RSDBF Small Business Saturday

Vinyl Reissue of Motorhead's ! "One of the best metal albums by any band, ever" holds up today quite admirably together the critics opinion about "Ace Of Spades". The fourth studio album by Mötorhead shows the band at the peak of their creativity. Singer Lemmy will later claim, "we've got him for the first time to sing and not to fool around screaming," and the rest of the band playing under the guidance of producer Vic Maile so compact and stringent as never before.

• 1 Ace of Spades
• 2 Love Me Like a Reptile
• 3 Shoot You in the Back
• 4 Live to Win
• 5 Fast and Loose
• 6 (We Are) the Road Crew
• 7 Fire, Fire
• 8 Jailbait
• 9 Dance
• 10 Bite the Bullet
• 11 The Chase Is Better Than the Catch
• 12 The Hammer

January 1977 saw the release of the first installment of what came to be known as David Bowie's Berlin trilogy. That album was the Bowie/Tony Visconti produced Low and it was followed later the same year by Heroes with the trilogy completed in 1979 by the arrival of Lodger. Most of the music across the three albums wasn't even recorded in Berlin, the unifying factor actually being Bowie, Visconti and Brian Eno.

Much has been written about the brilliance and braveness of the music on Low, and rightly so. It's probably hard to imagine with the ears of today how absolutely unique the record sounded back in 1977. Apart from the obvious slicing of the album into two distinct sides, Visconti gifted Low that distinctive drum sound, among other things. Though Low was a record purportedly informed by the likes of Kraftwerk and other German musicians of the time, it actually sounded far more organic and not at all mechanized. This was in no small measure due to the nucleus of the band Bowie had favored during this whole period (starting with Station To Station), of Carlos Alomar (guitar), Dennis Davis (drums) and George Murray (bass).

The album was a commercial success, peaking at No. 2 on the UK Albums Chart and No. 11 on the US Billboard Pop Albums chart. "Sound and Vision" and "Be My Wife" were released as singles; the former reaching No. 3 on the UK Singles Chart. Low sounds as fresh today as it ever did...thirty nine minutes of untouchable genius. Prepare to be transported by its gloriously uplifting melancholia and majestic musical language from a time and place that has yet to arrive.

1. Speed Of Life
2. Breaking Glass
3. What In The World
4. Sound And Vision
5. Always Crashing In The Same Car
6. Be My Wife
7. A New Career In A New Town
8. Warszawa
9. Art Decade
10. Weeping Wall
11. Subterraneans

Grammy-Winning Singer/Songwriter's Fourth Album with the 400 Unit Produced by Dave Cobb (The Highwomen, Chris Stapleton, Sturgill Simpson, Brandi Carlile, John Prine) and Recorded at Nashville's Historic RCA Studio A

Grammy Award-winning singer, songwriter and musician Jason Isbell and his band the 400 Unit return with the highly anticipated new album, Reunions. Produced by Grammy Award-winning producer Dave Cobb and recorded at Nashville's historic RCA Studio A, the album features 10 new songs written by Isbell including the jangly call to action single, "Be Afraid."

Reunions is Isbell's seventh full-length studio album and the fourth released with his band, the 400 Unit: Derry deBorja (piano, keyboard, organ, omnichord), Chad Gamble (drums, tambourine), Jimbo Hart (bass), Amanda Shires (fiddle) and Sadler Vaden (acoustic guitar, electric guitar). The record also includes background vocals from special guests David Crosby (Crosby, Stills & Nash, the Byrds) and Jay Buchanan (Rival Sons).

Of the release, Isbell shares, "There are a lot of ghosts on this album. Sometimes the songs are about the ghosts of people who aren't around anymore, but they're also about who I used to be, the ghost of myself. I found myself writing songs that I wanted to write fifteen years ago, but in those days, I hadn't written enough songs to know how to do it yet. Just now have I been able to pull it off to my own satisfaction. In that sense it's a reunion with the me I was back then."

1. What've I Done to Help
2. Dreamsicle
3. Only Children
4. Overseas
5. Running with Our Eyes Closed
6. River
7. Be Afraid
8. St. Peter's Autograph
9. It Gets Easier
10. Letting You Go

Presenting " COWBOY BEBOP: Songs for the Cosmic Sofa," an auditory journey with striking designs by the acclaimed Toshiaki Uesugi, known for his work for the Cowboy Bebop franchise. This LP, curated with the guidance of Yoko Kanno, is a collection of chill-out and downtempo tracks taken from the Cowboy Bebop discography. Explore iconic songs like "Adieu "from Cowboy Bebop: Blue (featuring Emily Bindiger) and a brand-new recording of the hit "The Real Folk Blues" (Featuring Mai Yamane). Join the cultural phenomenon that is Cowboy Bebop in this outstanding vinyl format. This vinyl set features a deluxe LP Disc, pressed on 140g pink and dark blue marbled 12" vinyl. It includes an insert print with song track list, song credits, extensive liner notes and interviews with Yoko Kanno, all housed in a single pocket jacket.

• 1 Net Rush
• 2 Odd Ones
• 3 The Egg and You
• 4 Woodcock
• 5 Twilight
• 6 The Real Folk Blues 2022
• 7 Pot City
• 8 Kickin' Colt
• 9 Bye Mel
• 10 Adieu - Seatbelts & Emily Bindiger
• 11 Gateway
• 12 Beans Be
• 13 Farewell Blues

Absolution is the third studio album by the English alternative rock band Muse. It was released on 15 September 2003 in Japan, on 22 September 2003 in the United Kingdom on Mushroom Records and A&E Records and on 23 March 2004 in the United States by East West Records and Taste Media. The album followed up on it's predecessor's diverse musical tendencies and elaborate sound, while also having a more focused and consistent theme and aesthetic throughout. Absolution has a noticeably darker and heavier tone musically, with a lyrical focus on the theological and apocalyptic concepts. The album reached number one in the UK Album Charts. It also yielded the band's first top 10 single hit, with "Time Is Running Out" peaking at number 8 in the UK singles chart. In 2009, it was voted by Kerrang! As the second-best album of the 21st century thus far. (Muse's previous album, Origin of Symmetry, and their subsequent release, Black Holes and Revelations, also appeared in the top fifty).

Tracks

1. Intro
2. Apocalypse Please
3. Time Is Running Out
4. Sing for Absolution
5. Stockholm Syndrome
6. Falling Away with You
7. Interlude
8. Hysteria
9. Blackout
10. Butterflies and Hurricanes
11. Small Print
12. Endlessly
13. Thoughts of a Dying Atheist
14. Ruled by Secrecy

Ozzy Osbourne - Bark At The Moon (RSD Essential Translucent Cobalt Blue Vinyl) - VINYL LP

• - Disc 1 -
• 1 Rock 'N' Roll Rebel
• 2 Bark at the Moon
• 3 You're No Different
• 4 Now You See It (Now You Don't)
• - Disc 2 -
• 1 Forever
• 2 So Tired
• 3 Waiting for Darkness
• 4 Spiders

180 gram audiophile black vinyl. As one of the most influential rock groups in the late eighties, Living Colour proved that blending Hard Rock with Funk, Soul, Rap, and Punk can be a very successful undertaking. Their debut Vivid (1988) took some time to build up steam but eventually turned heads worldwide as the sheer quality of this album inevitably rose to the surface. Vivid spawned the hits "Glamour Boys" featuring Mick Jagger on backing vocals, and "Cult Of Personality", which was awarded a Grammy Award for Best Hard Rock Performance in 1989. The single "Funny Vibe" features Chuck D and Flavor Flav from Public Enemy.

• 1 Cult of Personality
• 2 I Want to Know
• 3 Middle Man
• 4 Desperate People
• 5 Open Letter (To a Landlord)
• 6 Funny Vibe
• 7 Memories Can't Wait
• 8 Broken Hearts
• 9 Glamour Boys
• 10 What's Your Favorite Color? (Theme Song)
• 11 Which Way to America?

Double magenta colored vinyl LP pressing. 3 Feet High and Rising is the debut studio album by hip hop trio de la Soul and was released on March 3, 1989. It marked the first of three full-length collaborations with producer Prince Paul, which would become the critical and commercial peak of both parties. Critically, as well as commercially, the album was a success. It contains the singles, "Me Myself and I", "The Magic Number, " "Buddy, " and "Eye Know". The album title came from the Johnny Cash song "Five Feet High and Rising". It is listed on Rolling Stone's 200 Essential Rock Records and The Source's 100 Best Rap Albums. When Village Voice held it's annual Pazz & Jop Critics Poll for 1989, 3 Feet High and Rising was ranked #1. It was also listed on the Rolling Stone's The 500 Greatest Albums of All Time. Released amid the 1989 boom in gangsta rap, which gravitated towards hardcore, confrontational, violent lyrics, de la Soul's uniquely positive style made them an oddity beginning with the first single, "Me, Myself and I". Their positivity meant many observers labeled them a "hippie" group, based on their declaration of the "D.A.I.S.Y. Age" (Da. Inner. Soul. Yall). Sampling artists as diverse as Hall & Oates, Steely Dan and The Turtles, 3 Feet High and Rising is often viewed as the stylistic beginning of 1990s alternative hip hop (and especially jazz rap).

• 1 A 1 Intro
• 2 A 2 the Magic Number
• 3 A 3 Change in Speak
• 4 A 4 Cool Breeze on the Rocks (The Melted Version)
• 5 A 5 Can U Keep a Secret
• 6 A 6 Jenifa Taught Me (Derwin's Revenge)
• 7 A 7 Ghetto Thang
• 8 B 1 Transmitting Live from Mars
• 9 B 2 Eye Know
• 10 B 3 Take It Off
• 11 B 4 a Little Bit of Soap
• 12 B 5 Tread Water
• 13 B 6 Potholes in My Lawn
• 14 C 1 Say No Go
• 15 C 2 Do As de la Does
• 16 C 3 Plug Tunin' (Last Chance to Comprehend)
• 17 C 4 de la Orgee
• 18 C 5 Buddy (With Jungle Brothers and Q-Tip from a Tribe Called Quest)
• 19 D 1 Description
• 20 D 2 Me Myself and I
• 21 D 3 This Is a Recording 4 Living in a Full Time Era (L.I.F.E.)
• 22 D 4 I Can Do Anything (Delacratic)
• 23 D 5 D.A.I.S.Y. Age

Double 180gm yellow colored vinyl LP pressing. 3 Feet High and Rising is the debut studio album by hip hop trio de la Soul and was released on March 3, 1989. It marked the first of three full-length collaborations with producer Prince Paul, which would become the critical and commercial peak of both parties. Critically, as well as commercially, the album was a success. It contains the singles, "Me Myself and I", "The Magic Number, " "Buddy, " and "Eye Know". The album title came from the Johnny Cash song "Five Feet High and Rising". It is listed on Rolling Stone's 200 Essential Rock Records and The Source's 100 Best Rap Albums. When Village Voice held it's annual Pazz & Jop Critics Poll for 1989, 3 Feet High and Rising was ranked #1. It was also listed on the Rolling Stone's The 500 Greatest Albums of All Time. Released amid the 1989 boom in gangsta rap, which gravitated towards hardcore, confrontational, violent lyrics, de la Soul's uniquely positive style made them an oddity beginning with the first single, "Me, Myself and I". Their positivity meant many observers labeled them a "hippie" group, based on their declaration of the "D.A.I.S.Y. Age" (Da. Inner. Soul. Yall). Sampling artists as diverse as Hall & Oates, Steely Dan and The Turtles, 3 Feet High and Rising is often viewed as the stylistic beginning of 1990s alternative hip hop (and especially jazz rap).

• 1 A 1 Intro
• 2 A 2 the Magic Number
• 3 A 3 Change in Speak
• 4 A 4 Cool Breeze on the Rocks (The Melted Version)
• 5 A 5 Can U Keep a Secret
• 6 A 6 Jenifa Taught Me (Derwin's Revenge)
• 7 A 7 Ghetto Thang
• 8 B 1 Transmitting Live from Mars
• 9 B 2 Eye Know
• 10 B 3 Take It Off
• 11 B 4 a Little Bit of Soap
• 12 B 5 Tread Water
• 13 B 6 Potholes in My Lawn
• 14 C 1 Say No Go
• 15 C 2 Do As de la Does
• 16 C 3 Plug Tunin' (Last Chance to Comprehend)
• 17 C 4 de la Orgee
• 18 C 5 Buddy (With Jungle Brothers and Q-Tip from a Tribe Called Quest)
• 19 D 1 Description
• 20 D 2 Me Myself and I
• 21 D 3 This Is a Recording 4 Living in a Full Time Era (L.I.F.E.)
• 22 D 4 I Can Do Anything (Delacratic)
• 23 D 5 D.A.I.S.Y. Age

Available for the first time on vinyl in celebration of it's 25th-anniversary, My Own Prison is the debut album from hard rock titans Creed. First released in 1997, it's the album that began the band's rapid ascent to becoming one of the biggest-selling artists of all time. Featuring four Billboard Hot Mainstream Rock #1 singles "My Own Prison," "Torn," "What's This Life For" and "One."

• - Disc 1 -
• 1 Torn
• 2 Ode
• 3 My Own Prison
• 4 Pity for a Dime
• 5 In America
• - Disc 2 -
• 1 Illusion
• 2 Unforgiven
• 3 Sister
• 4 What's This Life for
• 5 One

Eleventh Studio Effort Harkens Back to Stripped Down Blues-Rock Roots and features Collaborations with Billy F. Gibbons, Greg Cartwright and Angelo Petraglia!

After 10 albums, the last five of which have gone top 10 or better, six Grammy awards, and sold-out tours around the world, The Black Keys are back: The duo, called "one of the best rock 'n' roll bands on the planet" by Uncut, delivers its eleventh studio album, Dropout Boogie. Ushered in by lead single, "Wild Child," Dropout Boogie features collaborations with Billy F. Gibbons (ZZ Top), Greg Cartwright (Reigning Sound), and Angelo Petraglia (Kings of Leon). As they have done their entire career, the duo of Dan Auerbach and Patrick Carney wrote all of the material in the studio, and the new album captures a number of first takes that hark back to the stripped-down blues rock of their early days making music together in Akron, Ohio, basements.

"That's always been the beauty of the thing Pat and I do. It's instant," Auerbach says. "We've never really had to work at it. Whenever we'd get together, we'd just make music, you know? We didn't know what we were going to do, but we'd just do it and it would sound cool. It's the natural chemistry Pat and I have. Being in a band this long is a testament to that. It was a real gift that we were given. I mean, the odds of being plopped down a block-and-a-half from each other in Akron, Ohio – it just seems crazy."

After hashing out initial ideas as a duo at Auerbach's Nashville-based Easy Eye Sound studio, Auerbach and Carney welcomed new collaborators Gibbons, Cartwright, and Petraglia to the Dropout Boogie sessions. Although The Black Keys previously co-wrote songs with frequent producer/collaborator Danger Mouse, this is the first time they have invited multiple new contributors to work simultaneously on one of their own albums. Both Cartwright and Petraglia can be heard on "Wild Child."

"Living in Nashville and making records here has opened both of our minds to that experience a little bit more," said Auerbach. "I knew Pat would love working with both of these guys, so we decided we'd give it a shot. It was the first time we'd ever really done that. It was fun as hell. We just sat around a table with acoustic guitars and worked out a song ahead of time." "The cool thing with Greg is that he wants to approach stuff with a story in mind – there's a plot, almost," added Carney.

The Black Keys had previously jammed with ZZ Top guitar legend Billy F. Gibbons more than a decade ago in Los Angeles, while ZZ Top was working on an album with producer Rick Rubin. "We never even really wrote one song – we just had some ideas we put down," Carney said. "We really just wanted to hang out with him. We stayed in touch, and Dan invited him to the studio once we started working on this album."

Toto IV is the fourth studio album by American pop and rock band Toto released in the spring of 1982 by Columbia Records. Toto IV received six Grammy Awards in 1983 including Album of the Year, Producer of the Year for the band, and Record of the Year for "Rosanna". It reached number four on the Billboard 200 album charts in the United States, shortly after it's release.

• - Disc 1 -
• 1 Rosanna
• 2 Make Believe (Album Version)
• 3 I Won't Hold You Back
• 4 Good for You
• 5 It's a Feeling
• - Disc 2 -
• 1 Afraid of Love
• 2 Lovers in the Night
• 3 We Made It (Album Version)
• 4 Waiting for Your Love
• 5 Africa

For their first album, they enlisted the help of drummer Dave Grohl, keyboardist Page McConnell of Phish, guitarist Warren Fitzgerald, and bass player Steven Shane McDonald. The Dust Brothers produced the album. The majority of the songs on their debut album stem from early versions as seen on their HBO TV series, Tenacious D. The recording session for the album began with a two-day session at Neil Diamond's ArcAngel studio in Los Angeles where initial drum tracks were recorded. They were able to use the studio because Diamond had just appeared with Black in the film Saving Silverman, in which Black plays a Neil Diamond cover singer. "Diamond claims it was the Liberty Records studio," King says. "It's a really old place." The front cover features Black and Gass standing naked below the Devil. The pose is similar to that shown on some Devil tarot cards. Due to the Satanic nature of the cover, the album was briefly recalled from stores The band performed in front of this at concerts. Bonus tracks "Pat Riley" (acoustic) - (12th Anniversary)

• - Disc 1 -
• 1 Kielbasa
• 2 One Note Song
• 3 Tribute
• 4 Wonderboy
• 5 Hard F***ing
• 6 F*** Her Gently
• 7 Explosivo
• 8 Dio
• 9 Inward Singing
• 10 Kyle Quit the Band
• 11 The Road
• - Disc 2 -
• 1 Cock Pushups
• 2 Lee
• 3 Friendship Test
• 4 Friendship
• 5 Karate Schnitzel
• 6 Karate
• 7 Rock Your Socks
• 8 Drive-Thru
• 9 Double Team
• 10 City Hall/I Believe/Malibu Nights

Double vinyl LP pressing. Forrest Gump: The Soundtrack is based on the award-winning, critically acclaimed film, Forrest Gump. Originally released in 1994, the movie interweaves itself in time through the eyes of it's title character, Forrest Gump, using music as a critical tool to tell the now classic story. Featuring 31 iconic pop hits including Elvis Presley's "Hound Dog," "California Dreamin'" by The Mamas & The Papas, and so many others, it's no surprise this chart-topping album has gone on to become one of the greatest soundtrack albums of all time.

From 2 To 3 is the new album from Peach Pit. This new album draws inspiration from 60s-70s rock and folk music, with the band citing Paul McCartney, Neil Young, Eagles, Glen Campbell, and George Harrison as their biggest influences.

If friendship had a sound, it would be Peach Pit. The wistful grooves, glassy guitars, and sun-kissed melodies feel like they could only be made by musicians who have spent close to a lifetime (or at least half of their lives) together. The Vancouver quartet—Neil Smith [vocals, guitar], Chris Vanderkooy [guitar], Peter Wilton [bass], and Mikey Pascuzzi [drums]—trace their union back to high school.

Peach Pit gained traction with their 2017 full-length debut album, Being So Normal, and graced the bills of festivals such as Shaky Knees Festival, Bonnaroo, Firefly Festival and many more. In 2020 Peach Pit revealed You and Your Friends, which DIY Mag hailed as “12 tracks of infectious indie-pop gems” while Atwood Magazine described the band as being “at the cutting edge of the alternative music scene.” And now Peach Pit carry this momentum into 2022, and kick off the next chapter of the band and their friendship with From 2 To 3.

Tracks

• - Disc 1 -
• 1 Up Granville
• 2 Vickie
• 3 Lips Like Yours
• 4 Pepsi on the House
• 5 Look Out!
• 6 Everything About You
• - Disc 2 -
• 1 Give Up Baby Go
• 2 Last Days of Lonesome
• 3 Drips on a Wire
• 4 2015
• 5 From 2 to 3

Double 180gm vinyl LP pressing in gatefold jacket. Remastered from the original analogue tapes by James Guthrie, Joel Plante, and Bernie Grundman. The Division Bell is the 14th studio album by Pink Floyd. The music was written mostly by David Gilmour and Rick Wright; lyrically, the album deals with themes of communication. Recording took place in several locations, including the band's Britannia Row Studios, and Gilmour's houseboat, Astoria. The production team included Pink Floyd stalwarts such as producer Bob Ezrin, engineer Andy Jackson and saxophonist Dick Parry. Gilmour's new wife, Polly Samson, co-wrote many of the album's lyrics, and Wright performed his first lead vocal on a Pink Floyd album since 1973's The Dark Side of the Moon.

Tracks

• - Disc 1 -
• 1 Cluster One 5:55
• 2 What Do You Want from Me 4:21
• 3 Poles Apart 7:03
• - Disc 2 -
• 1 Marooned 5:30
• 2 A Great Day for Freedom 4:16
• 3 Wearing the Inside Out 6:49
• - Disc 3 -
• 1 Take It Back 6:12
• 2 Coming Back to Life 6:19
• 3 Keep Talking 6:05
• - Disc 4 -
• 1 Lost for Words 5:14
• 2 High Hopes 8:30

2003 remastered reissue of their 1977 third studio album produced by Harry Vanda & George Young. Key tracks include "Dog Eat Dog", "Let There Be Rock", "Bad Boy Boogie" & "Whole Lotta Rosie". This was the last abum featuring bass player Mark Evans. The iconic lightning bolt AC/DC logo designed by Gerard Huerta made it's first appearance on the international cover of this album.

Tracks

• 1 Go Down
• 2 Dog Eat Dog
• 3 Let There Be Rock
• 4 Bad Boy Boogie
• 5 Problem Child
• 6 Overdose
• 7 Hell Ain't a Bad Place to Be
• 8 Whole Lotta Rosie