay With Me Baby

Ushering in a new post-grunge metal genre with their first two Ross Robinson helmed alt-metal landmarks Korn (1994) and Life Is Peachy (1996), Korn switched gears and co-produced their massive third album, Follow The Leader with the team of Steve Thompson and Toby Wright. The 5x-platinum affair peaked at No. 1 on four charts including the Billboard 200 and gave Korn their first entries on the Modern Rock and Mainstream Rock charts with "Got The Life" and "Freak On A Leash." The latter also earned the band their first Grammy Award. Further album standouts include "B.B.K.," "Children of the Korn" and "All in the Family."

"We were listening to tons of rap, but we also liked bands like Pantera and Sepultura and as we evolved, I think we learned to mix those two styles better," notes Jonathan Davis. "Plus, I grew up on new wave and I always wanted to make music that had lots of melody. We got that into the first two records, but Follow the Leader was where we were able to really emphasize the hooks and people loved that shit." "We never wanted to sound like every other band," Reginald Arvizu adds. "Even though we liked all those bands that were part of the sound that we helped create, we've always wanted to be step ahead of everyone else who was doing this kind of music."

"In attack and distemper, Korn have the Nineties hip-hop, amp-death aesthetic...down to ferocious perfection." - David Fricke, Rolling Stone

LP1

1. It's On
2. Freak On A Leash
3. Got the Life
4. Dead Bodies Everywhere
5. Children of the Korn
6. B.B.K.
7. Pretty

LP2

1. All In The Family
2. Reclaim My Place
3. Justin
4. Seed
5. Cameltosis
6. My Gift To You

180g Vinyl LP Reissue with Remastered Audio

Originally formed as a somewhat antagonistic answer to grunge, CAKE's democratic processes, defiant self-reliance, and lucid yet ever-inventive music has made them a nation-state unto themselves, with no obvious peers, belonging to no school. In addition to writing, arranging, producing, and performing their own music, they have taught themselves to engineer their recording projects in their solar-powered studio, which actually generates more power than is needed to run it, causing the building's electrical meter to run in reverse. CAKE's second studio album Fashion Nugget, originally released in 1996, reissued on 180 gram vinyl. Remastered audio of the 14-track album includes the hits "The Distance," "Frank Sinatra," and "I Will Survive".

1. Frank Sinatra
2. The Distance
3. Friend Is a Four Letter Word
4. Open Book
5. Daria
6. Race Car Ya-Yas
7. I Will Survive
8. Stickshifts and Safetybelts
9. Perhaps, Perhaps, Perhaps
10. It's Coming Down
11. Nugget
12. She'll Come Back to Me
13. Italian Leather Sofa
14. Sad Songs and Waltzes

Limited 180gm vinyl LP pressing including booklet and digital download. Digitally remastered 25th Anniversary edition of this 1991 album by the alt-rock outfit. Out Of Time was the album that catapulted R.E.M. from an indie favorite to one of the biggest bands in the world. Topping charts in the US, UK and beyond, this three-time Grammy Award-winning album remains an iconic title in modern rock history, with hits like "Losing My Religion" and "Shiny Happy People." For the record, the album won three Grammy Awards in 1992: one as Best Alternative Music Album, and two for the first single, "Losing My Religion." The album has sold over four and a half million copies in the U.S. and over 18 million copies worldwide.

Tracks

1. Radio Song
2. Losing My Religion
3. Low
4. Near Wild Heaven
5. Endgame
6. Shiny Happy People
7. Belong
8. Half a World Away
9. Texarkana
10. Country Feedback
11. Me in Honey

A worldwide cultural phenomenon, Back to the Future was executive produced by Steven Spielberg and directed by Robert Zemeckis. Starring Michael J. Fox as time-traveler Marty McFly, the film was shot at night to accommodate the actor's daytime commitment to TV's Family Ties. The highest grossing film of 1985, Back to the Future launched one of the most successful franchises in Universal's history. The Back to the Future (Music From the Motion Picture Soundtrack) features all of the songs from the film including everlasting pop classics such as "Power of Love" and "Back In Time" by Huey Lewis and The News, as well as songs by Lindsey Buckingham, Eric Clapton, Etta James, score suites by Alan Silvestri and of course Marty McFly's brilliant (if interesting) interpretation of Chuck Berry's "Johnny B. Goode." Available here on standard black vinyl LP.

Tracks

1. Huey Lewis And The News - The Power Of Love
2. Lindsey Buckingham - Time Bomb Town
3. The Outatime Orchestra - Back To The Future
4. Eric Clapton - Heaven Is One Step Away
5. Huey Lewis And The News - Back In Time
6. The Outatime Orchestra - Back To The Future Overture
7. Etta James - The Wallflower (Dance With Me Henry)
8. Marvin Berry And The Starlighters - Night Train
9. Marvin Berry And The Starlighters - Earth Angel (Will You Be Mine)
10. Marty McFly With The Starlighters - Johnny B. Goode

Dragon New Warm Mountain I Believe in You is a sprawling double-LP exploring the deepest elements and possibilities of Big Thief. To truly dig into all that the music of Adrianne Lenker, Max Oleartchik, Buck Meek, and James Krivchenia desired in 2020, the band decided to write and record a rambling account of growth as individuals, musicians, and chosen family over 4 distinct recording sessions. In Upstate New York, Topanga Canyon, The Rocky Mountains, and Tucson, AZ, Big Thief spent 5 months in creation and came out with 45 completed songs. The most resonant of this material was edited down into the 20 tracks that make up DNWMIBIY, a fluid and adventurous listen. The album was produced by drummer James Krivchenia who initially pitched the recording concept for DNWMIBIY back in late 2019 with the goal of encapsulating the many different aspects of Adrianne's songwriting and the band onto a single record.

All four of these sessions, in their varied states of fidelity, style, and mood, when viewed together as one album seem to stand for a more honest, zoomed-out picture of lived experience than would be possible on a traditional, 12 song record. This was exactly what the band hoped would be the outcome of this kind of massive experiment. When Max's mom asked on a phone call what it feels like to be back together with the band playing music for the first time in a year, he described to the best of abilities: "Well it's like, we're a band, we talk, we have different dynamics, we do the breaths, and then we go on stage and suddenly it feels like we are now on a dragon. And we can't really talk because we have to steer this dragon."

The attempt to capture something deeper, wider, and full of mystery, points to the inherent spirit of Big Thief. Traces of this open-hearted, non-dogmatic faith can be felt through previous albums, but here on Dragon New Warm Mountain I Believe In You lives the strongest testament to its existence.

1. Change
2. Time Escaping
3. Spud Infinity
4. Certainty
5. Dragon New Warm Mountain I Believe in You
6. Sparrow
7. Little Things
8. Heavy Bend
9. Flower of Blood
10. Blurred View
11. Red Moon
12. Dried Roses
13. No Reason
14. Wake Me up to Drive
15. Promise Is a Pendulum
16. 12,000 Lines
17. Simulation Swarm
18. Love Love Love
19. The Only Place
20. Blue Lightning

In theory, epic gothic rockers Evanescence have done everything but live up to their name, which is defined as a "disappearance" or something that merely "dissipates like vapor." Instead, the Little Rock, AR quintet led by charismatic vocalist/pianist Amy Lee have proved to be a powerful presence in the international arena in the 21st Century. Their elusive sound has drawn comparisons with bands as diverse as nu-metal heroes Linkin Park through to intense symphonic metal acts such as Nightwish and Within Temptation, but in truth, Evanescence have always blazed their own trail.

The group's colossal double Grammy-winning 2003 debut Fallen has shipped over 17 million albums worldwide to date and established the group as worldwide tour headliners. Fallen also received a raft of rave critical notices, with Lee's soaring vocal capabilities frequently singled out for praise alongside the breadth and diversity of Evanescence's music, which ranged from angsty, hard-hitting rockers such as "Tourniquet" and the hectoring, rap-infused nu-metal of "Bring Me To Life" to piano-driven power ballads such as "My Immortal" and the grandiose, strings-and choir-enhanced "Whisper."

1. Going Under
2. Bring Me to Life
3. Everybody's Fool
4. My Immortal
5. Haunted
6. Tourniquet
7. Imaginary
8. Taking Over Me
9. Hello
10. My Last Breath
11. Whisper

One by One is the fourth studio album by alternative rock band Foo Fighters, released on October 22, 2002 by RCA. The album is the first to feature guitarist Chris Shiflett. Production on the album was troubled, with initial recording sessions considered unsatisfying and raising tensions between the band members. They eventually decided to redo the album from scratch during a two-week period at front man Dave Grohl's home studio in Alexandria, Virginia. The songs on the album, which include the successful singles "All My Life" and "Times Like These", have been noted for their introspective lyrics and a heavier and more aggressive sound compared to the band's earlier work, which Grohl said was intended to translate the energy of the Foo Fighters' live performances into a recording. One by One was positively received by critics, winning a Grammy Award for Best Rock Album in 2004-the second consecutive Grammy Award for Best Rock Album won by the band-and praised for it's sound and production.

• - Disc 1 -
• 1 All My Life
• 2 Low
• 3 Have It All
• 4 Times Like These
• 5 Disenchanted Lullaby
• 6 Tired of You
• - Disc 2 -
• 1 Halo
• 2 Lonely As You
• 3 Overdrive
• 4 Burn Away
• 5 Come Back

Vinyl LP pressing. Digitally remastered edition. Bad Religion has become synonymous with intelligent and provocative West Coast punk rock and are considered one of the most influential and important bands in the genre. Over the past three decades the band has continually pushed social boundaries and questioned authority and beliefs armed only with propulsive guitars, charging drumbeats, thoughtful lyrics and an undying will to inspire and provoke anyone who will listen. Stranger Than Fiction is the eighth album from Bad Religion, and one of their most popular. First released in 1994, the album has been certified Gold and features hit singles" 21st Century Digital Boy", "Infected" and "Stranger Than Fiction." Features guest appearances from some of punk's greatest including Rancid's Tim Armstrong (vocals on "Television"), Jim Lindberg of Pennywise (vocals on "Marked") and Wayne Kramer of the MC5 (guitars on "Incomplete".)

• - Disc 1 -
• 1 Incomplete
• 2 Leave Me to Mine
• 3 Stranger Than Fiction
• 4 Tiny Voices
• 5 The Handshake
• 6 Better Off Dead
• 7 Infected
• - Disc 2 -
• 1 Television
• 2 Individual
• 3 Hooray for Me
• 4 Slumber
• 5 Marked
• 6 Inner Logic
• 7 What It Is
• 8 21st Century (Digital Boy)

The Wallflowers Bringing Down The Horse (20th Anniversary Edition) on 2LP

Grammy-Winning 2006 Album Available for the First Time on Vinyl!

The Wallflowers stormed back on the scene in a big way in 1996 with their 4x platinum sophomore effort, Bringing Down the Horse, which was produced by T Bone Burnett and comprised such hits as "6th Avenue Heartache" (with Adam Duritz of Counting Crows), "One Headlight", "The Difference," and "Three Marlenas." At the 1998 Grammy Awards, The Wallflowers walked away with two Grammys; one for Best Rock Performance by a Duo or Group with Vocal for "One Headlight," while Dylan was also awarded Best Rock Song for writing the track. "One Headlight" is also listed at a respectable No. 58 on Rolling Stone's list of the 100 Greatest Pop Songs.

LP1
1. One Headlight
2. 6th Avenue Heartache
3. Bleeders
4. Three Marlenas
5. The Difference
6. Invisible City

LP2
1. Laughing Out Loud
2. Josephine
3. God Don't Make Lonely Girls
4. Angel On My Bike
5. I Wish I Felt Nothing

"After being away in New York for months doing Kinky Boots, I just wanted to hang out at home when I got back to LA. I was so revved up that I asked some friends to come over to my home studio to help me write about all the incredible things I've experienced the last couple of years," says Panic! At The Disco frontman Brendon Urie. "Pray For The Wicked is my 'thank you' to our fans and the most fun I've ever had making album." Produced by Jake Sinclair, Pray for the Wicked serves as the band's sixth studio album overall and follows up their platinum certified 2016 effort Death Of A Bachelor which debuted at No. 1 on the Billboard 200 Chart and was nominated for Best Rock Album at the 2017 Grammy Awards. The album is preceded by the unapologetic "(Fuck a) Silver Lining" and the dynamic "Say Amen (Saturday Night)."

1. (Fuck A) Silver Lining
2. Say Amen (Saturday Night)
3. Hey Look Ma, I Made It
4. High Hopes
5. Roaring 20s
6. Dancing's Not A Crime
7. One Of The Drunks
8. The Overpass
9. King Of The Clouds
10. Old Fashioned
11. Dying In LA

Continuing to exploit their creative urges to their ends, multi-platinum electronic duo Daft Punk (Guy-Manuel de Homen-Christo and Thomas Bangalter) took on one of their most ambitious projects to date in 2008, when they agreed to score the modern remake of the hugely influential 1982 film, Tron. Daft Punk's reverence of the original film and the themes that define it (the evolving relationship between humans and technology, specifically) rendered them discontented working within the means of their own studio. "We knew from the start that there was no way we were going to do this film score with two synthesizers and a drum machine," stated Guy-Manuel. Enlisting a 100-piece orchestra, they emerged from the studio after two years with a work whose importance superseded the editing process of the actual film - the movie was cut to the score, atypically. Tron: Legacy peaked at No. 4 on the Billboard 200 albums chart and was certified gold shortly thereafter. 180g vinyl 2LP-set housed in a gatefold jacket with glow-in-the-dark lettering.

Tracks

LP1
1. Overture     
2. The Grid 
3. The Son of Flynn 
4. Recognizer 
5. Armory     
6. Arena     
7. Rinzler     
8. The Game Has Changed 
9. Outlands 
10. Adagio for TRON     
11. Nocturne     
12. End of Line     
13. Derezzed 
14. Fall     
15. Solar Sailer     
16. Rectifier     
17. Disc Wars     

LP2
1. C.L.U.
2. Arrival
3. Flynn Lives
4. Tron Legacy (End Titles)
5. Finale
6. Sea Of Simulation
7. Encom Part II
8. Encom Part i
9. Round One
10. Castor
11. Reflections
12. Sunrise Prelude 

Minor Threat was a compilation album by the American hardcore punk band Minor Threat. It was released in March 1984 through Dischord Records. The compilation consisted of the group's first two extended plays, Minor Threat (originally released June 1981) and In My Eyes (originally released December 1981). The 1984 Minor Threat LP featured the same cover as the 1981 Minor Theat EP, depicting vocalist Ian MacKaye's younger brother Alec (Untouchables, The Faith). The image has been imitated by punk bands such as Rancid on their album... And Out Come the Wolves and in the Major Threat ad campaign by Nike.

Tracks

• 1 Filler
• 2 I Don't Wanna Hear It
• 3 Seeing Red
• 4 Straight Edge
• 5 Small Man, Big Mouth
• 6 Screaming at a Wall
• 7 Bottled Violence
• 8 Minor Threat
• 9 Stand Up
• 10 In My Eyes
• 11 Out of Step (With the World)
• 12 Guilty of Being White

This double LP from 1976 spent 14 of its impressive 80 week chart run at the Top of the U.S. Billboard 200, where it debuted in October that year, also reaching #2 in the U.K. Featuring a huge ensemble supporting cast, including George Bensen, Herbie Hancock and Michael Sembello, Songs In The Key of Life produced no less than six hit singles, with "Another Star," the frequently sampled "Sir Duke," "I Wish," "Isn’t She Lovely," "As" and "Knocks Me Off My Feet." The highly ambitious and experimental album became the best-selling and most critically acclaimed of Stevie's career and it went on to win Grammy Awards for Best Male Pop Vocal and Album of the Year. This vinyl version from Universal Records also includes A Something Extra 7" EP.

Tracks

• - Disc 1 -
• 1 Love's in Need of Love Today
• 2 Have a Talk with God
• 3 Village Ghetto Land
• 4 Contusion
• 5 Sir Duke
• 6 I Wish
• 7 Knocks Me Off My Feet
• 8 Pastime Paradise
• 9 Summer Soft
• 10 Ordinary Pain
• - Disc 2 -
• 1 Isn't She Lovely
• 2 Joy Inside My Tears
• 3 Black Man
• 4 Ngiculela - Es Una Historia - I Am Singing
• 5 If It's Magic
• 6 As
• 7 Another Star
• 8 Saturn
• 9 Ebony Eyes
• 10 All Day Sucker
• 11 Easy Goin' Evening (My Mama's Call)

It's the highest-grossing holiday film of all time, and it's got an incredible soundtrack featuring Tyler the Creator, Danny Elfman, Jackie Wilson, Pentatonix, and more...yet it wasn't released on vinyl? Why, that's positively Grinch-y! But Real Gone Music is ready to put presents under the tree with a colored LP pressing of the soundtrack to Dr. Seuss' The Grinch, available for the first time ever! Tyler the Creator's new track, "I Am the Grinch," and his collaboration with Elfman on a new version of "You're a Mean One, Mr. Grinch" are clear highlights, but with chestnuts auld and new(er) like "My Favorite Things" by The Supremes and "Christmas in Hollis" by Run D.M.C, you can't go wrong. Presented in a beautiful jacket with inner sleeve.

1. You're a Mean One, Mr. Grinch - Tyler the Creator
2. I Am the Grinch - Tyler the Creator
3. Christmas Is - Run D.M.C.
4. Deck the Halls - Jackie Wilson
5. Run Rudolph Run - The Brian Setzer Orchestra
6. My Favorite Things - The Supremes
7. Zat You Santa Claus? - Buster Poindexter and His Banshees of Blue
8. Christmas in Hollis - Run D.M.C.
9. Jingle Bells - The Brian Setzer Orchestra
10. The Christmas Song (Merry Christmas to You) - Nat King Cole
11. God Rest Ye Merry Gentlemen - Pentatonix
12. A Wonderful Awful Idea - Danny Elfman
13. Stealing Christmas - Danny Elfman

The R.E.M. of 1987's Document was a sinewy, muscular rock beast, primed and ready to dominate the airwaves. Peter Buck's distinctive jangle and chime was still apparent on "Disturbance At The Heron House" and "Welcome To The Occupation," but, for the most part, his guitar playing took on a sharp, steely quality. Accordingly, he turned in some of his most memorable recorded performances: launching "Finest Worksong" with urgent, metallic riffs; embroidering the swampy funk of "Lightnin' Hopkins" with Andy Gill-esque tension and atonality; and punctuating the band's supercharged cover of Wire's "Strange" with a neat, Nuggets-style psych-pop solo. Michael Stipe also summoned up a clutch of startling performances here: bending and twisting his voice like an old time preacher around "Lightnin' Hopkins" and rattling off a rapid-fire alternate history of the 20th Century on the exhilarating "It's The End Of The World As We Know It (And I Feel Fine)." Document's savage break-out single "The One I Love" provided R.E.M. with their first major US hit single when it peaked at No. 9 on the Billboard singles chart.

1. Finest Worksong
2. Welcome To The Occupation
3. Exhuming McCarthy
4. Disturbance At The Heron House
5. Strange
6. It's The End Of The World As We Know It (And I Feel Fine)
7. The One I Love
8. Fireplace
9. Lightnin' Hopkins
10. King Of Birds
11. Oddfellows Local 151

Double 180gm vinyl LP pressing in gatefold jacket. Includes three vinyl-only bonus tracks: "Infinity", "Like A Drug" and "Precious Grace". Lullabies to Paralyze is the fourth studio album by American rock band Queens of the Stone Age, originally released in 2005. The album debuted at #5 on the Billboard 200. The album has been certified gold in the UK, where it has sold over 100,000 units. It is also the band's first album to be released after Nick Oliveri was fired from the band. Josh Homme and Mark Lanegan are the only members from the previous album, Songs for the Deaf, to play on this album and it is the first album to feature drummer Joey Castillo and guitarist Troy Van Leeuwen.

Tracks

• - Disc 1 -
• 1 This Lullaby
• 2 Medication
• 3 Everybody Knows That You're Insane
• 4 Tangled Up in Plaid, 5. Burn the Witch
• - Disc 2 -
• 1 In My Head
• 2 Little Sister
• 3 I Never Came
• 4 Someone's in the Wolf
• - Disc 3 -
• 1 The Blood Is Love
• 2 Infinity
• 3 Like a Drug
• 4 Skin on Skin
• - Disc 4 -
• 1 Broken Box
• 2 Precious and Grace
• 3 You Got a Killer Scene There, Man
• 4 Long Slow Goodbye

Limited double vinyl LP pressing including digital download. 2016 release. A Moon Shaped Pool is the ninth studio album from the British alt-rock band. The album features the key tracks "Burn The Witch," "Daydreaming" and "True Love Waits." Radiohead worked on A Moon Shaped Pool intermittently after finishing the 2012 tour for their previous album, The King of Limbs (2011). The album was recorded in southern France with long-time producer Nigel Godrich. It includes several songs written and performed some years earlier; "True Love Waits" dates to at least 1995, "Burn the Witch" to 2000, and "Present Tense" to 2008. The album features strings and choral vocals arranged by multi-instrumentalist Jonny Greenwood and performed by the London Contemporary Orchestra.

Tracks