RSDBF2025 Everything Else

Paul Simon Graceland: 25th Anniversary Edition on 180g Vinyl LP + Poster + Download with Bonus Tracks

Eclectic Multi-Grammy-Winning Effort Remastered on 180g Vinyl and Pressed at RTI for Audiophile Sound: Graceland Forever Changed the Relationship Between Pop and World Music

With Graceland, Paul Simon hit on the idea of combining his always perceptive songwriting with the little-heard mbaqanga music of South Africa, creating a fascinating hybrid that re-enchanted his old audience and earned him a new one. It is true that the South African angle (including its controversial aspect during the apartheid days) was a powerful marketing tool and that the catchy music succeeded in presenting listeners with that magical combination: something they'd never heard before that nevertheless sounded familiar.

As eclectic as any record Simon had made, it also delved into zydeco and conjunto-flavored rock & roll while marking a surprising new lyrical approach (presaged on some songs on Hearts and Bones); for the most part, Simon abandoned a linear, narrative approach to his words, instead drawing highly poetic ("Diamonds on the Soles of Her Shoes"), abstract ("The Boy in the Bubble"), and satiric ("I Know What I Know") portraits of modern life, often charged by striking images and turns of phrase torn from the headlines or overheard in contemporary speech.

An enormously successful record, Graceland became the standard against which subsequent musical experiments by major artists were measured and continues to provide rewards to its listeners and remains a pivotal listening experience for writers, artists and fans.

The universal appeal of the music of Graceland proved more powerful and enduring than the political hotbed attending its creation. In 1986, the album sold 14 million copies worldwide, and received universal praise from critics around the globe. Paul Simon and the members of Ladysmith Black Mambazo performed on Saturday Night Live and appeared on the cover of Rolling Stone.

By January of 1987, "You Can Call Me Al" was everywhere and Graceland won 'Album of the Year' at the Grammy Awards in 1987. Then, in an unprecedented carryover, the album garnered the Grammy for 'Song of the Year' with its title track in 1988. The album generated three hit singles and kept Simon and the Graceland tour on the road for five years.

This audiophile edition of Graceland has been remastered on 180g 12" vinyl and includes an art-quality collectible poster and a download card with the full album plus three bonus tracks.

"In many ways, Graceland was the most extraordinary experience in my entire career," notes Simon. "The insight into rhythm was the great gift that I received from making the trip to South Africa, and collaborating with African musicians."

"This lacquer cut processed and pressed at RTI on 180 gram vinyl sounds dramatically superior to the original in every way. The overall tonal balance is far superior. The low bass is as powerful as on the original but much better controlled. If the opening drum thwacks on 'Boy In the Bubble,' don't sound deep, ultra-tight and tuneful, blame your system, not the record. You are guaranteed to hear heretofore hidden musical details and parts that on the original slipped through the musical cracks. This reissue has an overall tonal richness and clarity as well as dynamic impact only hinted at on the original."
– Michael Fremer, Analog Planet

1. The Boy in the Bubble
2. Graceland
3. I Know What I Know
4. Gumboots
5. Diamonds on the Soles of Her Shoes
6. You Can Call Me Al
7. Under African Skies
8. Homeless
9. Crazy Love, Vol. II
10. That Was Your Mother
11. All Around the World or the Myth of Fingerprints

20 Previously Released Sturgill Simpson Songs Reimagined in Bluegrass Form!

Since breaking through in 2014 with his Grammy-nominated Metamodern Sounds in Country Music album, Sturgill Simpson has established himself as one of the most daring and most acclaimed artists of our time. His music stretches across genres and styles, from the psychedelic soul of 2016's A Sailor's Guide To Earth (Grammy nominated for Album of the Year and winner for Best Country Album) to the fuzzed-out rock attack of Sound & Fury in 2019. Now Simpson returns to the music of his native Kentucky with his first bluegrass project, Cuttin' Grass - Vol. 1 (The Butcher Shoppe Sessions). The album, which he calls "a mixtape for the fans," was dreamed up while he was recovering from Coronavirus, and sees him reimagining songs from across his catalogue backed by some of Nashville's finest acoustic virtuosos. Produced by Sturgill Simpson and Dave Ferguson and featuring Mark Howard, Scott Vestal, Mike Bubb, Tim O'Brien, Miles Miller, Stuart Duncan, and Sierra Hull.

1. All Around You
2. All the Pretty Colors
3. Breakers Roar
4. I Don't Mind
5. I Wonder
6. Just Let Go
7. Life Ain't Fair
8. A Little Light
9. Life of Sin
10. Long White Line
11. Living the Dream
12. Old King Coal
13. Railroad of Sin
14. Sitting Here Without You
15. Sometimes Wine
16. The Storm
17. Time After All
18. Turtles all the Way Down
19. Voices
20. Water in a Well

Reissued with Superior Remastered Audio on 180g Vinyl

The Ramones sounded like nothing else when their self-titled debut came roaring onto the scene in 1976. Even so, original drummer Tommy Ramone did do a pretty good job describing the band's primal sound when he penned the quartet's press bio that same year. "The Ramones all originate from Forest Hills and kids who grew up there either became musicians, degenerates or dentists. The Ramones are a little of each," he observed. "Their sound is not unlike a fast drill on a rear molar."

Named the "Greatest Punk Album Of All Time" by Rolling Stone, and certainly one of the most important and influential albums of all time, the 29-minute masterpiece helped launch the punk rock scenes in both America and Britain, and also went on to inspire countless other artists for generations to come. Bringing a bubblegum sensibility to the fast-and-hard mentality, their primal sound is considered a blueprint for all things resembling snotty, catchy, ear-bleeding punk rock.

And with cornerstone anthems like "Blitzkrieg Bop," "Beat on the Brat," "Judy Is A Punk" and "I Wanna Be Your Boyfriend" as its first four songs alone, Ramones stature and supremacy is hard to argue.

1. Blitzkrieg Bop
2. Beat On The Brat
3. Judy Is A Punk
4. I Wanna Be Your Boyfriend
5. Chain Saw
6. Now I Wanna Sniff Some Glue
7. I Don't Wanna Go Down To The Basement
8. Loudmouth
9. Havana Affair
10. Listen To My Heart
11. 53rd & 3rd
12. Let's Dance
13. I Don't Wanna Walk Around With You
14. Today Your Love, Tomorrow The World

2019 marks the 30th anniversary of The Cult's seminal album SONIC TEMPLE. On September 13th, Beggars Arkive will reissue the album. Now cut onto two pieces of black vinyl, the audio is improved and contains 16 tracks total, which comprise the original album plus 6 B-sides. In addition to the reissue, a box set and 5-CD set are also being released. Originally released in 1989, Sonic Temple proved to be a pivotal moment for both band and the wider rock scene. Produced by the legendary Bob Rock, Sonic Temple had four chart-topping singles; "Fire Woman", "Edie (Ciao Baby)", "Sun King" and "Sweet Soul Sister". In a recent interview about the album, Ian Astbury explained how the band brought together hard rock and indie rock to create the unique, game-changing sounds on Sonic Temple. "We wanted to retain our core DNA as we went deeper into psych and hard rock influences. It was a complete immersion for me into art, film, music, poetry and literature, weaving those influences into what was to become Sonic Temple. The band was becoming more popular. We were in uncharted waters. Most of the bands we had come up with had split up or fallen off. We were accelerating. There was no real time to breathe. We were forming new allegiances and breaking the glass ceiling of 'the indie outsider.'" The album catapulted The Cult into superstar status and remains their most commercially successful release. It has sold over 1.5 million copies in the US alone, and was declared platinum in 1990. It made it to #10 on the Billboard charts, and the above mentioned songs are all rock-radio staples to this day. The Cult continues to record and tour and they have released six albums since Sonic Temple, the most recent being Hidden City in 2016. They've been spending 2019 celebrating this album by performing all over the world on a tour they've billed as A Sonic Temple, paying homage to the album.

Tracks

1. Sun King
2. Fire Woman
3. American Horse
4. Edie (Ciao Baby)
5. Sweet Soul Sister
6. Soul Asylum
7. New York City
8. Automatic Blues

1. Soldier Blue
2. Wake Up Time For Freedom
3. Medicine Train (From the Edie (Ciao Baby) single)
4. The River (From the Sweet Soul Sister single)
5. Bleeding Heart Graffiti (from the Edie (Ciao Baby) CD EP)
6. Messin' Up The Blues (from the Fire Woman single) 
7. Fire Woman (NYC Rock Mix) (from the Fire Woman CD EP)
8. Edie (Ciao Baby) (Acoustic) (From The Heart Of Soul CD single)

Following on the heels of Talking Heads: 77 (1977) and More Songs About Buildings and Food (1978), the Talking Heads issued their breakout third album Fear Of Music on Sire in 1979. Their second with Brian Eno as co-producer, the 11-song set was hailed as one of the top albums of 1979 by tastemakers across the board and it was the band's first gold certified release. Producing the three successful singles "Life During Wartime," "I Zimbra" and "Cities," Fear Of Music marked the Talking Head's remarkable transition from art punks to critically acclaimed pop act which would truly come to a head on the band's subsequent 1980 masterpiece Remain In Light. 

1. I Zimbra
2. Mind
3. Paper
4. Cities
5. Life During Wartime
6. Memories Can't Wait
7. Air
8. Heaven
9. Animals
10. Electric Guitar
11. Drugs

First New Album from Original Line-Up Since 1985's Ain't Love Grand!

On the 40th Anniversary of the landmark, Los Angeles, and 35 years since the original line-up have released an album – X, one of the greatest punk rock bands in music history, delivers Alphabetland! It finds Exene Cervenka, John Doe, Billy Zoom, and DJ Bonebrake embodying the same spirit they did when they began in 1977. "When your heart is broken you think every song is about that. These songs were written in the last 18 months and it blows my mind how timely they are," says Doe.

Tracks

1. Alphabetland
2. Free
3. Water & Wine
4. Strange Life
5. I Gotta Fever
6. Delta 88 Nightmare
7. Star Chambered
8. Angel On The Road
9. Cyrano de Berger's Back
10. Goodbye Year, Goodbye
11. All The Time In The World

Limited 180gm vinyl LP pressing. Originally released in 1981, now remastered and cut at revelatory Half-Speed at Abbey Road Studios from vinyl specific original tape transfers designed to get the very best possible sound from the format. This album features the singles 'Start Me Up', 'Waiting On A Friend' and 'Hang Fire'.

• - Disc 1 -
• 1 Start Me Up
• 2 Hang Fire
• 3 Slave
• 4 Little T&A
• 5 Black Limousine
• 6 Neighbours
• - Disc 2 -
• 1 Worried About You
• 2 Tops
• 3 Heaven
• 4 No Use in Crying
• 5 Waiting on a Friend

Foo Fighters Greatest Hits on 2x Vinyl LP! 

With 15 years, 6 platinum-plus albums and as many Grammys under their collective belt, the Foo Fighters now mark off yet another milestone in their ascension to quintessential American rock royalty, an eagerly awaited Greatest Hits package. Foo Fighters Greatest Hits will feature two brand new tracks; "Wheels" which made its live debut at President Obama and the USO's July 4 barbeque at the White House honoring military heroes, and "Word Forward," both recorded especially for this collection at the band's own fabled 606 studio complex with producer Butch Vig. The new tracks not only hold their own alongside individual Grammy winners "The Pretender," "All My Life" and "Learn To Fly" and perennial Foo favorites "Best Of You," "Times Like These," "My Hero, "Everlong" and more, but they perfectly round out an overview of the Foo Fighters' illustrious output to date and hint at what's yet to come.

Foo Fighters Greatest Hits Track Listing

1.  All My Life
2.  Best Of You
3.  Everlong
4.  The Pretender
5.  My Hero
6.  Learn To Fly
7.  Times Like These
8.  Monkeywrench
9.  Big Me
10. Breakout
11. Long Road To Ruin
12. This is a Call
13. Skin and Bones
14. Wheels
15. Word Forward
16. Everlong (acoustic) 

1975's Young Americans spent almost a year on the U.S. charts, peaking at No. 9 on Billboard's Albums chart, while its single "Fame" hit No. 1 on the Pop Singles chart. Bowie's Diamond Dogs had cracked the U.S. Top 5 the previous year, so while Young Americans was not the album that initially broke Bowie in America, it was certainly the one that aligned him with Rod Stewart and Elton John in the top ranks of the decade's Stateside superstars.

Young Americans, representing the zenith of Bowie's influential soul period, contributed in no small measure to breaking white soul music into the mainstream. The album was, in theory, about "emotional drive," but came to represent much more than that, both upon its release and over time. Young Americans is Bowie's vision of and reply to a wide swath of above-board and underground musical and socio-political influences, including soul music, politics, sex, drugs, dancing, and the cultural scenes of downtown New York and uptown Philadelphia.

A No. 2 U.K. chart peak made it Bowie's first studio album in three years not to reach the top spot. Nonetheless, the album's legacy would be profound, as a new movement of U.K. soul drew inspiration from Bowie's cool version of Americana and revolutionized British pop in the process. Bowie's soul boy look and haircut, later to be known as ‘the wedge,' became the hallmarks of classic clubland cool, not just for the soul boys themselves but across the greater New Romantic era, as well.

It is not often that an album makes such a sweeping musical, cultural and subcultural impact. David Bowie's Young Americans is one of the rare, era-defining records that altered the course of both popular music and modern style.

1. Young Americans
2. Win
3. Fascination
4. Right
5. Somebody Up There Likes Me
6. Across The Universe
7. Can You Hear Me
8. Fame

Quentin Tarantino's all-time classic Oscar nominated 1994 film Pulp Fiction features an equally as impressive soundtrack that includes famous dialogue from the movie by the likes of John Travolta, Samuel L. Jackson, Uma Thurman and Bruce Willis along with iconic musical selections from none other than Chuck Berry, Maria McKee, Al Green, The Statler Brothers, Kool & The Gang, Ricky Nelson, Dusty Springfield, Dick Dale, Peter Green and Urge Overkill. The film contains a mix of American rock and roll, surf music, pop and soul while the soundtrack is as equally untraditional, consisting of nine songs from the movie, four tracks of dialogue snippets followed by a song, and three tracks of dialogue alone. Seven songs featured in the movie were not included in the original 41-minute soundtrack.

1. Pumpkin and Honey Bunny (Dialogue)/Misirlou - Dick Dale, Amanda Plummer, Tim Roth
2. Royale With Cheese - Samuel L. Jackson, John Travolta
3. Jungle Boogie - Kool & the Gang
4. Let's Stay Together - Al Green
5. Bustin' Surfboards - The Tornadoes
6. Lonesome Town - Rick Nelson
7. Son of a Preacher Man - Dusty Springfield
8. Zed's Dead, Baby [Dialogue] - Centurian, Maria De Medeiros, Bruce Willis
9. Jack Rabbit Slims Twist Contest (Dialogue)/You Never Can Tell - Chuck Berry, Jerome Patrick Hoban
10. Girl, You'll Be a Woman Soon - Urge Overkill
11. If Love Is a Red Dress (Hang Me in Rags) - Maria McKee
12. Bring Out the Gimp (Dialogue)/Comanche - Peter Green, , Duane Whitaker
13. Flowers on the Wall - The Statler Brothers
14. Personality Goes a Long Way [Dialogue] - Samuel L. Jackson, John Travolta
15. Surf Rider - The Lively Ones
16. Ezekiel 25:17 [Dialogue] - Samuel L. Jackson 

In 1994, hip-hop was going through an at-times painful growth spurt. Since N.W.A.'s and Ice-T's ascent in the late '80s, the rap game was no longer owned by the East Coast. After the worldwide popularity of Dr. Dre's The Chronic in 1992, things were looking even worse for hip-hop's hometown. The East Coast / West Coast feud that would later indirectly claim the lives of Biggie and 2Pac was still in its infancy, but New York needed a shot in the arm. The hype behind young Queensbridge native Nasir "Nas" Jones had been in full swing months before his smash debut album Illmatic, thanks to Columbia Records' promo machine. From his earliest appearance on Main Source's "Live at the BBQ," to his own accomplished debut "Half Time" (as Nasty Nas, on the Zebrahead soundtrack in late 1992), it was clear that this kid was something special.

In fact, the pressure on him must have been overwhelming at times. April 19, 1994 couldn't have come soon enough. And as soon as the first lines of "N.Y. State of Mind" kick in, bolstered by perhaps DJ Premier's darkest beat of all time, the entire East Coast breathed a collective sigh of relief. God's Son had arrived. Backed by an absolute all-star cast of New York's top-shelf producers – Premier, Pete Rock, Large Professor, Q-Tip and a youngster named L.E.S. – the album never lets up. Serious to a fault, and lyrically dense to an extent that has possibly never been matched, the 20-year old Nas stood on the shoulders of his predecessors and proudly proclaimed, "Don't fuck with the East...we are back."

Illmatic was actually a slow-burn, which might surprise fans that have come to its genius more recently. Despite an unheard-of "5 Mics" in The Source – despite an unwritten rule of never awarding classic status to debuts – it didn't go gold until early 1996, and didn't hit platinum status until late 2001. But when you dive deeper that shouldn't be a shock: like Black Moon and Wu-Tang's debuts, it was a dark, hard record, tailor-made for heads in New York. There were no dance beats, no crossover love songs. Just boom-bap and rhymes, skills and heart.

1. The Genesis
2. N.Y. State of Mind
3. Life's A Bitch
4. The World Is Yours
5. Halftime
6. Memory Lane (Sittin' In Da Park)
7. One Love
8. One Time 4 Your Mind
9. Represent
10. It Ain't Hard To Tell

Accessible and ambitious, Tears for Fears' phenomenal 10-million-selling second album, Songs From The Big Chair, marked a transition in the band's sound and catapulted them into international prominence. As a group, Tears for Fears led the "Second British Invasion" of pop music in the mid-'80s in both the U.S. and Europe with songs from the album dominating the radio airwaves. In the U.S., "Everybody Wants to Rule the World" led the Songs from the Big Chair single releases, reaching No. 1 on the Billboard Hot 100 in 1985. "Shout" was the band's second single and stayed at No. 1 for three weeks. The album inevitably went straight to No. 1, selling 5-million copies in the U.S. alone. Songs from the Big Chair peaked at No. 2 on the U.K. album charts and remained in the Top 10 for over six months. The album went on to yield the hit singles "Everybody Wants to Rule the World" (which spent 14 weeks in the U.K. Top 5 and peaked at No. 2) and "Shout," which reached No. 4 and remained on the chart for 16 weeks. Both became global smash hits.

1. Shout
2. The Working Hour
3. Everybody Wants To Rule The World
4. Mothers Talk
5. I Believe
6. Broken
7. Head Over Heels
8. Listen

Limited double vinyl LP pressing in gatefold sleeve. Platinum edition of the pop/country star's sophomore album featuring six new songs not found on the original release. Taylor is the only country female artist to have five Top 10 singles from a debut album and the only country female vocalist this decade to reach the Top 5 on Billboard's Hot 100 Chart. Fearless was released on November 11, 2008, by Big Machine Records. As with her debut, Swift wrote or co-wrote all 13 original tracks on Fearless. Most of the songs were written as the singer promoted her debut album as opening act for numerous country artists. Due to the unavailability of collaborators on the road, eight songs were self-penned by Swift. Other songs were co-written with Liz Rose, Hillary Lindsey, Colbie Caillat, and John Rich. Swift also made her debut as a record producer, co-producing all songs on the album with Nathan Chapman.

• - Disc 1 -
• 1 Jump Then Fall
• 2 Untouchable
• 3 Forever & Always (Piano Version)
• 4 Come in with the Rain
• - Disc 2 -
• 1 Superstar
• 2 The Other Side of the Door
• 3 Fearless
• 4 Fifteen
• 5 Love Story
• - Disc 3 -
• 1 Hey Stephen
• 2 White Horse
• 3 You Belong with Me
• 4 Breathe
• 5 Tell Me Why
• - Disc 4 -
• 1 You're Not Sorry
• 2 The Way I Loved You
• 3 Forever & Always
• 4 The Best Day
• 5 Change

Limit one per customer.  Double vinyl LP pressing. 2012 release, the fourth album from the internationally successful singer/songwriter. Swift co-wrote the album with people 'from all different places in music'. Collaborators include Dan Wilson, Butch Walker, Max Martin, Lori McKenna, Ed Sheeran and Mark Foster of Foster the People. Rolling Stone has described the album as 'Swift's most eclectic set ever, ranging from 'State of Grace', a howling, U2-style epic with reverb-drenched guitars, to a sweet acoustic duet with U.K. singer Ed Sheeran. Another key track even features a Dubstep-inspired bass breakdown. The album's lead single, 'We Are Never Ever Getting Back Together', became Swift's first number one single on the US Billboard Hot 100 chart, recording the highest ever one-week sales figures for a female artist.

• 1 State of Grace
• 2 Red
• 3 Treacherous
• 4 I Knew You Were Trouble
• 5 All Too Well
• 6 22
• 7 I Almost Do
• 8 We Are Never Ever Getting Back Together
• 9 Stay Stay Stay
• 10 The Last Time (Featuring Gary Lightbody of Snow Patrol)
• 11 Holy Ground
• 12 Sad Beautiful Tragic
• 13 The Lucky One
• 14 Everything Has Changed (Featuring Ed Sheeran)
• 15 Starlight
• 16 Begin Again

Some albums define an era, a place, a certain time in one's life. The Beastie Boys Check Your Head practically defined the summer of 1992 for those who were wary of the mainstreaming of rap and the insurgency of grunge. It was here that MCA, Adrock and Mike D. created a musical montage that defied genre, one with the swagger of punk and the rootsy earthiness of early-'70s soul-jazz, all layered with a hip-hop consciousness. Lo-fi, garagy, guitar-riff-loaded tracks like "Pass Da Mic" and "Gratitude" made it clear that the Beasties could be taken as serious musical forces, even innovators. Yet they still brilliantly tempered the proceedings with romps like "Professor Booty" and "Funky Boss." One of the best albums of the '90's, Check Your Head was a turning point for the band and the genesis of a new musical hybrid. 

1. Jimmy James
2. Funky Boss
3. Pass the Mic
4. Gratitude
5. Lighten Up
6. Finger Lickin' Good
7. So What'cha Want
8. Biz Vs. The Nuge
9. Time for Livin'
10. Something's Got to Give
11. Blue Nun
12. Stand Together
13. Pow
14. Maestro
15. Groove Holmes
16. Live at P.J.'s
17. Mark on the Bus
18. Professor Booty
19. In 3's
20. Namasté

Limited import reissue double 180-gram vinyl LP. All you need is love... and the greatest hits of The Beatles' later years. This classic Beatles compilation spanning the years 1967 - 1970 (A.K.A. The Blue Collection) has been cut from the original analog masters and the packaging is faithful to the original artwork. Sing along with Sgt. Pepper and the Walrus on Penny Lane or in Strawberry Fields. Get Back, Jojo, to the psychedelic sounds of The Beatles' most cutting-edge music. It's time to take that Magical Mystery Tour with John, Paul, Ringo and George with superior sounding 180-gram vinyl!

• - Disc 1 -
• 1 Strawberry Fields Forever
• 2 Penny Lane
• 3 SGT. Pepper's Lonely Hearts Club Band
• 4 With a Little Help from My Friends
• 5 Lucy in the Sky with Diamonds
• 6 A Day in the Life
• 7 All You Need Is Love
• 8 I Am the Walrus
• 9 Hello, Goodbye
• 10 Fool on the Hill
• 11 Magical Mystery Tour
• 12 Lady Madonna
• 13 Hey Jude
• 14 Revolution
• - Disc 2 -
• 1 Back in the U.S.S.R
• 2 While My Guitar Gently Weeps
• 3 Ob-La-Di, Ob-La-Da
• 4 Get Back
• 5 Don't Let Me Down
• 6 The Ballad of John and Yoko
• 7 Old Brown Shoe
• 8 Here Comes the Sun
• 9 Come Together
• 10 Something
• 11 Octopus's Garden
• 12 Let It Be
• 13 Across the Universe
• 14 The Long and Winding Road

New Zealand-born singer/songwriter Lorde scored her first US No. 1 album when her long-awaited second LP Melodrama topped the Billboard 200 in the summer of 2017. Co-written and co-produced with Jack Antonoff (Fun, The Bleachers), each track - including captivating singles "Green Light," "Liability," "Sober," and "Perfect Places" - is an intimate portrayal of late teenage years, which makes her wide appeal all the more impressive. The Fader called lead single "Green Light," "a true pop anthem – made for both earbud strutting and the club"; Billboard praised "Liability" as "an absolute jaw-dropper"; and SPIN hailed "Sober" as "the strangest, coolest Melodrama song yet." The universally acclaimed Melodrama was nominated for Album of the Year at the 60th Annual Grammy Awards. Featuring double sided record sleeve and double sided photo insert.

1. Green Light
2. Sober
3. Homemade Dynamite
4. The Louvre
5. Liability
6. Hard Feelings / Loveless
7. Sober II (Melodrama)
8. Writer In The Dark
9. Supercut
10. Liability (Reprise)
11. Perfect Places