RSDBF2025 Everything Else

Limited light blue colored vinyl LP pressing. 2014 album from the iconic blues guitarist.

Tracks

• 1 You Move Me
• 2 Nobody's Fault But Mine
• 3 Fine Yesterday
• 4 Your Good Think Is About to End
• 5 I Guess I'll Never Know
• 6 Hold on
• 7 What Would You Say
• 8 Hip Tight Onions
• 9 You're Everything
• 10 Deep in My Soul

Originally released in 1990, Bossanova was the Pixies' third full-length and second collaboration with independent English producer Gil Norton. The album was a noted departure from their unpredictable signature sound and it's considered their first thematic project. Leader Black Francis' (Frank Thompson) songwriting reveals his twisted interpretation of surf music combined with his fascination of aliens and UFOs. The end result is Bossanova, a surf-space rock album that found the Pixies reaching new heights. Pressed on Audiophile Quality 180g Vinyl!

Pixies Bossanova Track Listing

1. Cecilia Ann 
2. Rock Music 
3. Velouria 
4. Allison 
5. Is She Weird 
6. Ana 
7. All Over The World 
8. Dig For Fire 
9. Down To The Well 
10. The Happening 
11. Blown Away 
12. Hang Wire 
13. Stormy Weather 
14. Havalina 

Over twenty-five years ago, nine guys from Des Moines, Iowa, shattered the scope of what was possible in metal. Slipknot's music put blastbeats, massive breakdowns and brutal riffs alongside breakbeats and turntablism; punctuated hooky melodies with extreme vocals and percussive rap verses. On stage, bodies clad in numbered jumpsuits and horror film masks crashed into each other, eliciting mania from hungry crowds and drawing blood and breaking bones in the process.

Everything Slipknot did was maximalist and monstrous, completely unhinged and meticulously thought out. From the moment Slipknot appeared on an early afternoon stage at Ozzfest ‘99, it was clear they were like nothing people had ever seen and everything they never knew they needed.

It's no surprise that Slipknot's self-titled debut, recorded to tape with Ross Robinson at the infamous Indigo Ranch (Korn, Soulfly, Machine Head) and released on Roadrunner, went platinum within three months of release – despite a lack of press, radio, or MTV support – on the strength of the reputation they built through relentless touring and hits like "Wait and Bleed," "Eyeless," and "Spit it Out." Slipknot's self titled, nearly triple platinum debut release gets the vinyl re-issue treatment here on colored vinyl!

1. 742617000027
2. (sic)
3. Eyeless
4. Wait and Bleed
5. Surfacing
6. Spit It Out
7. Tattered & Torn
8. Me Inside
9. Liberate
10. Prosthetics
11. No Life
12. Diluted
13. Only One
14. Scissors

Limited 180gm vinyl LP pressing of the STEREO mix of this classic album. Pet Sounds is the 11th studio album by The Beach Boys, originally released on May 16, 1966. It initially met with a lukewarm critical and commercial response in the United States, peaking at #10 in the Billboard 200, a significantly lower placement than the band's preceding albums. In the United Kingdom, the album was hailed by it's music press and was an immediate commercial success, peaking at #2 in the UK Top 40 Albums Chart and remaining among the top ten positions for six months. Pet Sounds has subsequently garnered worldwide acclaim from critics and musicians alike, and is widely considered to be one of the most influential albums in music history.

• - Disc 1 -
• 1 Wouldn't It Be Nice (Side A)
• 2 You Still Believe in Me (Side A)
• 3 That's Not Me (Side A)
• 4 Don't Talk (Put Your Head on My Shoulder)
• 5 I'm Waiting for the Day (Side A)
• 6 Let's Go Away for Awhile (Side A)
• 7 Sloop John B (Side A)
• - Disc 2 -
• 1 God Only Knows (Side B)
• 2 I Know There's An Answer (Side B)
• 3 Here Today (Side B)
• 4 I Just Wasn't Made for These Times (Side B)
• 5 Pet Sounds (Side B)
• 6 Caroline, No (Side B)

Vinyl LP pressing. Digitally remastered edition. Norah Jones' seminal debut album, Come Away With Me, became a global phenomenon reaching #1 in 20 countries, selling nearly 30 million copies, and sweeping the 2003 GRAMMY Awards with 8 wins including Album of the Year, Record of the Year, Song of the Year, and Best New Artist. The remastered 20th Anniversary Edition captures the emergence of a singular talent on this now-classic album.

Tracks

• - Disc 1 -
• 1 Don't Know Why
• 2 Seven Years
• 3 Cold Cold Heart
• 4 Feellin' the Same Way
• 5 Come Away with Me
• 6 Shoot the Moon
• 7 Turn Me on
• - Disc 2 -
• 1 Lonestar
• 2 I've Got to See You Again
• 3 Painter Song
• 4 One Flight Down
• 5 Nightingale
• 6 The Long Day Is Over
• 7 The Nearness of You

'Everything has to be said.' This is the conviction guiding Indigo De Souza's sophomore album, Any Shape You Take. This dynamic record successfully creates a container for the full spectrum'pushing through and against every emotion: 'I wanted this album to give a feeling of shifting with and embracing change. These songs came from a turbulent time when I was coming to self-love through many existential crises and shifts in perspective.'

Faithful to its name, Any Shape You Take changes form to match the tenor of each story it tells. 'The album title is a nod to the many shapes I take musically. I don't feel that I fully embody any particular genre'all of the music just comes from the universe that is my ever-shifting brain/heart/world,' says Indigo. This sonic range is unified by Indigo's strikingly confessional and effortless approach to songwriting, a signature first introduced in her debut, self-released LP, I Love My Mom. Written in quick succession, Indigo sees these two records as companion pieces, both distinct but in communion with each other: 'Many of the songs on these two records came from the same season in my life and a certain version of myself which I feel much further from now.

'I feel very much like a shape-shifter with my music, I'm always trying to embody a balance between the existential weight and the overflowing sense of love I feel in the world.' It is exactly this balance that Indigo strikes in her Saddle Creek debut, Any Shape You Take. A listening experience that gives back, as you shed and shape-shift along with her.

Tracks

1. 17
2. Darker Than Death
3. Die/Cry
4. Pretty Pictures
5. Real Pain
6. Bad Dream
7. Late Night Crawler
8. Hold U
9. Way Out
10. Kill Me

50th Anniversary Vinyl LP Reissue with Gatefold Packaging!

In 1972, in a first for a female writer/artist, the zeitgeist-shifting Tapestry won all three of the key Grammy Awards – record, song and album of the year – as well as best female vocalist honors for Carole King. With more than 25 million units sold, Tapestry remained the best-selling album by a female artist for a quarter century. It was No. 1 on the Billboard 200 for 15 consecutive weeks and remained on the Billboard charts for more than 300 weeks. Produced by Lou Adler, Tapestry's songs are woven into the fabric of pop culture. With iconic tracks like "(You Make Me Feel) Like A Natural Woman" and "Will You Love Me Tomorrow," this is the album that cemented King's reputation as the quintessential singer-songwriter, defining a new generation of music.

The 1971 effort included songs which were all written or co-written by Carole. Several of the songs on the album had already been hits for other artists such as Aretha Franklin's "(You Make Me Feel Like) A Natural Woman" and The Shirelles "Will You Love Me Tomorrow" both of which were co-written with Gerry Goffin. Also listed as a co-writer on "(You Make Me Feel Like) A Natural Woman" is Jerry Wexler. Another song, "Smackwater Jack" was also co-written with Goffin and two songs, "It's Too Late" and "Where You Lead," were co-written by Carole and Toni Stern.

In honor of the 50th Anniversary of Carole King's iconic album, Tapestry, Sony Legacy is excited to be reissuing the album on gatefold vinyl LP!

1. I Feel the Earth Move
2. So Far Away
3. It's Too Late
4. Home Again
5. Beautiful
6. Way over Yonder
7. You've Got a Friend
8. Where You Lead
9. Will You Love Me Tomorrow?
10. Smackwater Jack
11. Tapestry
12. (You Make Me Feel Like) A Natural Woman

As the title of Tool's 1992 debut implies, they're none too impressed by religion, though other targets-fear ("Cold and Ugly"), hypocritical moralizing ("Jerk-Off"), nonconformity ("Hush")-get their time in the spotlight as well. Opiate is a collection of heavy, aggressive, cynical music (though the tail end of the title track sounds more like Acid Rock), packaged in songs noticeably shorter than on their later efforts (Undertow, 1993, and Aenima, 1996). While not as impressive as Undertow, arguably their finest effort, Opiate has a definite appeal.

Tracks

• 1 Sweat
• 2 Hush
• 3 Part of Me
• 4 Cold and Ugly (Live)
• 5 Jerk-Off (Live)
• 6 Opiate

Blonde on Blonde: A double album that transcends time, defies space, suspends reality, and looks through the human soul and tells the listener characteristics about themselves they didn't know. Forever prized for a unique sound, Blonde on Blonde is to music, production, prose, and performance as what hydrogen is to water. The secret to its inimitable aural character partially stems from Dylan's request in Nashville to producer Bob Johnston to remove the baffles from the studio room, allowing the musicians to interact as well as the music to assume a more organic quality that drifts from one microphone to another.

The story of Blonde on Blonde is almost as compelling as the music within. Dylan, frustrated with how initial attempts fared in New York, relocating to Tennessee and pairing with Nashville's top session players as well as members of what would become the Band, feverishly chasing perfectionism while also arriving at an on-the-fly feel that remains a reference point for recorded music. The Bard sweated over lyrics, demanded his band get the exact sounds he heard in his head, and limited most takes to a handful at most. A majority of songs were recorded long after midnight, the post-A.M. vibe reflected in the nocturnal aura, woozy optimism, inversion of intervals, and spiritual soulfulness of the playing.

As for the tunes? Chapters of books and lengthy theses are dedicated to the sheer conscious-altering power, mythical weight, character cast, and convention-obscuring magnetism of the lyrics – to say nothing of the sophisticated albeit pure playing within, as arrangements touch upon gospel, R&B, pop, traditional and contemporary blues, vaudeville, folk, and more. Then there's Dylan's inventive phrasing, his manipulation of pitch and locution, helping the narratives to take on epic, inchoate, and cryptic meanings that continue to be deciphered to this day. Punch lines occur as frequently as romantic declarations, all delivered with salient references, traditional parallels, and elusive interpretations on par with those of Shakespeare.

"Visions of Johanna." "I Want You. " Rainy Day Women #12 & 35." "Sad Eyed Lady of the Lowlands." "Absolutely Sweet Marie." "Essential" doesn't even begin to cover the genius of this record!

LP1

1. Rainy Day Woman No. 12 & 35
2. Pledging My Time
3. Visions Of Johanna
4. One Of Us Must Know
5. I Want You
6. Memphis Blues Again
7. Leopard-Skin Pill-Box Hat
8. Just Like A Woman

LP2

1. Most Likely You Go Your Way And I Go Mine
2. Temporary Like Achilles
3. Absolutely Sweet Marie
4. 4th Time Around
5. Obviously 5 Believers
6. Sad Eyed Lady Of The Lowlands

The Marfa Tapes is a collection of beautifully intimate and raw songs written and recorded by Jack Ingram, Miranda Lambert, and Jon Randall in the tiny, middle-of-nowhere town of Marfa, TX. Barely a dot on the map, Marfa is an eccentric outpost in the midst of a vast expanse of nothingness, the perfect place to lose – or find – yourself. For Lambert, Randall, and Ingram, it's both. Over the past several years, the desolate location has become a songwriting haven for the trio, yielding both massive hits and profound personal growth. When they returned for five days in November 2020 though, they came not to write, but to record, capturing a captivating new album inspired by the stark beauty of west Texas and the deep, lasting bonds the three have forged there. Recorded raw and loose with just a pair of microphones and an acoustic guitar, The Marfa Tapes is a stunning work of audio verité; an intimate, unadorned snapshot of a moment in time fueled by love, trust, and friendship.

"I'll never forget pulling into Marfa that first night at 4am," said Lambert. "The stars were like nothing I'd ever seen before, just this endless blanket hanging so low you could reach up and touch them. I immediately understood why this place was so special." "There's no TV, no radio, nothing to do out there but pour a cocktail, sit around the campfire, and talk," continued Randall. "Eventually, that just inevitably leads to songs. There's no pressure to write, but most of the time, the three of us can't seem to help ourselves." "There's something singular that happens in that moment of collaboration and creation, something you can never really recreate in the studio," notes Ingram. "Our hope with this album was to share a little bit of that magic with people."

The trio recorded much of the album outdoors, inviting the ambient sounds of the desert to seep into their live, bare bones performances, and the atmosphere is utterly transportive. While a couple of the tracks may already be familiar to listeners – ACM Song of the Year "Tin Man" as well as fan favorite "Tequila Does" – the vast majority of these songs have never been heard outside of Marfa. The result is a rare glimpse inside the creative process of three of the genre's most accomplished writers and performers; a candid, unvarnished look at Lambert, Randall, and Ingram's undeniable chemistry in its purest, most honest form.

LP1

1. In His Arms
2. I Don't Like It
3. The Wind's Just Gonna Blow
4. Am I Right Or Amarillo
5. Waxahachie
6. Homegrown Tomatoes
7. Breaking A Heart
8. Ghost

LP2

1. Geraldene
2. We'll Always Have The Blues
3. Tin Man
4. Two-Step Down To Texas
5. Anchor
6. Tequila Does
7. Amazing Grace (West Texas)

Black Sunday is the second album by the American hip hop group Cypress Hill, originally released on July 20th, 1993. Pressed onto 2x LP, 180 gram black vinyl.

• - Disc 1 -
• 1 I Wanna Get High
• 2 I Ain't Goin' Out Like That
• 3 Insane in the Brain
• 4 When the SH- Goes Down
• 5 Lick a Shot
• 6 Cock the Hammer
• - Disc 2 -
• 1 Lil' Putos - Cypress Hill / Boogie Down Productions
• 2 Legalize It
• 3 Hits from the Bong
• 4 What Go Around Come Around, Kid
• 5 A to the K
• 6 Hand on the Glock
• 7 Break 'Em Off Some

“Whitey Ford Sings the Blues” is the first album from Everlast, following his departure from House Of Pain and was released in 1998. The record was both a commercial and critical success, selling more than 3 million copies worldwide and certified double platinum. The track “What It’s Like” earned Everlast a Grammy Award nomination for Best Male Rock Vocal Performance.

A1. The White Boy Is Back
A2. Money (Dollar Bill)
A3. Ends
A4. What It's Like
B1. Get Down
B2. Sen Dog
B3. Tired
B4. Hot To Death
B5. Painkillers
C1. Prince Paul
C2. Praise The Lord
C3. Today (Watch Me Shine)
C4. Guru
C5. Death Comes Callin'
D1. Funky Beat
D2. The Letter
D3. 7 Years
D4. Next Man

Blue Note Classic Vinyl Reissue Series All-Analog 180g Vinyl LP Mastered by Kevin Gray Directly from the Original Master Tapes and Manufactured at Optimal in Germany

Blue Note Records has announced the continuation of the Classic Vinyl Reissue Series which presents 180g vinyl LP reissues in standard packaging mastered by Kevin Gray and manufactured at Optimal. The pressings are all-analog whenever an analog source is available, with Gray mastering directly from the original master tapes. While the first 16 titles of the series focused on the best-known Blue Note classics from the 1950s and 60s, the new run of titles curated by Don Was and Cem Kurosman broadens its scope to span the many eras and styles of the legendary label's eight-decade history presented by themes: Bebop, Hard Bop, Soul Jazz, Post-Bop, Avant-Garde, The 70s, The Rebirth, and Hidden Gems.

In the late 1940s, Blue Note founder Alfred Lion became enthralled with the modern sounds of bebop and began recording several of the new music's innovators including the brilliant pianist Bud Powell, who Lion dubbed The Amazing Bud Powell. Powell could be erratic, but as a producer Lion always seemed to draw the best out of the piano master, and cut numerous classic sides including "Un Poco Loco" and "Bouncing with Bud." The fourth volume of The Amazing Bud Powell series, titled Time Waits, was recorded in 1958 and found Powell in particularly fine form on an ebullient set of his original tunes including "Buster Rides Again," "Monopoly," and "John's Abbey." Powell's playing is endlessly inventive as he takes flight in a trio setting with bassist Sam Jones and Philly Joe Jones, who elevates the session with some of his most inspired drumming on record.

Musicians:
Bud Powell, piano
Sam Jones, bass
'Philly' Joe Jones, drums

Features:
• Blue Note Classic Vinyl Reissue Series
• All analog 180g vinyl LP
• Mastered by Kevin Gray directly from the original master tapes
• Manufactured at Optimal in Germany
• Standard packaging

1. Buster Rides Again
2. Sub City
3. Time Waits
4. Marmalade
5. Monopoly
6. John's Abbey
7. Dry Soul
8. Sub City (Alternate Take)

OutKast Speakerboxx: The Love Below on 4x Vinyl LP! 

Grammy Winner Album Of The Year
Grammy Winner Urban/Alternative Performance
Grammy Winner Best Rap Album 

    1.   Intro - 1:29
    2.   Ghetto Musick (Benjamin/Gamble/Patton/Sigler) - 3:56
    3.   Unhappy (Patton/Sheats) - 3:19
    4.   Bowtie  performed by OutKast / Sleepy Brown / Jazze Pha - 3:56
    5.   The Way You Move  performed by OutKast / Sleepy Brown - 3:54
    6.   The Rooster (Mahone/Mathis/Patton) - 3:57
    7.   Bust  performed by OutKast / Killer Mike - 3:08
    8.   War (Benjamin/Patton/Sheats) - 2:43
    9.   Church (Benjamin/Brown/Crenshaw/Kendricks/Patton) - 3:27
    10.   Bamboo (Interlude) - 2:09
    11.   Tomb of the Boom  performed by OutKast / Konkrete / Big Gipp / Ludacris - 4:46
    12.   E-Mac (Interlude) - 0:24
    13.   Knowing (Patton) - 3:32
    14.   Flip Flop Rock  performed by OutKast / Killer Mike / Jay-Z - 4:35
    15.   Interlude - 1:15
    16.   Reset  performed by OutKast / Khujo Goodie / Cee-Lo - 4:35
    17.   D-Boi (Interlude) - 0:40
    18.   Last Call  performed by OutKast / Slimm Calhoun / Lil' Jon / Mello - 3:57
    19.   Bowtie (Postlude) (Alexander/Brown/Patton) - 0:34
    20.   The Love Below (Intro) (Benjamin) - 1:27
    21.   Love Hater (Benjamin/Kendricks) - 2:49
    22.   God (Interlude) (Benjamin) - 2:20
    23.   Happy Valentine's Day (Benjamin) - 5:23
    24.   Spread (Benjamin) - 3:51
    25.   Where Are My Panties? - 1:54
    26.   Prototype (Benjamin) - 5:26
    27.   She Lives in My Lap  performed by OutKast / Rosario Dawson - 4:27
    28.   Hey Ya! (Benjamin) - 3:55
    29.   Roses (Benjamin/Boykin/Patton) - 6:09
    30.   Good Day, Good Sir - 1:24
    31.   Behold a Lady (Benjamin) - 4:37
    32.   Pink & Blue (Benjamin/Kelly) - 5:04
    33.   Love in War (Benjamin) - 3:25
    34.   She's Alive (Benjamin/Kendricks) - 4:06
    35.   Dracula's Wedding  performed by OutKast / Kelis - 2:32
    36.   My Favorite Things  performed by OutKast / Norah Jones - 5:13
    37.   Take Off Your Cool (Benjamin) - 2:38
    38.   Vibrate (Benjamin) - 6:33
    39.   A Life in the Day of Benjamin André... (Benjamin) - 5:11

I Know I'm Funny haha is Webster's most realized manifestation yet of this emotional and musical alchemy. Continuing to bloom from her 2019 breakthrough and Secretly Canadian debut Atlanta Millionaires Club, Webster's sound draws as much from the lap-steel singer-songwriter pop of the 1970s and teardrop country tunes as it does from the audacious personalities of her city's rap and R&B community. The album began for Webster with the stirring ballad "In a Good Way," as in "You make me want to cry in a good way"-an instantclassic Faye Webster one-liner. It's beguilingly simple, the kind of melody and arrangement that seem to have existed forever. A sense of relief charges the neo-psychedelic pop of "Cheers," where Webster experiments with an overdriven guitar tone. She also collaborated, on "Overslept," with the Japanese artist Mei Ehara, who she calls the biggest influence on her new music. Webster's music is full of personality. Many of her songs contain bits of girl-group-esque talk-singing, which color her atypical storysongs. Webster says she's in a growth mindset, pushing herself to learn more, to be more vulnerable. "Growth is really important to me," she says. "I hope people will relate to my songs, and not just be like 'this is a good record' but 'this makes me feel something. This is making me think differently, this is making me question things.' I told myself a few years ago that I was going to be more honest in my songwriting, that honesty is the best route to take with music. If I have a voice and people are listening to me, I'm not going to waste it."

Tracks

• 1 Better Distractions
• 2 Sometimes
• 3 I Know I'm Funny Haha
• 4 In a Good Way
• 5 Kind of
• 6 Cheers
• 7 Both All the Time
• 8 A Stranger
• 9 A Dream with a Baseball Player
• 10 Overslept (Feat. Mei Ehara)
• 11 Half of Me

Double 180gm audiophile vinyl LP pressing. 2Pacalypse Now is the 1991 debut studio album by 2Pac. The album is 2Pac's commentary on contemporary social issues facing American society such as racism, police brutality, poverty, black on black crime, and teenage pregnancy. It featured three singles; "Brenda's Got a Baby", "Trapped", and "If My Homie Calls". The album was initially released on T.N.T. Recordings and Interscope Records, which at the time was distributed through Eastwest Records America and Atlantic Records. Following Shakur's death, Amaru Entertainment (established by his mother Afeni Shakur) obtained the rights to this album. The album generated significant controversy stemming from then-U.S. Vice President Dan Quayle's public criticism after Ronald Ray Howard murdered a Texas state trooper and his defense attorney claimed he was influenced by 2Pacalypse Now and it's strong theme of police brutality. Quayle made the statement, "There's no reason for a record like this to be released. It has no place in our society."

Tracks

• 1 Young Black Male
• 2 Trapped (Featuring Shock G)
• 3 Soulja's Story
• 4 I Don't Give a F*** (Featuring Pogo)
• 5 Violent (Featuring DJ Fuze, Money B and Mac Mone)
• 6 Words of Wisdom
• 7 Something Wicked (Featuring Pee - Wee)
• 8 Crooked Ass Nigga (Featuring Stretch)
• 9 If My Homie Calls
• 10 Brenda's Got a Baby (Featuring Dave Hollister)
• 11 Tha' Lunatic (Featuring Stretch)
• 12 Rebel of the Underground (Featuring Ray Luv and Shock G)
• 13 Part Time Mutha (Featuring Angelique and Poppi)