283 products
Live Through This
Regular price $30.98 Save $-30.98Limited vinyl LP pressing. Live Through This is the second studio album by Hole, the band led by Courtney Love. Considered a contemporary classic, this record was included in Rolling Stone Magazine's list of 500 Greatest Albums Of All Time. Features production by Sean Slade and Paul Q Kolderie with mixing by Scott Litt and J Mascis. Live Through This was Hole's only album to feature bassist Kristen Pfaff before her death in June 1994. Recorded in October 1993, the album marked a divergence from the band's unpolished hardcore aesthetics to more refined melodies and song structure. The album's lyrics and packaging reflect Love's preoccupation with beauty, and it's songs contain repeated motifs of milk, motherhood, anti-elitism, and violence against women.
American Football (Clear Vinyl)
Regular price $27.00 Save $-27.00Blue Smoke vinyl. American Football's first album showcases cleanly picked guitars, intricate drumming, and the vocals of Mike Kinsella (Owen, Cap'n Jazz). The band, made up of Kinsella, Steve Holmes and Steve Lamos rooted itself in Champaign and recorded this album at Private Studios with Brendan Gamble (Braid). As a band, American Football dissolved into the history books almost as soon as this album was released, but it's success continued to grow in their absence and the band eventually reunited in 2014 for the record's 15th anniversary.
Kiss Me, Kiss Me, Kiss Me
Regular price $42.98 Save $-42.98Kiss Me, Kiss Me, Kiss Me (2 LP 180 Gram Black Vinyl) - Kiss Me Kiss Me Kiss Me is the seventh studio album by English rock band The Cure, originally released in May 1987. The album helped put The Cure into the American mainstream, becoming their first album to reach the Billboard Top 40 (achieving Platinum certification). It was also a big international success, as was it's predecessor.
Vitalogy
Regular price $38.98 Save $-38.98Tracks
Cage the Elephant
Regular price $31.00 Save $-31.00Cage THE ELEPHANT is a Bowling Green, Kentucky-based five piece band consisting of Matt Shultz (vocals), his brother Brad (guitar) and their friends Daniel Titchenor (bass), Lincoln Parish (guitar) and Jared Champion (drums). Matt, Brad and Daniel grew up on an alternative religious commune started by their ex-hippie parents. Pop music was strictly forbidden so their discovery of key punk and rock influences was covert and somewhat recent. The essence of Jimi Hendrix, Green Day, White Stripes and Kings of Leon, among others, fuels Cage's libertine, over-the-top rock explosions. Appearances at Bonnaroo, Lollapalooza, and a tour with Queens of the Stone Age provided the band with critical early live exposure. They then relocated to the UK for a period of time, where their debut self-titled album was released in mid-2008. It has sold over 40, 000 copies to date in the UK, driven by a Top 40 charting single and extensive touring there, including memorable performances at sold-out Reading and Leeds festivals. Cage the Elephant now returns to the land of their origin, exultant, intemperate, and ready to conquer.
Tracks
The Head on the Door
Regular price $29.00 Save $-29.00The Cure Head On The Door on 180g LP
Originally a postpunk outfit with gothic leanings, The Cure evolved into one of the most visionary, creatively satisfying and influential groups to come of age in the 1980's. From dreamy pop to moody expressionism, their signature sound is adventurous, hypnotic, and rich with texture. Formed in 1976 by Robert Smith and schoolmates Michael Dempsey (bass) and Laurence Tolhurst (drums), The Cure's stunning 1979 debut on U.K.-based Fiction Records launched an extraordinary career and enduring worldwide popularity.
The Cure's 1985 album Head On The Door - their sixth full-length overall - marked another turning point for the band with its emerging pop sensibilities and talented new line-up that saw the return of bassist Simon Gallup, the re-induction of early-era guitarist Porl Thompson, and the debut of drummer Boris Williams. Co-produced with David M. Allen, the adventurous 10-track effort is still dark yet danceable and altogether infectious, home to the vibrant hit singles "In Between Days" and "Close To Me." Head On The Door was the first glimpse of the pop heights the Cure was perfectly capable of reaching.
1. In Between Days
2. Kyoto Song
3. The Blood
4. Six Different Ways
5. Push
6. The Baby Screams
7. Close To Me
8. A Night Like This
9. Screw
10. Sinking
The Record [Explicit Content] (Indie Exclusive)
Regular price $31.98 Save $-31.98The Record is the debut album from the indie rock supertrio, Boygenius, consisting of Phoebe Bridgers, Julien Baker & Lucy Dacus. Each of the three musicians have brilliant solo careers, so one could fear that a joint project would almost break under the massive expectations, but Baker, Bridges and Dacus have already proven their project's worth on their 2018 self-titled EP. With The Records Boygenius can present their first full-length studio album, which once again emphasizes their unpretentious and raw approach to music. These are three talents characterized by an authenticity and empathy rarely seen among young musicians today, and on their shared project, they manage to push their songwriting into new areas and towards new heights.
Foo Fighters
Regular price $25.00 Save $-25.00Foo Fighters is the debut studio album by American alternative rock band Foo Fighters, released on July 4, 1995, by Capitol Records through Dave Grohl's label Roswell. Grohl wrote and recorded the entire album himself - with the exception of a guest guitar spot by Greg Dulli - with the assistance of producer Barrett Jones at Robert Lang Studios in Seattle, Washington, in 1994. Grohl claimed he recorded the album just for fun, describing it as a cathartic experience to recover from the death of his Nirvana bandmate Kurt Cobain.
Foo Fighters is an American rock band, formed in Seattle in 1994. It was founded by Nirvana drummer Dave Grohl as a one-man project following the death of Kurt Cobain and the resulting dissolution of his previous band. The group got it's name from the UFOs and various aerial phenomena that were reported by Allied aircraft pilots in World War II, which were known collectively as foo fighters.
Debut
Regular price $36.00 Save $-36.001993's Debut marks Björk's first solo endeavor following the break-up of the Sugarcubes. The shimmering 10-song set was produced by Nellee Hooper who also co-wrote five of the album's ten electronic dance-pop tracks and features the distinct singles "Human Behaviour," "Venus as a Boy," "Big Time Sensuality" and "Violently Happy." "Debut was very much for me like a virgin trying to express herself, I mean a virgin musically," Bjork explains. "And that's why I named it Debut. And people who knew I had been around for many years just thought I was taking a piss or something. But for me it was very much like the songs I had kept in darkness and locked in my little diary, only to be seen by myself. The first time they were out on there own and had to figure out how to survive their own way."
1. Human Behaviour
2. Venus As A Boy
3. There's More To Life Than This
4. Like Someone In Love
5. Big Time Sensuality
6. One Day
7. Aeroplane
8. Come To Me
9. Violently Happy
10. The Anchor Song
Time & Space
Regular price $27.98 Save $-27.98Vinyl LP pressing including digital download. 2018 release from the hardcore outfit. Recorded with producer Will Yip at Studio 4 in Conshohocken, PA, Time & Space marks Turnstile's Roadrunner Records debut and follows their 2015 breakthrough, Nonstop Feeling. Time & Space features additional vocals from Sheer Mag's Tina Halladay on "Moon," while Diplo offers added production to "Right To Be." Comprised of Brendan Yates (vocals), Franz Lyons (bass/vocals), Brady Ebert (guitars), Pat McCrory (guitars), and Daniel Fang (drums), Turnstile has gripped listeners and press around the globe with their, "... melodic riffs, bright-eyed spirit, and riotous sets... " as noted by The New Yorker. NPR revered Turnstile as, "... freewheeling and heavy... with shout-along choruses and grooves that do more than just open up the pit," with The Washington Post adding, "... The unabashed funkiness of Turnstile feels so invigorating." Noisey declared, "... (Turnstile) has positively exploded, moving from exciting prospect to one of the most talked about bands in hardcore," while Stereogum asserted, "Right now, the biggest band in hardcore might be Turnstile... ." Thrasher Magazine wrote "These guys are powerful," with GQ agreeing, "Turnstile is more than a good hardcore band-they've got a whole movement behind them."
Heaven or Las Vegas
Regular price $29.00 Save $-29.00180g vinyl cut of the Scottish rock group's sixth album from the HD masters. Includes MP3 download coupon.
Humbug (w/ Download Card)
Regular price $28.00 Save $-28.00
Produced by Josh Homme & James Ford
Meat is Murder [Import]
Regular price $28.98 Save $-28.98The Smiths' eclectic 1985 release finds the band branching out into rockabilly, post-punk and flashes of funk, all while refining the guitar pop of their debut. Produced by Morrissey and Johnny Marr, Meat Is Murder is the band's sole studio album to reach No. 1 on the U.K. charts. "The Headmaster Ritual" and "I Want the One I Can't Have" are fine elaborations on the formula the band introduced on their debut, while "Rusholme Ruffians" is an infectious take on rockabilly. There was no other British group making music quite like this in 1985.
1. The Headmaster Ritual
2. Rusholme Ruffians
3. I Want the One I Can't Have
4. What She Said
5. That Joke Isn't Funny Anymore
6. Nowhere Fast
7. Well I Wonder
8. Barbarism Begins at Home
9. Meat Is Murder
Blind Melon
Regular price $38.00 Save $-38.00Bury Me at Makeout Creek
Regular price $24.98 Save $-24.98Mitski warmly recalls a quote from sculptor El Anatsui, "Art grows out of each particular situation, and I believe that artists are better off working with whatever their environment throws up." With this nerve exposed lyrically, and having dived into her new beginning, Mitski chooses her 2014 breakthrough album Bury Me at Makeout Creek to explore uncharted sonic territory, trading in large string arrangements for guitar and bass. While studying composition at SUNY Purchase's music conservatory, she previously recorded music with a full orchestra. However as college graduation inched closer, Mitski moved away from the concert hall and into the campus' active DIY scene. Upon relocating to New York following graduation, she entered stages at Death By Audio, Silent Barn, and Bed Stuy basements, entrenching her songs of love, fear, lust, and brilliant clarity into entirely sympathetic ears.
Since releasing Bury Me at Makeout Creek, Mitski has received international acclaim for her distinct, arresting sound and profoundly reflective lyrics. Pitchfork applauded the release as "inventive and resourceful," while Rolling Stone celebrated her "deep-cutting lyrics." NME said of Bury Me, "it's a record that doesn't tug at your heart-strings as much as it mercilessly pounds at them, taking to your emotions like a lead pipe to a piñata." She has also received widespread attention for her "cathartic" live shows as dubbed by The New York Times' Jon Caramanica. "I was so young when I behaved 25," Mitski sings on "First Love / Late Spring," "yet now I find I've grown into a tall child." This veritable thesis speaks to sentiments of the poetry and beauty of struggling up the hill to adulthood.
Mitski follows El Anatsui's humbling advice, cathartically revealing snapshots from her adventures in youth, and the empowerment found in sharing these stories with others.
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Depeche Mode 101
Regular price $45.00 Save $-45.00Roughly 28 years ago, Depeche Mode performed the 101st date of their tour behind Music for the Masses at the Rose Bowl in Pasadena, California on June 18, 1988, a concert which was filmed and recorded for release as the film and album entitled – appropriately enough – 101.
Originally conceived by members of Depeche Mode as a method of clarifying how the group fit into the ‘80s, things changed for 101 when famed documentarian D.B. Pennebaker stepped into the role of director and felt that it was going to be too difficult to cover the topic at hand in a manner which would prove cinematically entertaining. Instead, he switched things up to follow a collective of Depeche Mode fans who'd won a "Be in a Depeche Mode Movie" contest. In turn, 101 was able to spotlight both the devotion of the band's fans and the live Depeche Mode experience.
Unfortunately, those who came into the proceedings looking for a full-fledged concert film may have walked away disappointed by the end result, which in no way showed the band's performance in its entirety, but those folks still ended up with a double-disc live album, one which did an excellent job of sampling the DM discography up to that point. Plus, whether you want to attribute it to the film, the album, or a combination of both, the end result was that Depeche Mode's profile grew so substantial as a result of 101 that their next studio album, 1990's Violator, gave them the first US top-10 album of their career.
Night Visions
Regular price $32.00 Save $-32.00The Stone Roses
Regular price $33.99 Save $-33.99Limited vinyl LP repressing of the Manchester band's legendary 1989 debut album. Produced by John Leckie, this self-titled platter was released in the right place and at the right time, becoming one of the cornerstone albums of the late '80s Madchester AND Britpop movements. Includes 'I Wanna Be Adored', 'She Bangs the Drums', 'Made of Stone' and many more.
Third Eye Blind
Regular price $40.00 Save $-40.00Double vinyl LP pressing. Third Eye Blind is the debut studio album by Third Eye Blind, originally released in 1997. The album was collectively written by Stephan Jenkins and Kevin Cadogan, while production was helmed by Jenkins and Eric Valentine. Recorded in and around San Francisco at Toast Studios, Skywalker Ranch, and H.O.S., the album incorporates elements of alternative rock, post-grunge, and power pop. Thematically, the album focuses on topics such as relationships, drug addiction, suicide prevention, and the band's experience of being signed to a major record label. Includes the singles: "Semi-Charmed Life", "Graduate", "How's It Going to Be", "Losing a Whole Year", and "Jumper".
Dummy
Regular price $43.00 Save $-43.00The English band who take their name from the nearby to Bristol town of Portishead are rightly credited with fusing electronica and experimental rock into a style that has been tagged trip hop. Utilizing break beats, acid house, soul, funk and jazz the music they create has an ethereal quality with a visceral punch. The combination of Beth Gibbons haunting vocals – she cites Nina Simone, Edith Piaf, Sugarcubes and the Cocteau Twins idiosyncratic singer Liz Fraser as influences – allied to the production and instrumental skills of Geoff Barrow and Adrian Utley add up to a remarkable sound. The emphasis on sonic clarity is bolstered by engineer Dave McDonald who worked with the trio on their debut disc Dummy, a gothic and noir collection that would sweep the board at the fourth Mercury Music Prize in 1995 thanks to the spacey jazz melodies and emotional density of singles like "Numb," "Sour Times" and "Glory Box." Dummy has since featured in many a select list of great albums of the 20th century and it has lost none of its appeal in the past 25 years.
Seventeen Seconds
Regular price $25.00 Save $-25.00Limited 180gm vinyl LP pressing. Seventeen Seconds is the second studio album by English rock band The Cure, recorded at Morgan Studio and released on 22 April 1980. Seventeen Seconds established the group's gloomy sound that would continue until 1982's Pornography. It is the only Cure album to feature keyboardist Matthieu Hartley. Inspiration was very high for the album, as Robert Smith wrote the lyrics and music for most of the record on just two occasions. Most of the music was composed by Smith in his parents' home, on a Hammond organ with a built-in tape recorder. Interviewed in 2004, producer Mike Hedges does not recall any demo tracks, with the band generally playing the track in the studio before laying down a backing track to which overdubs were added. Two members of The Magazine Spies, bass guitarist Simon Gallup and keyboardist Matthieu Hartley, were added to the band's lineup. Gallup replaced Michael Dempsey, which relieved Smith as he felt Dempsey's basslines were too ornate and that they weren't getting on socially. Hartley's synth work added a new dimension to the band's newly ethereal sound, although Smith and he clashed over complexity (Hartley enjoyed complex chords; Smith wanted single notes).